室內(nèi)設(shè)計(jì) 外文翻譯 外文文獻(xiàn) 英文文獻(xiàn) 自然　簡(jiǎn)約—對(duì)室內(nèi)設(shè)計(jì)現(xiàn)象分析

1、附件2：外文原文natural simplicity - on interior design analysisabstract: the natural, simple interior design show is a way of life, it allows us closer to nature, more emphasis on functionality, more concerned about life itself. create a poetic space.keywords: minimalism; space; grade; interior design; fee

2、lingancient times, chinese wooden framework architecture of ancient india, the orient, europe, building caves in ancient greece, ancient rome and so on decorative stone building closely integrated with the components, with the main building, however. dissolved into europe in the early seventeenth ce

3、ntury baroque times and the mid-eighteenth century the rococo era, began with the interior decoration of the main building separated from the main building external and internal fitting-out period in the use of the mismatch, thus leading to the main building and interior decoration of the separation

4、, in the construction of the french court architecture and aristocratic mansion, the new occupation decorative artisan was born, the buildings internal frequency continuous modification, fixed the main building, the replacement building, clothing the time has come. baroque-style architecture of the

5、interior design, one anti-renaissance solemn, subtle, balanced, tend to exaggerate. luxury, in churches and palaces in the architecture, sculpture, painting into a whole, the pursuit of momentum with the ups and downs, but an attempt to cause the illusion. rococo interior architecture is the palace

6、of nobility in order to be intimate and comfortable, elegant interior and the pursuit of a more intimate interior decorative effect. with thin, lightweight, beautiful and complex decorative; hi-shaped, with c-shaped or s-shaped curve of the vortex and soft pastel colors with flowers and birds, many

7、shells as a theme, and the court order to meet the requirements of the exotic, much used in interior decoration. chinese-style baroque and rococo-style hand-made decoration reached perfection, referred to as interior decoration. modern representatives of the great development of the industrial revol

8、ution, there has been a new type of concrete building, its interior decoration not only from the main building from the medium, and developed into the main building and not attached to the sole part of the relative separation. sports camp solved simply decorative building components with a combinati

9、on of the main contradictions in modernist design become a pioneer in the bauhaus school of thought. decision to emphasize the functional form, consider the space of the building are the protagonist, advocate discarding false surface decoration, all around the architecture reasonable space requireme

10、nts services. exclude decoration, emphasis on the use of functions and simplified shapes.advocate the design of the natural style of natural space, aesthetic promoted the idea that natural beauty to the performance of relaxed, comfortable, natural pastoral life, and is often the use of natural wood,

11、 stone, rattan, bamboo and other materials rustic texture. clever in interior settings greening, create a natural, simple, fresh and elegant atmosphere. only upholds nature, combined with the natural order in todays high-tech, high-paced social life, so that people can achieve physical and psycholog

12、ical balance.simple does not mean easy, it is an attitude towards life. when we are in modern life, to bear too much pressure, we began to look for the feeling of freedom, graceful posture and extraordinary taste. we need to tend to a peaceful state of mind impetuous, so we call for simplicity. from

13、 the building space to the general living space, from designers to the ordinary citizen vocational naturally simple style - interior design has become very popular direction.the spirit of simplicity is mainly derived from the origin to the early twentieth century western modernism. britain and franc

14、e johnpawson two claudiosilverstein interior designers in the mid 80s to lead the trend of minimalism design. europe and the united states at the time of economic downturn, the art gallery bosses began to display works of art space to find a way out, some reported costs factory floor layout easy to

15、become art exhibition hall, the purpose of funding is based on at least make the best display space, while the results of doing so is to simplify the space, not decoration superfluous things, in fact, this also reflects the emergence of a new aesthetic design. from home into the design of art galler

16、ies, the exhibition space with works of art showing the characteristics of the same type of aesthetic simplicity. art at this time it started with the interior coincide with the design and gradually began to slip to the present minimalism became the style of interior design and pursue careers.return

17、 to nature of minimalism are human-specific labor. its purpose is to concise form of expression to meet the peoples space environment, the kind of instinctive, emotional and rational needs. in a sense, the prevalence of minimalism are the inevitable trend of human development.natural, simple interio

