Unit4ReadingandthinkingRobertFrost未選擇的路賞析課件高中英語(yǔ)人教版選擇性必修第三冊(cè)

RobertFrost

(1874-1963)羅伯特·弗羅斯特01/03/02/04/TheRoadNotTakenMainworksWritingfeaturesBriefIntroductionCONTENTIntroduction:"----IfAmericahadanationalpoetinthe20thcentury,itiscertainlyRobertFrost.

RobertFrost,HewasthemostpopularAmericanpoetofthetwentiethcentury.Honors：1、nationalbard游吟詩(shī)人

2、"交替性的詩(shī)人"，意指他處在傳統(tǒng)詩(shī)現(xiàn)代派詩(shī)歌交替的一個(gè)時(shí)期。

3、新英格蘭的ruralpoet農(nóng)民詩(shī)人

4、4PulitzerPrizes普利策獎(jiǎng)

5、receivedhonorarydegreesfrom44colleges.

6、unofficialpoetLaureate（桂冠詩(shī)人）

7、JohnF.Kennedy約翰·肯尼迪invitedFrosttoreadattheinauguration.Herecited"TheGiftOutright"（《全才》）byheart.

PulitzerPrizeWinner:

(普利策獎(jiǎng)也稱為普利策新聞獎(jiǎng))

1917年根據(jù)美國(guó)報(bào)業(yè)巨頭約瑟夫.魯利策的遺愿設(shè)立，將財(cái)產(chǎn)捐贈(zèng)給哥倫比亞大學(xué)，設(shè)立普利策獎(jiǎng)，獎(jiǎng)勵(lì)新聞界、文學(xué)界、音樂(lè)界的卓越人士，自1917以來(lái)每年頒發(fā)一次。獲獎(jiǎng)作品一直被譽(yù)為“美國(guó)最負(fù)責(zé)任的寫作和最優(yōu)美的文字”，其新聞獎(jiǎng)是美國(guó)新聞界的最高榮譽(yù)，成為記者們職業(yè)生涯的奮斗目標(biāo)和最高夢(mèng)想。ThefarmownedbyForst1963-RobertFrostdiedonJanuary29inBoston.Mainworks：ABoy'sWill,1913《一個(gè)男孩的意愿》(Hisfirstcollectionofpoetey)NorthofBoston

1914《波士頓以北》MountainInterval,1916《山間》

NewHampshire,1923《新罕布什爾》(1924)CollectedPoems,1930《詩(shī)集》（1931）AFurtherRange,1936《又見(jiàn)一片牧場(chǎng)》（1937）AWitnessTree,1942《見(jiàn)證樹(shù)》（1943）

4PulitzerPrizes

PoetryTheRoadNotTaken

《未選擇的路》StoppingByWoodsonaSnowyEvening

《雪夜林邊駐腳》FireandIce

《火與冰》MendingWall《補(bǔ)墻》NothingGoldCanStay

《美景易逝》TheBirches《白樺樹(shù)》somefamouspoemsWritingfeatures：(1)Hispoemsmostlywroteaboutnature(influencefromWordsworthandEmerson)andNewEnglandlandscape.(2)Heusedsimplelanguage,agracefulstyle,and

inhispoems,traditionalelementsandmodernelementsmingletogether.（reasonforpopular）(3)Symbolism(Heusedsymbolsfromeverydaylifetoexpressprofoundideas.)HecombinedtraditionalverseformswithaclearAmericanlocalspeechrhythm,forminghisowncharacteristics.(4)Frostwroteruralpoetryinthepastoraltraditionasawaytounderstandmodernlife.(5)ManypeopletendtothinkofFrostasanoptimistic"countryphilosopher".(6)Frost'spoemsshowdeepappreciationofnaturalworldandsensibilityaboutthehumanaspirations.(7)Inhisview,apoem"beginsindelightandendsinwisdom"詩(shī)要“興于喜悅，而終于徹悟”總之，詩(shī)歌創(chuàng)作的隱秘性是弗羅斯特終身的藝術(shù)追求，而超驗(yàn)詩(shī)學(xué)的象征隱喻、貌似簡(jiǎn)單的詩(shī)歌語(yǔ)言、從心所欲而不逾矩的格律技巧以及簡(jiǎn)單深邃的孤獨(dú)主題是弗羅斯特詩(shī)歌創(chuàng)作最重要的特征。弗羅斯特在詩(shī)歌風(fēng)格上的一個(gè)最大特點(diǎn)是樸素?zé)o華，含義雋永，把深刻的思考和哲理寓于平淡無(wú)奇的內(nèi)容和簡(jiǎn)潔樸實(shí)的詩(shī)句之中。03TheRoadNotTakenBackgroundFrostclaimedthathewrotethispoemabouthisclosestfriend-EdwardThomas,withwhomhehadwalkedmanytimesinthewoodsnearLondon.Frostsaidthatwhilewalkingtheywouldcometodifferentpathsandafterchoosingone,Thomaswouldalwaysfeltwonderingwhattheymighthavemissedbynottakingtheotherpath.“TheRoadNotTaken”未選擇的路

