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-CAL-本頁僅作為文檔封面,使用請直接刪除文學(xué)導(dǎo)論知識點(diǎn)(總17頁)poetry(一)ElementsofPoetryRhyme(Rime)Rhymeistherepetitionofthestressedvowelsoundandallsucceedingsounds1.SingleorMasculinerhyme單(陽)韻----rhymingsoundsinvolveonlyonesyllable..cold,bold;thing,king;day,wayorFemininerhyme雙疊(陰)韻----rhymingsoundsinvolvetwoormoresyllables..begin,again;flatter,matter;3.Triplerhyme三疊韻----akindoffemininerhymeinwhichidenticalstressedvowelsoundsarefollowedbytwoidenticalunstressedsyllables..machinery,scenery;tenderly,slenderly;spitefully,delightfully;remember,September4.Internalrhyme(行內(nèi)韻)----atleastoneoftherhymingwordsarewithintheline..“Eachnarrowcellinwhichwedwell”;“thegrainsbeyondage,thedarkveinsofhermother”5.Endrhyme(orTerminalrhyme)(行尾韻)----thebothrhymingwordsoccurattheendsoflines.(Thecommonestandmostconsciouslysought-aftersoundrepetitioninEnglishpoetry.).Undermywindow,acleanraspingsoundWhenthespadesinksintogravellyground.Letusrollallourstrength,andallOurSweetness,upintooneball.6.BeginningRhyme行首詞韻----rhymethatoccursinthefirstsyllableorsyllablesofsuccessivelines..WhyshouldIhavereturnedMyknowledgewouldnotfitintotheirs.Ifounduntouchedthedesertoftheunknown.7.InterlacedorCrossedRhyme交錯韻----Wordsinthemiddleofeachlinerhyme.Itoccursinlongcouplets,especiallythehexameter..Laurelisgreenforaseason,andloveissweetforaday,Butlovegrowsbitterwithtreason,andlaureloutlivesnotMay.orExactrhyme(全韻)----differingconsonantsoundsarefollowedbyidenticalstressedvowelsounds,andthefollowingsoundsareidentical..foe,toe;meet,fleet;buffer,rougher;fix,sticks;9.Halfrhymeoroffrhyme,nearrhyme,obliquerhyme,slantrhyme)(斜韻)----thefemininerhymesthatdonotrhymecompletely..frightful,slightly;yellow,pillow;mirth,forth;trolley,bullyrhyme(視覺韻)----formedbywordsthatlookalikearhymedunitbutdonothavethesamesounds..cough,bough;home,some;hear,bear11.ApproximaterhymesAlliteration頭韻----repetitionofinitialsounds..alltheawfulauguries..Bringmemybowofburninggold;moreoftendefinedastherepetitionofconsonants..afterlife’sfitfulfever(二)Rhymescheme(押韻格式)----thepatternofalternatingendrhymesinastanzaorpoem.Inanalysisofarhymescheme,eachrhymeisrepresentedbyasmallletter..Loveisasicknessfullofwoes,(a)Allremediesrefusing;(b)Aplantthatwithmostcuttinggrows(a)Mostbarrenwithbestusing.(b)Whyso(c)(三)Stanza----agroupoflinesofverseformingoneoftheunitsordivisionsofapoem.(Itisusuallyrecurrent,characterizedbyaregularpattern,withrespecttoorunderdeterminationof,thenumberoflines,andarrangementofmeterofrhyme.)Commonstanzaformsincludethecouplet,thetriplet,andthequatrainCouplet----twosuccessiverhyminglines:Forthysweetloverememb’redsuchwealthbringsThatthenIscorntochangemystatewithkings.