《牡丹亭》與《仲夏夜之夢》中“夢境”的對比研究

1、A Comparative Study of The Dreams in The Peony Pavilion And A Midsummer Nights Dream哈爾濱師范大學(xué) 王夢瑩牡丹亭與仲夏夜之夢中“夢境”的對比研究 AbstractThis paper will carry a comparative study on common points of two classical romantic dramas between 16th and 17th centuriesThe Peony Pavilion and The Midsummer Nights Dream. Tan

2、g Xianzu(1550-1616) ,the author of the Peony Pavilion and William Shakespeare（15641616）, the author of A Midsummer Nights Dream lived in the same historical period. Both of them were regarded as the most outstanding and influential drama creators in the literature history of their countries. The Mid

3、summer Nights Dream was one of reprehensive works of Shakespeare, which has been adapted into movies, stories, games, and paintings. Similarly, The Peony Pavilion was also the most important works of Tang, which consolidated his significance not only in The literary circle of Ming dynasty but also i

4、n the Chinese ancient history.The last part is the conclusion. After a series of analysis, this paper draws these conclusions: the depression of love and sex is the logical resource of two dreams. The process of dreams is also the confliction between secular ethics and individual consciousness. The

5、satisfactory results of the two works are the reflection of ideological emancipation. Key words: comparative study the Peony Pavilion A Midsummer Nights Dream dreams i 摘 要本文將對十六,十七世紀(jì)東西方兩部重要的戲劇巨著進(jìn)行對比分析牡丹亭和仲夏夜之夢，并總結(jié)分析出兩部作品中“夢”這一意象的相同點(diǎn)。牡丹亭的作者湯顯祖(1550-1616)和仲夏夜之夢的作者莎士比亞（15641616）生活在中西方相同的歷史時(shí)期，卻處在不同的社會(huì)背景

6、下。兩位作者在本國都被視為戲劇發(fā)展史上最杰出，最具影響力的劇作家。仲夏夜之夢是莎士比亞的代表作之一，自問世以來，被多次改編為電影，故事，游戲，繪畫等。同樣，牡丹亭也是湯顯祖一生中最重要的作品之一，不僅奠定了他在明代劇作家中杰出的地位，更使他在中國文學(xué)發(fā)展史上寫下了濃墨重彩的一筆。第五章為結(jié)論部分。經(jīng)過一系列分析后，本文得出如下結(jié)論：主人公在現(xiàn)實(shí)生活遭受的中性與愛情的壓抑是兩“夢”的心理起源；兩夢的發(fā)展過程也是人性與自我意識同封建倫理道德抗?fàn)幍倪^程。而兩夢的圓滿結(jié)局，體現(xiàn)了人們思想解放運(yùn)動(dòng)的成功。 關(guān)鍵詞：對比研究 夢 牡丹亭 仲夏夜之夢ii A comparative study of two

7、 dreams in the Peony Pavilion and A Midsummer Nights Dream1 Introduction1.1 Tang Xianzu and The Peony Pavilion Tang Xianzu(1551-1616)，who also named Yi Reng, was borned in Lin Chuan city, Jiang Xi province. He was admitted to the government in his 34 and he once in charge of former Nanjing minister

8、At first, he was once a politician who tried to achieve the political aim to serve for the people. But he was disappointed by the increasingly corrupt social misfits. As the witness of the corruption of the bureaucracy, he once remonstrated the emperor to arouse his all efforts to make the country p

9、rosperous. However, the emperor decided to expel Tang to Xuwen city out of wrath, where Tang became a minor official. Then he was transferred to a county magistrate in Suichang County of Zhejiang, in the term of five years, he accomplished great achievement and gained the respect of local people. Ho

10、wever, he was suppressed by local forces. Therefore, he finally resign the position. After backing Hometown, he began to devote himself in poetry and drama creation. Tang was also called “Chinese Shakespeare” because his outstanding accomplishments of drama writing. He had four representative works:

11、 The Purple Hairpin, The Peony Pavilion, Tale Of Nanke，Tale Of Han Dan .In 2000, Tang Xianzu was included in the list of the 100th cultural masters in the world. There will be a worldwide commemorative activities for the 400 anniversary of the death of Tang Xianzu Shakespeare and Cervantes, which sh

12、ows his academic and literature status in 2016. 1.2 Shakespeare And A Midsummer Nights DreamWilliam Shakespeare (1564 1616) was an English poet and playwright who was widely regarded as one of the greatest writer not only in the English language countries but also the worlds preeminent dramatist. He

13、 also did great contribution on the development of English language. He had representative of the four major tragedies ：Hamlet, Othello, King Lear and Macbeth, and for comedies: The Merchant of Venice and more than 100 first sonnets. Many of his plays were popular and published for many times during

14、 his lifetime. Shakespeare was a respected poet and playwright in his lifetime. However, it was the 20th century when his works was introduced to all over the world. In the 20th century, his work was repeatedly adopted and rediscovered by new movements in scholarship and performance. His plays remai

15、n highly popular today and are constantly studied, performed and reinterpreted in diverse cultural and political contexts throughout the world.In the Midsummer Nights Dream, Hermia could not accept the marriage arranged by her father. Therefore, she decided to elope with her lover Lysander at night.