18、r design to create a poetic space. we know that the poem the art of the characteristics is to use very simple vocabulary, according to certain rules of composition, form a poem of such a language, its between the lines contains a great deal of space, a static implicit in the design space. peoples id

19、eological feelings, life, longing for injection into the environment through the mood to reproduce the three-dimensional space, in reality, it means its habitat, then forgotten by his body, which is a spiritual experience beyond the physical experience, mood of creation, it is by creating an atmosph

20、ere to achieve a certain spiritual significance embodied the affinity.in fact, the interior design is minimalism such a poetic to create a space with minimalist objects. have to imagine the use of display space, this space is actually a vice-space, has generated various combinations of furniture, de

21、puty space, it often gives a visual empty feeling, while empty like poetry generated by the mood, a great mobilization of the person in which emotions, ability to inspire people association. simple interior design aesthetic to emphasize the form. if say, the general design of the interior furniture,

22、 such as sofas, tables and other items referred to as the main object, then minimalism interior design is there is no such distinction. minimalism in interior design consider any part of space will share the same important role, including the walls, ground, and so on top of all the objects in space.

23、 coordination portfolio has a strong aesthetic form, which is mainly embodied in point line, surface, the three elements of the performance space. china for thousands of culture, how much precipitation heng bank works, especially the han chinese are building a more beautiful set of aura essence to s

24、imple, solid, precise, elegant as the principles unique to oriental aesthetic ideas, independent and vigorous temperament, concise vague distant charm of simplicity, the world should ring. it has also affected the international building design concepts, but also affect the interior design aesthetic.

25、design is able to express the language as little as possible as much information as possible, depends on its design will be many manifestations of the combined elements of science, in which the choice and use of color plays a very crucial role. we know colors are different wavelengths light reflecti

26、on and absorption of the result of the spread of light faster than the spread of graphic language faster, which makes it the first time people feel, so the first sense of space is the color, and different colors can cause different and feelings of psychological reflect. natural, simple interior desi

27、gn, black and white and color materials are representative of its color, is often used in color, these colors were not inclined to think most are the colors of the visual interference of the smallest personinterior design at the same time also emphasized the use of light, often through access to nat

28、ural light source, such as skylights, which create a pastel color space of one whole plays a very important role, but also embodies the minimalism advocated by the simple but not simple style.the performance of every means to live for the purpose of, for each partial emphasized its functionality and

29、 comfort in fact, such a full expression of functional design embodies the basic aesthetic principle, is also very easy to understand, any design service is based on man-made object, person in the consumer design, are the most important consumer of its practical function so, when we see a seemingly

30、hard seat, do not immediately judge it is bound to bring you the feeling of cold, go get the moment, perhaps it is that it backs the arc road inadvertently bring you down just to experience the benefits of comfort.it should be said that natural, simple interior design show is a way of life, it allow

31、s us closer to nature, more emphasis on functionality, more concerned about life itself.concise understanding of the person to person, because of peoples age, knowledge, quality of life, different backgrounds, and the taste will be different requirements. social development, the progress of the time

32、s, new thinking, new structure, the emergence of new materials will have to adapt to this new concept of decoration, new forms, new space. decorative simplicity of this modern form of expression has depth affect the building products, industrial products, in many fields such as living products. seve

33、ral pipe, a timber, a reactor cloth can make different forms of modern furniture. it has quietly let peoples way of life and ideas have been a qualitative change. think concise design style is bound to outshine others, to become peoples lives, the pursuit of 21st century fashion.a concise form of ex

34、pression to meet the peoples space environment, the kind of instinctive, emotional and rational needs, this is also the international community today. popular design style and modern fast-paced, high-frequency, full load, has no people to reusable point increase in the acceptance of people in this i

35、ncreasingly busy life, a desire to be able to completely relax, simple and pure spirit to regulate the conversion of space, which is dominated in the complementary sense, arising from trying to shake off cumbersome, complicated, easy and natural to pursue the psychological. hostels in indonesia bali

36、 series design, inspired by balis folk style, but in space architecture and dynamic line arrangements are designed to extend the spirit of simplicity performance in the materials the emergence of the local natural original timber, straw and stone designers of these natural elements of folk with accu

37、rate and concise detail to deal with in order to strengthen the theme will also be part of decorative simplistic, presented by the space can be said modern balinese style.taking a panoramic view of the worlds architectural design, whether they are german master mies van der rohe, or the united state

38、s richard meyer, tadao ando of japan, chinese-american im pei, they are the most pure form, with a very ordinary materials, use of the most concise way, showing great depth of meaning and noble qualities space a piece of their work is full of spirituality has infinite vitality, and their design idea

39、 in todays era of shock also led the development trend of the times.附件1：外文資料翻譯譯文自然簡(jiǎn)約對(duì)室內(nèi)設(shè)計(jì)現(xiàn)象分析摘 要:自然簡(jiǎn)約的室內(nèi)設(shè)計(jì)展現(xiàn)的是一種生活方式,它讓我們更接近自然,更強(qiáng)調(diào)功能,更關(guān)注生活本身營(yíng)造的是一種詩(shī)意的空間 關(guān)鍵詞: 簡(jiǎn)約;空間;品位;室內(nèi)設(shè)計(jì);感覺(jué) 遠(yuǎn)古時(shí)期,中國(guó)的木構(gòu)架建筑東方古印度的石窟建筑歐洲古希臘古羅馬的石砌建筑等等裝飾與構(gòu)件緊密結(jié)合,與建筑主體溶為一體然而十七世紀(jì)初歐洲巴洛克時(shí)代和十八世紀(jì)中葉的洛可可時(shí)代,開(kāi)始了室內(nèi)裝飾與建筑主體的分離,外部的建筑主體與內(nèi)部的裝修在使用年限上不匹配,因而

40、導(dǎo)致建筑主體與室內(nèi)裝飾的分離,在營(yíng)造法國(guó)宮廷建筑和貴族宅邸時(shí),新的職業(yè)“裝飾工匠”誕生了,對(duì)建筑物的內(nèi)部頻繁不斷地進(jìn)行改裝,不動(dòng)建筑主體,更換建筑“服裝”的時(shí)期已經(jīng)到來(lái)巴洛克式建筑的室內(nèi)設(shè)計(jì),一反文藝復(fù)興時(shí)期的嚴(yán)肅含蓄平衡,傾向于豪華浮夸在教堂及宮殿中把建筑雕塑繪畫(huà)結(jié)合成一個(gè)整體,追求動(dòng)勢(shì)與起伏,企圖造成幻象而洛可可式建筑室內(nèi)則是皇宮貴族為了得到舒適的私密的室內(nèi)而追求優(yōu)雅的更為親切的室內(nèi)裝飾效果具有纖細(xì)輕巧華麗和繁瑣的裝飾性;喜用c形s形或漩渦形的曲線和輕淡柔和的色彩,多以花鳥(niǎo)貝殼為題材,并為適應(yīng)宮廷的異國(guó)情趣要求,在室內(nèi)采用了許多中國(guó)式裝飾巴洛克和洛可可式的手工制作達(dá)到了裝飾的極致,被稱為“

41、室內(nèi)裝飾”的代表近代工業(yè)革命的大發(fā)展,出現(xiàn)了新型的混凝土建筑,它不僅使室內(nèi)裝飾從建筑主體中脫離,而且發(fā)展成為不依附于建筑主體而相對(duì)獨(dú)力的部分分離派運(yùn)動(dòng)解開(kāi)了單純裝飾部件與建筑主體相結(jié)合的矛盾,成為現(xiàn)代主義設(shè)計(jì)的先驅(qū)包豪斯學(xué)派強(qiáng)調(diào)功能決定形式,認(rèn)為空間是建筑的主角,提倡拋棄表面虛假的裝飾,一切圍繞著架構(gòu)合理的空間服務(wù)要求排除裝飾,強(qiáng)調(diào)使用功能以及造型的簡(jiǎn)單化 自然風(fēng)格倡導(dǎo)設(shè)計(jì)自然空間,美學(xué)上推崇“自然美”, 力求表現(xiàn)悠閑舒暢自然的田園生活情趣,也常運(yùn)用天然木石藤竹等材質(zhì)質(zhì)樸的紋理巧于設(shè)置室內(nèi)綠化,創(chuàng)造自然簡(jiǎn)樸清新淡雅的氛圍只有崇尚自然結(jié)合自然,才能在當(dāng)今高科技高節(jié)奏的社會(huì)生活中,使人們能取得生理