(Thefirstpoemof

MountainInterval

)第一節(jié)Tworoadsdivergedinayellowwood,A

AndsorryIcouldnottravelbothBAndbeonetraveler,longIstoodAAndlookeddownoneasfarasIcould

ATowhereitbentintheundergrowth.B黃色的樹(shù)林里分出兩條路，可惜我不能同時(shí)去涉足，我在那路口久久佇立，我向著一條路極目望去，直到它消失在叢林深處。第二節(jié)Thentooktheother,asjustasfair,Andhavingperhapsthebetterclaim,Becauseitwasgrassyandwantedwear;ThoughasforthatthepassingthereHadwornthemreallyaboutthesame.但我卻選了另外一條路，它荒草萋萋，十分幽寂，顯得更誘人，更美麗;雖然在這條小路上，很少留下旅人的足跡。第三節(jié)AndboththatmorningequallylayInleavesnostephadtroddenback.Oh,Ikeptthefirstforanotherday!Yetknowinghowwayleadsontoway,IdoubtedifIshouldevercomeback.那天清晨落葉滿地，兩條路都未經(jīng)腳印污染。啊，留下一條路等改天再見(jiàn)!但我知道路徑延綿無(wú)盡頭，恐怕我難以再回返。第四節(jié)IshallbetellingthiswithasighSomewhereagesandageshence:Tworoadsdivergedinawood,andI--Itooktheonelesstraveledby,Andthathasmadeallthedifference.也許多少年后在某個(gè)地方，我將輕聲嘆息將往事回顧:一片樹(shù)林里分出兩條路--而我選擇了人跡更少的一條，從此決定了我一生的道路。Thefirststanza:Tworoadsdivergedinayellowwood,AndsorryIcouldnottravelbothAndbeonetraveler,longIstoodAndlookeddownoneasfarasIcouldTowhereitbentintheundergrowth;Wood:Thepoemwassetinwoodsbecausewegetanimageofquiet,desertedplacewherethespeakerisleftalonetodecide.Inline5,thebendintheroadandtheundergrowthstandfortheunknownaspectsofhisfuturejourney.03TheRoadNotTakenThesecondstanza:Thentooktheother,asjustasfair,Andhavingperhapsthebetterclaim,Becauseitwasgrassyandwantedwear;ThoughasforthatthepassingthereHadwornthemreallyaboutthesame,“wantedwear”:less-travelled人跡罕至03TheRoadNotTakenThethirdstanza:AndboththatmorningequallylayInleavesnostephadtroddenblack.Oh,Ikeptthefirstforanotherday!Yetknowinghowwayleadsontoway,IdoubtedifIshouldevercomeback.①self-comfortaftermakingthefinaldecision②thenostalgia(懷戀)tofirstroad03TheRoadNotTakenThefourthstanza:IshallbetellingthiswithasighSomewhereagesandageshence，Tworoadsdivergedinawood,andI—Itooktheonelesstraveledby,Andthathasmadeallthedifference.03TheRoadNotTakenAsigh:(traditionally)anexpressionofbothregretandrelief①Writingpoemistheless-traveledroad.②Frostemploysthetraditionalpatterninspiteoffollowingthemodernistinnovation.Differentinterpretations(理解)Theword“sigh”isatricky(微妙的)word.Becausesighcanbeinterpretedintonostalgicrelieforregret.Ifitisthereliefsigh,thenthedifferencemeansthespeakerfeelsgladwiththeroadhetook.Ifitistheregretsigh,thenthedifferencewouldnotbegood,andthespeakerwouldbesighinginregret.Hence,sighisambiguoushereforthespeakerisn