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UNIT1AShortHistoryofWesternPainting高二英語組制作人：丁嘉琪012345678920123456789301234567895012345678970123456789001234567890W01234567891WesternPaintingsLoveofbeautyistaste，thecreationofbeautyisart.Loveofbeautyistaste，thecreationofbeautyisart.PREDICTIONThemiddleAgeTherenaissanceImpressionismModernArtWhichperioddoeseachpaintingbelongto?Loveofbeautyistaste，thecreationofbeautyisart.READINGDuringtheMiddleAges,thepurposeofWesternartwastoteachpeopleaboutChristianity.Thus,artistswerenotinterestedinpaintingrealisticscenes.Theirworkswereoftenprimitiveandtwo-dimensional,andthemaincharacterswereoftenmademuchlargerthaneveryoneelsetoshowtheirimportance.Thisbegantochangeinthe13thcenturywithGiottodiBondone(1267-1337).Whilehispaintingsstillhadreligiousthemes,theyshowedrealpeopleinarealenvironment.Inparticular,hispaintingsaresetapartfromotherpaintingsbytheirrealistichumanfacesanddeepemotionalimpact.ThemiddleAgereligiousthemesprimitiveandtwo-dimensionalshowedrealpeopleinarealenvironmentREADINGNewideasandvaluesgraduallyreplacedoldonesfromtheMiddleAges.Asaresult,paintersconcentratedlessonreligiousthemes.Theybegantoadoptamorehumanisticattitudetolife.AnimportantbreakthroughduringthisperiodwastheuseofperspectivebyMasaccio(1401-1428)InfluentialpainterssuchasLeonardodaVinci(1452-1519),Michelangelo(1475-1564)andRaphael(1483-1520)builtuponGiottoandMasaccio'sinnovationstoproducesomeofthegreatestartthatEuropehadeverseen.Anotherinnovationwastheuseofoilpaints.Withtheirdeepcoloursandrealism,someofthebestoilpaintingslooklikephotographs.WhilepaintersasearlyasDaVincihadusedoil,thistechniquereacheditsheightwithRembrandt(1606-1669),whogainedareputationasamasterofshadowandlight.Insubjectmatter,theemphasisincreasinglyshiftedfromreligiousthemestopeopleandtheworldaroundus.Kings,nobles,andpeopleofhighrankwantedtopurchaseaccuratepicturesofthemselvesandthepeopletheyloved.Otherswantedpaintingsshowingimportanthistoricaleventsorstoriesfrommythology.Finally,mostclientswantedpaintingsthatwerebeautifulandinterestingtolookat.TherenaissanceadoptamorehumanisticattitudetolifetheuseofperspectivetheuseofoilpaintsREADINGNewideasandvaluesgraduallyreplacedoldonesfromtheMiddleAges.Asaresult,paintersconcentratedlessonreligiousthemes.Theybegantoadoptamorehumanisticattitudetolife.AnimportantbreakthroughduringthisperiodwastheuseofperspectivebyMasaccio(1401-1428)InfluentialpainterssuchasLeonardodaVinci(1452-1519),Michelangelo(1475-1564)andRaphael(1483-1520)builtuponGiottoandMasaccio'sinnovationstoproducesomeofthegreatestartthatEuropehadeverseen.Anotherinnovationwastheuseofoilpaints.Withtheirdeepcoloursandrealism,someofthebestoilpaintingslooklikephotographs.WhilepaintersasearlyasDaVincihadusedoil,thistechniquereacheditsheightwithRembrandt(1606-1669),whogainedareputationasamasterofshadowandlight.Insubjectmatter,theemphasisincreasinglyshiftedfromreligiousthemestopeopleandtheworldaroundus.Kings,nobles,andpeopleofhighrankwantedtopurchaseaccuratepicturesofthemselvesandthepeopletheyloved.Otherswantedpaintingsshowingimportanthistoricaleventsorstoriesfrommythology.Finally,mostclientswantedpaintingsthatwerebeautifulandinterestingtolookat.TherenaissanceadoptamorehumanisticattitudetolifetheuseofperspectivetheuseofoilpaintsLoveofbeautyistaste，thecreationofbeautyisart.READINGThedevelopmentofWesternartsloweduntiltheinventionofphotographyinthemid-19thcentury.Afterthat,paintingswerenolongerneededtopreservewhatpeopleandtheworldlookedlike.Hence,paintershadtofindanewwayoflookingattheirart.Fromthis,ImpressionismemergedinFrance.ThenameofthisnewmovementcamefromthepaintingbyClaudeMonet1840-1926)calledImpression,Sunrise.Inthiswork,Monetsaimwastoconveythelightandmovementinthescene—thesubjectiveimpressionthescenegavehim—butnotadetailedrecordofthesceneitself.WhilemanyImpressionistspaintedscenesofnatureordailylife,others,suchasRenoir(1841-1919),focusedonpeople.Unlikethecold,black-and-whitephotographsofthattimeperiod,Renoirspaintingsarefulloflight,shadow,colour,andlife.Hesoughttoshownotjusttheouterimageofhissubjects,buttheirinnerwarmthandhumanityaswell.ImpressionismconveythelightandmovementinthescenenotadetailedrecordofthesceneLoveofbeautyistaste，thecreationofbeautyisart.READINGThedevelopmentofWesternartsloweduntiltheinventionofphotographyinthemid-19thcentury.Afterthat,paintingswerenolongerneededtopreservewhatpeopleandtheworldlookedlike.Hence,paintershadtofindanewwayoflookingattheirart.Fromthis,ImpressionismemergedinFrance.ThenameofthisnewmovementcamefromthepaintingbyClaudeMonet1840-1926)calledImpression,Sunrise.Inthiswork,Monetsaimwastoconveythelightandmovementinthescene—thesubjectiveimpressionthescenegavehim—butnotadetailedrecordofthesceneitself.WhilemanyImpressionistspaintedscenesofnatureordailylife,others,suchasRenoir(1841-1919),focusedonpeople.Unlikethecold,black-and-whitephotographsofthattimeperiod,Renoirspaintingsarefulloflight,shadow,colour,andlife.Hesoughttoshownotjusttheouterimageofhissubjects,buttheirinnerwarmthandhumanityaswell.ImpressionismconveythelightandmovementinthescenenotadetailedrecordofthesceneLoveofbeautyistaste，thecreationofbeautyisart.READINGAfterImpressionism.subsequentartistsbegantoask.Whatdowedonext?PainterssuchasPicasso(1881-1973)triedtoanalysetheshapeswhichexistedinthenaturalworldbutinanewway,withCubism.Othersgavetheirpaintingsarealisticbutdream-likequality.Stillothersturnedtoabstractart.Whattheyattemptedtodowasnolongershowreality,butinsteadtoaskthequestion,"Whatisart?ModernArtarealisticbutdream-likequalityturnedtoabstractartLoveofbeautyistaste，thecreationofbeautyisart.PREDICTIONThemiddleAgeTherenaissanceImpressionismModernArtDetailedUnderstandingAnimportant

breakthrough

duringthisperiodwastheuseofperspectivebyMasaccio(1401-1428)Influentialpainters

suchasLeonardodaVinci(1452-1519),Michelangelo(1475-1564)andRaphael(1483-1520)builtuponGiottoandMasaccio'sinnovationstoproducesomeofthegreatestart

thatEuropehadeverseen.DifficultSentenceDetailedUnderstandingAstherehavebeensomanydifferentstylesofWesternart,itisimpossibletodescribethemallinashorttext.（P1L1）Whilehispaintingsstillhadreligiousthemes,theyshowedrealpeopleinarealenvironment.（P2L6）WhilepaintersasearlyasDaVincihadusedoil,thistechniquereacheditsheightwithRembrandt(1606-1669),whogainedareputationasa

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