(ThecoupletisoneofthemainverseunitsinWesternliterature,andisaformofgreatantiquity.ChaucerwasoneofthefirstEnglishpoetstouseitandit’sgenerallythoughtthatChaucerdevelopedtheform.)Triplet----astanzaofthreelines;anindividualpoemofthreelines.E.g.WhenasinsilksmyJuliagoesThen,then(methinks)howsweetlyflowsThatliquefactionofherclothes.Next,whenIcastmineeyesandseeThatbravevibrationeachwayfree;Ohowthatglitteringtakethme!Quatrain----astanzaoranindividualpoemoffourlinesrhymedorunrhymed.ItoccursasthecommonestofallstanzaicformsinEasternandWesternpoetries,andlendsitselftowidevariationinmeterandrhyme..IenvynotinanymoodsThecaptivevoidofnoblerage,ThelinnetbornwithinthecageThatneverknewthesummerwoods;IenvynotthebeastthattakesHislicenseinthefieldoftime,unfetteredbythesenseofcrime,Towhomaconscienceneverwakes.OtherStanzaicforms:Quintain----astanzaoranindividualpoemof5lines.Sexain,orsixain,sextain,hexastich/`heks?stik/----astanzaof6linesHeptastich/`hept?stik/----astanzaoranindividualpoemof7lines.Sonnet----a14-linepoem./(四)MetricalRhythmAccentsandpausesInpoetry,theendofalineofverseisitselfamarkofpunctuation.Ifthelastwordofalineisfollowedbynopunctuationandispartofacontinuinggrammaticalunitlikeaprepositionalphrase,wecallthelinerun-on,orenjambed.(跨行連續(xù)).somuchdependsuponaredwheelbarrowglazedwithrainwaterbesidethewhitechickens.(WilliamCarlosWilliams)MetricalRhythmMeter(韻律,格律)----derivedfromtheGreekword“metron”meaning“measure”.Referstotheregularpatternofstressed(markedasOor/)andunstressedsyllables(markedasoor~;u;xetc.).E.g.morningOo(or:/~)verbalizeOoo(or:/~~)tomorrowoOo(or:~/~)againoO(or:~/)MetricalRhythmNamesforMeters:1.Iamb/`ai?mb/(Iambic/ai`?mbik/adj.):anunstressedsyllablefollowedbyastressedsyllable.抑揚(yáng)格(英);短長格(西、拉)oO(~/)(da-dum)E.g.againoO(or:~/)ShallIcomparetheetoasummer’sdayThouartmorelovelyandmoretemperateoOoOoOoOoOShallIcomparetheetoasummer’sdayoOoOoOoOoOThouartmorelovelyandmoretemperate.2.Trochee/`tr?uki:/(trochaic/tr?u`keiik/adj.):astressedsyllablefollowedbyanunstressedsyllable.揚(yáng)抑格(英);長短格(西、拉)Oo(/~)(dum-da)E.g.morningOo(or:/~)Tiger!Tiger!burningbrightIntheforestsofthenight.OoOoOoOTiger!Tiger!burningbrightOoOoOoOIntheforestsofthenight.OR:/~/~/~/Tiger!Tiger!burningbright/~/~/~/Intheforestsofthenight.3.AnapestorAnapaest/`?n?pi:st/(AnapesticorAnapaestic/?n?`pi:stik/adj.):twounstressedsyllablesfollowedbyastressedsyllable抑抑揚(yáng)格(英);短短長格(西、拉).ooO(~~/)(da-da-dum)E.g.beneficial…theoldinnandthelights,andthefireAndthefiddler’soldtuneandtheshufflingoffeetooOooOooO…theoldinnandthelights,andthefireooOooOooOooOAndthefiddler’soldtuneandtheshufflingoffeet4.Dactyl/`d?ktil/(Dactylic/d?k`tilik/adj.):astressedsyllablefollowedbytwounstressedsyllables.揚(yáng)抑抑格;長短短格Ooo(/~~)E.g.verbalizeOoo(/~~)OooOooOooOoJustforahandfulofsilverheleftus,OooOooOooOJustforaribandtostickinhiscoat–5.syllables.揚(yáng)抑抑格;長短短格Ooo(/~~)E.g.verbalizeOoo(/~~)OooOooOooOoJustforahandfulofsilverheleftus,OooOooOooOJustforaribandtostickinhiscoat–6.Spondee/`sp?ndi:/(Spondaic/sp?n`deiik/adj.):astressedsyllablefollowedbyanotherstressedsyllable.