生態(tài)視野中的動(dòng)物敘事生態(tài)文學(xué)發(fā)展脈絡(luò)與《狼圖騰》生態(tài)意識解讀

生態(tài)視野中的動(dòng)物敘事生態(tài)文學(xué)發(fā)展脈絡(luò)與《狼圖騰》生態(tài)意識解讀一、本文概述Overviewofthisarticle本文旨在探討生態(tài)視野中的動(dòng)物敘事，特別關(guān)注生態(tài)文學(xué)的發(fā)展脈絡(luò)，并以《狼圖騰》為例，深入解讀其生態(tài)意識。生態(tài)文學(xué)作為一種新興的文學(xué)流派，以獨(dú)特的視角和敘事方式，揭示了人類與自然界的相互關(guān)系，以及動(dòng)物在生態(tài)系統(tǒng)中的重要地位。通過對生態(tài)文學(xué)發(fā)展歷程的梳理，我們可以更好地理解《狼圖騰》等作品所蘊(yùn)含的深刻生態(tài)思想，從而對我們自身的行為和環(huán)境保護(hù)產(chǎn)生積極的影響。Thisarticleaimstoexploreanimalnarrativesfromanecologicalperspective,payingspecialattentiontothedevelopmentofecologicalliterature,andusing"WolfTotem"asanexampletodeeplyinterpretitsecologicalconsciousness.Ecologicalliterature,asanemergingliterarygenre,revealstheinterrelationshipsbetweenhumansandnature,aswellastheimportantroleofanimalsinecosystems,throughauniqueperspectiveandnarrativeapproach.Bysortingoutthedevelopmentprocessofecologicalliterature,wecanbetterunderstandtheprofoundecologicalideascontainedinworkssuchasWolfTotem,whichcanhaveapositiveimpactonourownbehaviorandenvironmentalprotection.本文首先概述了生態(tài)文學(xué)的基本概念和發(fā)展歷程，分析了生態(tài)文學(xué)如何從傳統(tǒng)文學(xué)中脫穎而出，成為一種關(guān)注生態(tài)問題的文學(xué)流派。接著，本文重點(diǎn)探討了生態(tài)視野中的動(dòng)物敘事，分析了動(dòng)物在生態(tài)文學(xué)中的象征意義和敘事功能，以及如何通過動(dòng)物敘事來揭示生態(tài)問題。在此基礎(chǔ)上，本文以《狼圖騰》為例，深入解讀了作品中的生態(tài)意識，包括人與自然的關(guān)系、動(dòng)物的生存狀態(tài)以及人類對自然界的責(zé)任等方面。通過對《狼圖騰》的解讀，我們可以更好地理解生態(tài)文學(xué)的深刻內(nèi)涵，并對我們自身的行為和環(huán)境保護(hù)產(chǎn)生積極的啟示。Thisarticlefirstoutlinesthebasicconceptsanddevelopmentprocessofecologicalliterature,analyzeshowecologicalliteraturestandsoutfromtraditionalliteratureandbecomesaliterarygenrethatfocusesonecologicalissues.Furthermore,thisarticlefocusesonexploringanimalnarrativesfromanecologicalperspective,analyzingthesymbolicsignificanceandnarrativefunctionofanimalsinecologicalliterature,aswellashowtorevealecologicalissuesthroughanimalnarratives.Onthisbasis,thisarticletakes"WolfTotem"asanexampletodeeplyinterprettheecologicalconsciousnessinthework,includingtherelationshipbetweenhumansandnature,thesurvivalstatusofanimals,andhumanresponsibilitytowardsnature.Byinterpreting"WolfTotem",wecanbetterunderstandtheprofoundconnotationsofecologicalliteratureandprovidepositiveinsightsforourownbehaviorandenvironmentalprotection.本文旨在通過深入剖析生態(tài)文學(xué)和《狼圖騰》等作品，提升人們對生態(tài)問題的關(guān)注度和環(huán)保意識，促進(jìn)人與自然的和諧共生。希望通過本文的論述，能夠引發(fā)讀者對生態(tài)文學(xué)和生態(tài)問題的深入思考，從而為我們共同建設(shè)美好的生態(tài)環(huán)境貢獻(xiàn)一份力量。