42、和心理的平衡簡(jiǎn)約不等于簡(jiǎn)單,它是一種生活態(tài)度當(dāng)我們?cè)诂F(xiàn)代生活中,承受太多的壓力,我們開(kāi)始渴望擁有自由的感覺(jué)優(yōu)雅的姿態(tài)和不凡的品位我們需要讓浮躁的心境趨向平和,于是我們呼喚簡(jiǎn)約從大的建筑空間到普通的居住空間,從職業(yè)設(shè)計(jì)師到普通公民,自然簡(jiǎn)約風(fēng)格開(kāi)始成為室內(nèi)設(shè)計(jì)界非常流行的方向簡(jiǎn)約的精神起源主要源自于二十世紀(jì)初期的西方現(xiàn)代主義英國(guó)johnpawson與法國(guó)的claudiosilverstein兩位室內(nèi)設(shè)計(jì)師在80年代中期引領(lǐng)了簡(jiǎn)約主義的設(shè)計(jì)潮流當(dāng)時(shí)歐美的經(jīng)濟(jì)不景氣,藝?yán)壤习鍌冮_(kāi)始在藝術(shù)品的展示空間上找出路,一些報(bào)費(fèi)的工廠車間簡(jiǎn)單布置,成為藝術(shù)展廳,目的是以最少的經(jīng)費(fèi)作出最好的展示空間,而這么做的結(jié)

43、果就是簡(jiǎn)化空間,不裝飾多余的東西,實(shí)際上,這也反映了一種新審美的出現(xiàn)從設(shè)計(jì)居家引入到藝?yán)鹊脑O(shè)計(jì),使得展示空間與藝術(shù)品呈現(xiàn)出同一種美學(xué)特征簡(jiǎn)約藝術(shù)也就在這個(gè)時(shí)候開(kāi)始與室內(nèi)設(shè)計(jì)相吻合,并逐漸開(kāi)始流行起來(lái),到現(xiàn)在簡(jiǎn)約主義成了室內(nèi)設(shè)計(jì)追崇的風(fēng)格 回歸自然的簡(jiǎn)約主義是人類特有的勞動(dòng)成果其目的是以簡(jiǎn)潔的表現(xiàn)形式來(lái)滿足人們對(duì)空間環(huán)境那種感性的本能的和理性的需求從某種意義上說(shuō),簡(jiǎn)約主義的盛行是人類發(fā)展的必然趨勢(shì) 自然簡(jiǎn)約的室內(nèi)設(shè)計(jì)營(yíng)造的是一種詩(shī)意的空間我們知道,“詩(shī)”的藝術(shù)特點(diǎn)就是用極其簡(jiǎn)潔的語(yǔ)匯,按照一定的規(guī)則組合,形成“詩(shī)”這樣一種語(yǔ)言,其字里行間包含了極大的空間,一種隱含的靜態(tài)的空間在設(shè)計(jì)中把人的思想情感,人生的向往注入到環(huán)境中去,通過(guò)“意境”將其立體空間地再現(xiàn)于現(xiàn)實(shí)中,使人入其境,則忘乎其身,這是一種超乎物質(zhì)感受的精神感受, “意境”的創(chuàng)造,正是通過(guò)氣氛的營(yíng)造來(lái)達(dá)到體現(xiàn)某種精神意義上的“親和力”實(shí)際上,簡(jiǎn)約主義室內(nèi)設(shè)計(jì)就是這樣一種“詩(shī)意”空間的營(yíng)造用極簡(jiǎn)的物體擺設(shè)產(chǎn)生想象使用空間,這個(gè)空間實(shí)際上是一種副空間,有各個(gè)家具組合產(chǎn)生的副空間,它往往給人視覺(jué)上“空”的感覺(jué),而“空”猶如詩(shī)所產(chǎn)生的