揚(yáng)揚(yáng)格OO(//)mostoftenusedasasubstituteforaniambortrocheeE.g.Smartlad,toslipbetimesawayOOoOoOoO(五)Foot詩的音步----Aunitofpoeticmeterofstressedandunstressedsyllablesiscalledafoot.Namesforfeet:Monometer/m?`n?mit?(r)/:onefoot單音步詩行Dimeter/`dimit?(r)/:twofeet二音步詩行;二步格詩行Trimeter/`trimit?(r)/:threefeet三音步詩行Tetrameter/te`tr?mit?(r)/:fourfeetPentameter/pen`t?mit?(r)/:fivefeetHexameter/hek`s?mit?(r)/:sixfeetHeptameter/hep`t?mit?(r)/:sevenfeetOctameter/?k`t?mit?(r)/:eightfeetNonameter/n?`n?mit?(r):ninefeet(linescontainingmorethansevenfeetdonotoftenoccurinEnglishverse)Illustrationsofmetricalrhythms:iambicpentameteroOoOoOoOoOShallIcomparetheetoasummer’sdayoOoOoOoOoOThouartmorelovelyandmoretemperate.oOoOoOoOoORoughwindsdoshakethedarlingbudsofMay,oOoOoOoOoOAndsummer’sleasehathalltooshortadate:Twotermsmarkingthemetricalpatternandrhymeschemeofapoem:Scansion(音律分析:將詩行分成音步,標(biāo)出重音位置,算出音節(jié))----tomarkthestressedandunstressedsyllablesandrhymeschemeistoscan.Caesura/si:`zju?r?/(詩行中根據(jù)意思而作的)主要停頓----apauseinalineofversedictatedbysenseornaturalspeechrhythmratherthanbymetricsiscalledcaesura,whichisoftenmarkedwith“‖”Illustrationofcaesurae:Meanwhile,‖decliningfromthenoonofdayThesunobliquely‖shootshisburningray;Thehungryjudges‖soonthesentencesignAndwretcheshang‖thatjurymenmaydine…KindsofPoetry1.Ballad2.LyricPoemVerseVerseNarrativePoem(敘事詩):A.Ifapoemmainlytellsarelativelycompletestory,itiscalledanarrativepoem.B.widespreadinmanyliteraturesandcontinuetobewrittenandread.Epic(史詩):oneoftheancienttypesofpoetry.playsaveryimportantroleinearlydevelopmentofliteratureandcivilizationlongnarrativepoemofgreatscaleandgrandiosestyleaboutheroeswhoareusuallywarriorsorevendemigodsdealswithnoblecharactersandheroicdeedsincorporatesmyth,legendandfolktalereflectsnationalhistory,thusmoreculturalthanliterarySonnet(十四行詩):oneofthemostconventionalandinfluentialformsofpoetryinEurope----popularinRenaissanceItaly,andthereafterinSpain,PortugalandotherEuropeancountries.GermanandEnglishRomanticsrevivedtheform,whichremainspopular.alyricinvariablyof14lines,usuallyiniambic/ai`?mbik/pentameter/pen't?mit?/,restrictedtoadefiniterhymescheme.Sonnet:therearethreeprominenttypesofsonnet,allnamedaftertheirfoundersorperfectersShakespeareanSonnet莎士比亞體十四行詩alsocalledElizabethansonnetorEnglishsonnet.structuredofthreequatrainsandaterminalcoupletiniambicpentameterwiththerhymepatternababcdcdefefgg.2)PetrarchanSonnet彼特拉克體十四行詩alsocalledItaliansonnet----originatedinItalyinthe13thcentury.consummatedbyFrancescoPetrarch,acrownedlaureatecontainsanoctave/`?ktiv/(意大利十四行詩的前八行)withtherhymepatternabbaabbaandasestet/ses`tet/(十四行詩的最后六行)ofvariousrhymepatternssuchascdecdeorcdcdcd3)SpenserianSonnet斯賓塞體十四行詩isconsideredbysomeavariationofShakespeareansonnet.comprisesthreequatrainsandacoupletiniambicpentameterwiththerhymeschemeababbcbccdcdee.somepoetswritesonnetsonasinglesubjectorunderonecontrollingideaandthuscreateasonnetsequenceorsonnetcycle(六)ElementsofPoetry----Tonethepoise,mood,voice,attitudeandoutlookofthepoetthespeakerorthepoet’sattitudetowardhissubject,hisaudienceorevenhimself.personalityreflecteddiscussedusuallyinordinaryvocabulary..cold,eager,uncertain,boastful,protesting,indifferent,positive,optimisticJudgedbysyntheticanalysisofalltheelementsinvolvedinthepoem(imagery,metaphor,understatement,etc),especiallyitsdictionandsentencepatternsElementsofPoetry----Imageawordpicturetoevokesenseimpressionsinthereader’smindrepresentationofsenseexperiencethroughlanguagethesoulofpoetryaslanguageisthebodyofpoetryOneimageisfrequentlytheresultofthecooperationoftheseveralsensesandsometimescanberatherabstract..freshair----cooperation;death/coffin----abstractimageryAlltheimagesformedintoameaningfulwholeinapoemFunctionsofimagery:tocreatetheatmospheretoprovideaninternalpatternfocusthethemeofthepoemElementsofPoetry----ThemecontrollingideaoritscentralinsightAnovel:thought-provokingApoem:emotion-arousing.ElementsofPoetry----PoeticDevices(1)Simile:acomparisonoftwothings,indicatedbysomeconnective,usuallylike,as,thanoraverbsuchasresembles.Yourfingersarelikemine.Yourfingersarelikesausages..OmyLove’slikeared,redrose,That’snewlysprunginJuneOmyLove’slikethemelodieThat’ssweetlyplayedintune.(2)Metaphor:astatementthatonethingissomethingelse,which,inaliteralsense,itisnot.Yourfingersaresausages..Oh,myloveisared,redrose.Oh,mylovehasredpetalsandsharpthorns.Oh,Iplacedmyloveintoalong-stemvaseAndIbandagedmybleedingthumb.(3)Conceit:originallymeans“concept”or“idea”andlatercametomean“afancifulidea”.Itisametaphororsimilethatismadeelaborate(far-fetched),oftenextravagant..twolover’ssoulsarecomparedtothelegsofthecompasses.(4)Personification:afigureofspeechinwhichathing,ananimal,oranabstractterm.truth,nature)ismadehuman..TheWindbyJamesStephensThewindstoodupandgaveashout.HewhistledonhisfingersandKickedthewitheredleavesaboutAndthumpedthebrancheswithhishand.Andsaidhe’dkillandkillandkill,Andsohewillandsohewill.(5)thepun:oftensubjectedtoabuseasa“l(fā)ow”formofwit,thepunisessentiallyakindofmetaphorthatcanbeusedlightlyandfacetiouslyorformoreseriouspurposes..Customer:DoyouservecrabhereWaiter:YesSir,weserveeveryone!(6)apostrophe:awayofaddressingsomeoneorsomethinginvisibleornotordinarilyspokento.Suchasaninanimateobject(spade!),somedeadorabsentperson(Milton!),anabstractthing(Return,delights!),oraspirit(soul).Apoetusesapostrophetoannouncealoftyandserioustone,givinglifetotheinanimateandgivinglifetotheintangible(awayofspeakingtoitpersontoperson)..Death,ain’tyougotnoshame(7)metonymy(換喻,轉(zhuǎn)喻):thenameofathingissubstitutedforthatofanothercloselyassociatedwithit..theWhiteHousedecided.(8)synecdoche(提喻
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