Thisarticleaimstoenhancepeople'sattentiontoecologicalissuesandenvironmentalawarenessthroughin-depthanalysisofecologicalliteratureandworkssuchas"WolfTotem",andpromoteharmoniouscoexistencebetweenhumansandnature.Ihopethatthroughthediscussioninthisarticle,readerscandeeplyreflectonecologicalliteratureandecologicalissues,andcontributetoourcommonconstructionofabeautifulecologicalenvironment.二、生態(tài)文學(xué)發(fā)展脈絡(luò)TheDevelopmentofEcologicalLiterature生態(tài)文學(xué)，作為一種獨(dú)特的文學(xué)流派，其發(fā)展脈絡(luò)與全球生態(tài)意識的覺醒和深化緊密相連。生態(tài)文學(xué)以自然和生物為創(chuàng)作主體，通過敘事手法揭示人類與自然的關(guān)系，倡導(dǎo)生態(tài)平衡和和諧共生。其發(fā)展歷程大致可以分為三個(gè)階段：萌芽期、發(fā)展期和成熟期。Ecologicalliterature,asauniqueliterarygenre,iscloselylinkedtotheawakeninganddeepeningofglobalecologicalconsciousnessinitsdevelopmentcontext.Ecologicalliteraturetakesnatureandbiologyasthemaincreativesubjects,revealingtherelationshipbetweenhumansandnaturethroughnarrativetechniques,advocatingecologicalbalanceandharmoniouscoexistence.Itsdevelopmentprocesscanberoughlydividedintothreestages:germinationstage,developmentstage,andmaturitystage.萌芽期：生態(tài)文學(xué)的起源可以追溯到19世紀(jì)末至20世紀(jì)初，這一時(shí)期的文學(xué)作品開始表現(xiàn)出對自然環(huán)境的關(guān)注和反思。作家們開始意識到人類活動(dòng)對自然環(huán)境的破壞，并在作品中表達(dá)對自然生態(tài)的憂慮和擔(dān)憂。這些作品多以描繪自然風(fēng)光和動(dòng)植物生活為主，通過細(xì)膩的筆觸展現(xiàn)自然的美麗與脆弱。Sproutingperiod:Theoriginofecologicalliteraturecanbetracedbacktothelate19thcenturytotheearly20thcentury,duringwhichliteraryworksbegantoshowconcernandreflectiononthenaturalenvironment.Writersbegantorealizethedamagethathumanactivitieshavecausedtothenaturalenvironment,andexpressedconcernsandconcernsaboutthenaturalecologyintheirworks.Theseworksmainlydepictnaturalsceneryandthelivesofanimalsandplants,showcasingthebeautyandfragilityofnaturethroughdelicatebrushstrokes.發(fā)展期：隨著全球環(huán)境問題的日益嚴(yán)重，生態(tài)文學(xué)在20世紀(jì)中葉迎來了快速發(fā)展期。這一時(shí)期，生態(tài)文學(xué)不再僅僅關(guān)注自然的美，而是更加深入地探討人類與自然的關(guān)系，揭示人類活動(dòng)對生態(tài)環(huán)境造成的破壞。作家們開始以生態(tài)整體主義為視角，從生態(tài)系統(tǒng)的角度審視人類行為，呼吁人類尊重自然、保護(hù)生態(tài)。同時(shí)，生態(tài)文學(xué)也開始涉及更為廣泛的主題，如生物多樣性、可持續(xù)發(fā)展等。Developmentperiod:Withtheincreasinglyseriousglobalenvironmentalproblems,ecologicalliteratureenteredaperiodofrapiddevelopmentinthemid-20thcentury.Duringthisperiod,ecologicalliteraturenolongeronlyfocusedonthebeautyofnature,butalsodelveddeeperintotherelationshipbetweenhumansandnature,revealingthedamagecausedbyhumanactivitiestotheecologicalenvironment.Writershavebeguntoexaminehumanbehaviorfromtheperspectiveofecologicalholism,callingonhumanstorespectnatureandprotecttheecosystem.Atthesametime,ecologicalliteraturehasalsobeguntoinvolvebroaderthemes,suchasbiodiversityandsustainabledevelopment.成熟期：進(jìn)入21世紀(jì)后，生態(tài)文學(xué)迎來了更加成熟的發(fā)展階段。這一時(shí)期的生態(tài)文學(xué)作品不僅具有深刻的思想內(nèi)涵，還具備了較高的藝術(shù)價(jià)值。