16、 Hermia told her best friend Helena her plan. However, Helena , whose love had been rejected by Demetrius ,decided to win back his favor by revealing the plan to him. Meanwhile, Demetrius, who has been chosen as Hermias husband, decided to chase Hermia out of dignity. Meanwhile, there was also somet

17、hing happening in the fairy world. Oberon, king of the fairies, quarreled with his queen Titania for her rejection to give him Indian boy. Oberon decided to seek for ways to punish Titanias disobedience. Coincidentally, he was to provided with a flower called “l(fā)ove-in-idleness”, which would made the

18、 victim lose his consciousness fall in love with the first living thing he sees when he awakes. Oberon applied the juice to Titania in order to distract her. Puck puts the juice on the eyes of Lysander, who then fell in love with Helena. When Oberon found these mistakes out, he made Puck apply the j

19、uice to Demetrius. But then Hermias two “l(fā)overs” temporarily turn against her in favor of Helena because of pucks mistakes. Meanwhile, Nick Bottom, a stage-struck weaver, is spotted by Puck, who transforms his head into that of an ass. Titania is awoken by Bottoms singing, and she immediately fell i

20、n love with him. While in this state of devotion, she encountered Oberon and casually gave him the Indian boy. Having achieved his goals, Oberon released Titania and orders Puck to remove the asss head from Bottom. The magical enchantment was removed from Lysander but was allowed to remain on Demetr

21、ius, so that he may reciprocate Helenas love. These young people eventually found their true lovers. Theseus and Hippolyta arrived at the forest at that time. After understanding the whole story, Theseus over-ruled Egeuss demands and arranged group wedding. When recalling the experiences in the fore

22、st, The lovers thought that it is not reality but a fantastic dream. 2 Literature Review2.1 Study of The Peony Pavilion The Peony Pavilion has been a masterpiece that won great popularity. In the period of Ming and Qing dynasties, one of the most important topic was the accurate time when the work w

23、as published. In period of the Republic of China, Wang Guowei published his book about the history of Chinese drama where he has explained his opinions on the peony pavilion from the perspective of aesthetics.(Wang ,2010) At the period of The Peoples Republic of China, the study of the peony pavilio

24、n can be divided into two parts. One of them concentrates on the perspective of class struggle and anti-feudalism. In 1980, Chen Zhongfan pointed that Du had the spirit of indomitable struggle Du had Reckless sprits made her dare to struggle for her love.（Chen, 1980:495）In 1981, Ni Fuxian praised he

25、r can consciously put forward her ideal and carry out it through efforts.（Ni,1981) . In 1985, Mao Xiaotong quoted In 1985, Yu Qiuyu pointed that the Peony Pavilion showed obvious rebellion to the reality of the Ming Dynasty and the ideological system of the feudal society (Yu, 1985). The opposition

26、of emotion and reason was also the opposition of love and marriage. (Yao, 1985) In 1987, Pan Jianhong pointed that the Peony Pavilion exposed the contradictions of the feudal ethical code and the young people and showed the coldness and hypocrisy of the feudal family relations.（Pan, 1987）.In 1992, Z

27、hang Geng and Guo Hancheng pointed that the Peony Pavilion reflected the eager of marriage freedom of young people under the suppression of feudal system（Zhang1992）. In 1994, Shao Zhiqian pointed that urged for the freedom of the depressed people（Shao,1994）.In 2002, You Guoen pointed that through th

28、e love story of Du Liniang and Liu Mengmei , the author song great praises of the pursuit of freedom and strong personality spirit(You,2002). In 2007, Liu Dajie pointed that the literary value of the Peony Pavilion is the praise of young peoples strive for the independence of marriage, fight for the

29、 liberation of individuality and the fight against the feudal ideology (Liu, 2007). Love itself is another topic of studies .In 1983, Wang Zhiwu pointed that it showed the rationality and the tremendous power of love.(Wang,1983 ). Then In 1985, Yao Mang pointed that the Peony Pavilion tried to break

30、 stereotypes of the romantic and created a kind of true love.In recent years, as the development of cultural communication, the Peony Pavilion has attracted the interest of foreigners. For example, In 1994, Judith T. Zeitlin published the paper”Shared Dreams: The Story of The Three Wives Commentary