作家們運(yùn)用多種敘事手法和技巧，將生態(tài)理念融入作品之中，使讀者在享受文學(xué)魅力的也能夠感受到生態(tài)保護(hù)的緊迫性和重要性。生態(tài)文學(xué)還開始關(guān)注全球化背景下的環(huán)境問題，倡導(dǎo)全球范圍內(nèi)的生態(tài)保護(hù)合作。Maturityperiod:Afterenteringthe21stcentury,ecologicalliteraturehasenteredamorematurestageofdevelopment.Theecologicalliteratureworksofthisperiodnotonlyhaveprofoundideologicalconnotations,butalsohavehighartisticvalue.Writersusevariousnarrativetechniquesandtechniquestointegrateecologicalconceptsintotheirworks,allowingreaderstofeeltheurgencyandimportanceofecologicalprotectionwhileenjoyingliterarycharm.Ecologicalliteraturehasalsobeguntopayattentiontoenvironmentalissuesinthecontextofglobalization,advocatingforglobalcooperationinecologicalprotection.在這個(gè)過程中，《狼圖騰》以其獨(dú)特的視角和深刻的生態(tài)意識成為了生態(tài)文學(xué)的經(jīng)典之作。作品通過講述人與狼之間的故事，揭示了人類對自然生態(tài)的破壞和生態(tài)平衡的失衡?！独菆D騰》也倡導(dǎo)了一種尊重自然、保護(hù)生態(tài)的生活態(tài)度，呼吁人類與自然和諧共生。可以說，《狼圖騰》的成功不僅推動(dòng)了生態(tài)文學(xué)的發(fā)展，也為全球生態(tài)保護(hù)事業(yè)做出了重要貢獻(xiàn)。Inthisprocess,WolfTotemhasbecomeaclassicworkofecologicalliteraturewithitsuniqueperspectiveandprofoundecologicalconsciousness.Theworkrevealsthedestructionofnaturalecologyandtheimbalanceofecologicalbalancebyhumansbytellingthestorybetweenhumansandwolves.WolfTotemalsoadvocatesalifeattitudeofrespectingnatureandprotectingecology,callingforharmoniouscoexistencebetweenhumansandnature.ItcanbesaidthatthesuccessofWolfTotemnotonlypromotedthedevelopmentofecologicalliterature,butalsomadeimportantcontributionstotheglobalecologicalprotectioncause.三、《狼圖騰》的生態(tài)意識解讀InterpretationofEcologicalConsciousnessinWolfTotem《狼圖騰》是姜戎創(chuàng)作的一部描繪草原生態(tài)與狼性文化的長篇小說。作品通過插敘的方式，將陳陣在內(nèi)蒙古草原插隊(duì)期間對草原狼的生活習(xí)性、狼群的生存策略以及草原牧民與狼群的互動(dòng)進(jìn)行了深入的描繪。作者不僅僅是在講述狼的故事，更是在通過這些故事向讀者傳達(dá)一種深刻的生態(tài)意識。WolfTotemisanovelwrittenbyJiangRongthatdepictsgrasslandecologyandwolfculture.Theworkprovidesanin-depthdepictionofChenZhen'slifehabitsofgrasslandwolves,survivalstrategiesofwolfpacks,andtheinteractionbetweengrasslandherdersandwolfpacksduringhistimeinInnerMongoliagrasslandsthroughinterlude.Theauthorisnotonlytellingthestoryofwolves,butalsoconveyingaprofoundecologicalawarenesstoreadersthroughthesestories.在《狼圖騰》中，狼被賦予了多重象征意義。它們既是草原生態(tài)平衡的重要一環(huán)，又是蒙古族牧民的精神圖騰。狼群的團(tuán)結(jié)協(xié)作、敏銳機(jī)警以及頑強(qiáng)的生命力，都是作者想要向讀者傳達(dá)的生態(tài)意識。通過狼的形象，作者呼吁人們要尊重自然、尊重生命，認(rèn)識到人類與自然界的和諧共生關(guān)系。InWolfTotem,wolvesareendowedwithmultiplesymbolicmeanings.Theyarenotonlyanimportantpartofgrasslandecologicalbalance,butalsoaspiritualtotemofMongolianherdsmen.Theunityandcooperation,keenalertness,andtenaciousvitalityofwolfpacksareallecologicalconsciousnessthattheauthorwantstoconveytoreaders.Throughtheimageofawolf,theauthorcallsonpeopletorespectnature,respectlife,andrecognizetheharmonioussymbioticrelationshipbetweenhumansandnature.《狼圖騰》還通過人與狼的沖突與和諧共存，揭示了人類對于自然資源的過度開發(fā)所導(dǎo)致的生態(tài)危機(jī)。在小說中，草原的退化、狼群的減少，都與人類的過度放牧、濫捕濫殺有著直接的關(guān)系。作者通過這些情節(jié)，警示人們要反思自己的行為，重新審視人與自然的關(guān)系，尋求一種可持續(xù)的發(fā)展方式。TheWolfTotemalsorevealstheecologicalcrisiscausedbyhumanoverexploitationofnaturalresourcesthroughtheconflictandharmoniouscoexistencebetweenhumansandwolves.Inthenovel,thedegradationofgrasslandsandthereductionofwolfpacksaredirectlyrelatedtohumanovergrazingandindiscriminatehuntingandkilling.Throughtheseplots,theauthorwarnspeopletoreflectontheirownbehavior,re-examinetherelationshipbetweenhumansandnature,andseekasustainabledevelopmentapproach.《狼圖騰》的生態(tài)意識不僅僅體現(xiàn)在對自然生態(tài)的關(guān)注上，更體現(xiàn)在對人類文明進(jìn)程的反思上。作者通過草原牧民與漢族干部之間的文化沖突，探討了現(xiàn)代化進(jìn)程對于傳統(tǒng)文化和生態(tài)環(huán)境的沖擊。這種反思使得小說的生態(tài)意識更加深刻和全面。TheecologicalconsciousnessofWolfTotemisnotonlyreflectedinitsconcernfornaturalecology,butalsoinitsreflectionontheprogressofhumancivilization.TheauthorexplorestheimpactofmodernizationontraditionalcultureandecologicalenvironmentthroughculturalconflictsbetweengrasslandherdersandHancadres.Thiskindofreflectionmakestheecologicalconsciousnessofthenovelmoreprofoundandcomprehensive.《狼圖騰》的生態(tài)意識不僅僅是一種對自然生態(tài)的關(guān)注和保護(hù)，更是一種對人類文明進(jìn)程的反思和批判。它呼吁人們要尊重自然、尊重生命，重新審視人與自然的關(guān)系，尋求一種和諧共生的方式。這種生態(tài)意識不僅對于文學(xué)創(chuàng)作有著重要的意義，更對于人類社會的可持續(xù)發(fā)展具有重要的啟示作用。TheecologicalconsciousnessofWolfTotemisnotonlyaconcernandprotectionofnaturalecology,butalsoareflectionandcriticismoftheprogressofhumancivilization.Itcallsonpeopletorespectnatureandlife,re-examinetherelationshipbetweenhumansandnature,andseekawayofharmoniouscoexistence.Thisecologicalconsciousnessnotonlyhasimportantsignificanceforliterarycreation,butalsohasimportantimplicationsforthesustainabledevelopmentofhumansociety.四、動(dòng)物敘事在生態(tài)文學(xué)中的功能與意義TheFunctionandSignificanceofAnimalNarrativeinEcologicalLiterature動(dòng)物敘事在生態(tài)文學(xué)中扮演著舉足輕重的角色，它不僅豐富了文學(xué)創(chuàng)作的手法和視角，更深化了人們對生態(tài)環(huán)境和生命共生關(guān)系的認(rèn)識。動(dòng)物敘事作為一種文學(xué)手法，通過賦予動(dòng)物以人性、情感和智慧，使得它們成為生態(tài)系統(tǒng)中不可或缺的角色，進(jìn)一步提升了文學(xué)作品的藝術(shù)價(jià)值和審美體驗(yàn)。Animalnarrativesplayacrucialroleinecologicalliterature,notonlyenrichingthetechniquesandperspectivesofliterarycreation,butalsodeepeningpeople'sunderstandingofthesymbioticrelationshipbetweenecologicalenvironmentandlife.Animalnarrative,asaliterarytechnique,endowsanimalswithhumanity,emotions,andwisdom,makingthemindispensablerolesintheecosystem,furtherenhancingtheartisticvalueandaestheticexperienceofliteraryworks.動(dòng)物敘事在生態(tài)文學(xué)中發(fā)揮著重要的生態(tài)倫理教育功能。通過描述動(dòng)物的生活習(xí)性、生存狀態(tài)以及它們與人類的關(guān)系，動(dòng)物敘事能夠引導(dǎo)讀者反思人類自身的行為和觀念，激發(fā)人們對生態(tài)環(huán)境的保護(hù)意識。例如，《狼圖騰》中的狼，作為一種被賦予了豐富情感和智慧的動(dòng)物形象，它的生存狀態(tài)和命運(yùn)不僅反映了生態(tài)系統(tǒng)的復(fù)雜性和殘酷性，更引發(fā)了讀者對生態(tài)平衡和生物多樣性的深刻思考。Animalnarrativesplayanimportantroleinecologicalethicseducationinecologicalliterature.Bydescribingthelivinghabits,survivalstatus,andrelationshipbetweenanimalsandhumans,animalnarrativescanguidereaderstoreflectonhumanbehaviorandconcepts,andstimulatepeople'sawarenessofecologicalenvironmentprotection.Forexample,thewolfin"WolfTotem",asananimalimageendowedwithrichemotionsandwisdom,notonlyreflectsthecomplexityandcrueltyoftheecosysteminitssurvivalstateandfate,butalsotriggersreaderstodeeplyreflectonecologicalbalanceandbiodiversity.動(dòng)物敘事在生態(tài)文學(xué)中還承載著文化傳承和社會記憶的功能。不同的動(dòng)物形象和動(dòng)物故事往往承載著不同的文化內(nèi)涵和社會價(jià)值，通過動(dòng)物敘事，人們可以更好地理解和傳承自己的文化傳統(tǒng)，同時(shí)也可以借此反思現(xiàn)代社會的發(fā)展模式和價(jià)值觀念。在《狼圖騰》中，狼作為一種具有深厚文化內(nèi)涵的動(dòng)物形象，它的故事不僅反映了蒙古族人民的生活方式和精神風(fēng)貌，更成為了一種社會記憶和文化符號，傳承著人們對自然和生命的敬畏與尊重。Animalnarrativesalsocarrythefunctionsofculturalinheritanceandsocialmemoryinecologicalliterature.Differentanimalimagesandstoriesoftencarrydifferentculturalconnotationsandsocialvalues.Throughanimalnarratives,peoplecanbetterunderstandandinherittheirculturaltraditions,whilealsoreflectingonthedevelopmentpatternsandvaluesofmodernsociety.InWolfTotem,thewolf,asananimalimagewithprofoundculturalconnotations,notonlyreflectsthelifestyleandspiritualoutlookoftheMongolianpeople,butalsobecomesasocialmemoryandculturalsymbol,inheritingpeople'sreverenceandrespectfornatureandlife.動(dòng)物敘事在生態(tài)文學(xué)中具有豐富的功能和意義，它不僅豐富了文學(xué)創(chuàng)作的手法和視角，更深化了人們對生態(tài)環(huán)境和生命共生關(guān)系的認(rèn)識，發(fā)揮著重要的生態(tài)倫理教育功能，承載著文化傳承和社會記憶的重任。因此，在生態(tài)文學(xué)的創(chuàng)作和研究中，我們應(yīng)更加重視動(dòng)物敘事的作用和價(jià)值，通過深入挖掘和呈現(xiàn)動(dòng)物的生態(tài)智慧和生命魅力，為推動(dòng)生態(tài)文明建設(shè)和構(gòu)建人類命運(yùn)共同體貢獻(xiàn)更多的文學(xué)力量。Animalnarrativehasrichfunctionsandsignificanceinecologicalliterature.Itnotonlyenrichesthetechniquesandperspectivesofliterarycreation,butalsodeepenspeople'sunderstandingofthesymbioticrelationshipbetweenecologicalenvironmentandlife.Itplaysanimportantroleinecologicalethicseducationandcarriestheresponsibilityofculturalinheritanceandsocialmemory.Therefore,inthecreationandresearchofecologicalliterature,weshouldpaymoreattentiontotheroleandvalueofanimalnarratives.Bydeeplyexploringandpresentingtheecologicalwisdomandlifecharmofanimals,wecancontributemoreliterarystrengthtopromotingtheconstructionofecologicalcivilizationandbuildingacommunitywithasharedfutureformankind.五、結(jié)論Conclusion在生態(tài)視野下審視動(dòng)物敘事生態(tài)文學(xué)的發(fā)展脈絡(luò)，我們發(fā)現(xiàn)這一文學(xué)現(xiàn)象并非孤立存在，而是與社會、文化、環(huán)境等多個(gè)層面緊密相連。從早期的自然書寫到當(dāng)代的生態(tài)文學(xué)，動(dòng)物敘事始終占據(jù)著重要地位，不僅為我們提供了獨(dú)特的觀察視角，也促使我們反思自身與自然的關(guān)系。Fromanecologicalperspective,whenexaminingthedevelopmentofanimalnarrativeecologicalliterature,wefindthatthisliteraryphenomenondoesnotexistinisolation,butiscloselyconnectedtomultiplelevelssuchassociety,culture,andenvironment.Fromearlynaturalwritingtocontemporaryecologicalliterature,animalnarrativeshavealwaysheldanimportantposition,notonlyprovidinguswithauniqueperspectiveofobservation,butalsopromptingustoreflectonourownrelationshipwithnature.《狼圖騰》作為一部具有鮮明生態(tài)意識的動(dòng)物敘事作品，其成功之處在于通過生動(dòng)的故事情節(jié)和深入的人物塑造，將生態(tài)理念巧妙地融入其中。作品不僅展示了草原生態(tài)系統(tǒng)中狼與人、狼與其他動(dòng)物之間的復(fù)雜關(guān)系，還深刻揭示了人類活動(dòng)對自然環(huán)境的破壞和生態(tài)平衡的破壞。這種通過動(dòng)物敘事來傳達(dá)生態(tài)意識的方式，既具有文學(xué)價(jià)值，又具有深刻的現(xiàn)實(shí)意義。ThesuccessofWolfTotem,asananimalnarrativeworkwithdistinctecologicalconsciousness,liesinthecleverintegrationofecologicalconceptsthroughvividstorylinesandin-depthcharactershaping.Theworknotonlyshowcasesthecomplexrelationshipsbetweenwolvesandhumans,wolvesandotheranimalsingrasslandecosystems,butalsoprofoundlyrevealsthedamageofhumanactivitiestothenaturalenvironmentandecologicalbalance.Thiswayofconveyingecologicalawarenessthroughanimalnarrativeshasbothliteraryvalueandprofoundpracticalsignificance.動(dòng)物敘事生態(tài)文學(xué)的發(fā)展是一個(gè)不斷深化的過程，它不僅豐富了文學(xué)的表現(xiàn)手法和主題內(nèi)涵，也為我們提供了一種全新的視角來審視自然和生態(tài)。而《狼圖騰》作為這一領(lǐng)域的代表作之一，其成功實(shí)踐為我們提供了寶貴的啟示：在未來的文學(xué)創(chuàng)作中，我們應(yīng)該更加注重生態(tài)意識的融入，通過動(dòng)物敘事等方式，讓更多的人關(guān)注自然、關(guān)愛生命、保護(hù)生態(tài)。只有這樣，我們才能實(shí)現(xiàn)人與自然的和諧共生，共同構(gòu)建一個(gè)美好的生態(tài)環(huán)境。Thedevelopmentofanimalnarrativeecologicalliteratureisaconstantlydeepeningprocess,whichnotonlyenrichestheexpressivetechniquesandthematicconnotationsofliterature,butalsoprovidesuswithanewperspectivetoexaminenatureandecology.Asoneoftherepresentativeworksinthisfield,thesuccessfulpracticeofWolfTotemprovidesuswithvaluableinsights:infutureliterarycreation,weshouldpaymoreattentiontotheintegrationofecologicalconsciousness,andthroughanimalnarrativesandothermeans,letmorepeoplepayattentiontonature,careforlife,andprotectecology.Onlyinthiswaycanweachieveharmoniouscoexistencebetweenhumansandnature,andjointlybuildabeautifulecologicalenvironment.七、致謝Thanks隨著這篇關(guān)于生態(tài)視野中的動(dòng)物敘事生態(tài)文學(xué)發(fā)展脈絡(luò)與《狼圖騰》生態(tài)意識解讀的文章的完成，我衷心感謝所有給予我?guī)椭椭С值娜?。Withthecompletionoft