31、onThe Peony Pavilion”. In 2003, Catherine Swatek published her paper Persons, Roles, and Minds: Identity in Peony Pavilion and Peach Blossom Fan.2.2 Study of A Midsummer Nights Dream A midsummer nights dream was one of the most popular dramas written by Shakespeare, Many people came into contact wit

32、h Shakespeare by this work. It has always been a hotspot in research circle of Shakespeare. However, in recent years, this work was broadly adapted in psychological and educational analysis.In 1998,Francene Davis Kirk did research on students enthusiasm on Shakespeares dramas and the scientific ways

33、 to promote their study. it was showed that students were more active in the study of A Midsummer Nights Dream. (Kirk, 1998)In 2009, David S. Schneider made a study on the stage performance of A Midsummer Nights Dream. (Schneider, 2009)In 2010, George Eleftheriades made a study on A Midsummer Nights

34、 Dream from A pedagogical perspective.(Eleftheriades,2010)At the same year, Veronica published her paper “North Star and Southern Cross: Shakespeares Comedies in Australia, 19031904”,it showed the great influence of a Midsummer Nights Dream in Australia.(Kelly,2010) In 2014, Steve Orman made an anal

35、ysis on the comedy skills used by Shakespeare in this work.(Orman,2014)In 2016,In the paper of Sarah Carter, A Midsummer Nights Dream was used as an overtly intersexual text.(Carter,2016)In 1841, Lin Zexu organized scholars to translate The Encyclopedia of Geography, in which Shakespeare was firstly

36、 introduced to China.In1841, YanFu referred to Shakespeare in Evolution and ethics. When Shakespeare was writing unrhymed verse with goose quill, he could not imagine one of his peers was doing similar thing in the other side of the world.（Yan, 1981: 39）. 2.3 Significance of The ThesisAs the develop

37、ment of cultural communication, both the two works have been more and more popular at the other side of world. However, the comparative study of them from the perspective of dream is remained to be developed. This paper will make analysis the similarities of the two works from the perspective of dre

38、am. The analysis will be developed in these aspects：Firstly, what is the common logical resource of two dreams? Secondly, what is the essence of the process of two dreams and what is the core spirit conveyed by them? Thirdly, both of the two works have satisfying results after a mixture of comedy an

39、d tragedy, so what sprits could be reflected by the results? What were the similar social and ideological factors of two writers?3 The Dreams in The Two Plays3.1 The Dream in The Peony PavilionDu Liniang, the protagonist of the peony pavilion, lived in Ming dynasty (1368-1644) when people, especiall

40、y women were strictly limited by feudal ethics. There was a theory named three obedience and the four virtues impacted on women. The former means that a woman is required to obey her father before marriage, her husband during marriage life and her sons in widowhood. Their marriage should be arranged

41、 by their father, after getting married, they must show absolute obedience to parents-in-law and husbands. Their tolerance to concubines was a main standard to judge their virtue. If their husbands die unfortunately, it was almost impossible for them to remarry. Their center of life should be their

42、children. They would take the responsibility of managing family for them. The latter contains fidelity, physical charm, propriety in speech and efficiency in needle work and wifely submission and virtue. Women did not have freedom to decide anything including their marriage the whole span of life.Du

43、 was born in a family which sticks to asceticism. She could not step out of her chamber without the permission of her parents. Her mother was even afraid that the embroidered flowers and birds on Dus skirt would remind her daughter of sex. She criticized Du harshly after knowing her tourism to garde

44、n. Dus teacher was a pedantic old man, who deliberately misinterpreted the romantic poems as carrier of three obedience and the four virtues. As a girl who was in her fifteen, she was eager for love. When she sauntered in the spring garden, she was intoxicated by the beauty. All kinds of flowers blo

45、omed with no one appreciated them. The sight stroked a chord in her heart ,so she signed： “See how deepest purple, brightest blossom, open their beauty only to dry well crumbling. “Bright the morn, lovely the scene, listless and lost the heart-where is the garden gay with joyous cries?” (Birch23)The

46、 beauty of flowers reminded her of the condition of her. Her charm of woman was going to bloom like the flower, but there was no one to appreciate it. She felt upset because her eager of love could not be satisfied in real life. Therefore, she signed helplessly: Here I am at the double eight, my six

47、teen years, yet no fine “scholar to break the cassia bough” has come my way. My young passions stir to the young spring seasons. But where shall I find an entrant of moons toad palace (Birch19).In some way, she found a way out of depression in her dreamland. There are no rules and limitations in dre

48、am. So she had sexual experience with Liu by the side of flower, which can never happen in her real life. Her fascinating sexual experience was described in this way: “Against the weathered rock，he leaned my wilting body then as he laid my jade limbs down. Smoke issued from jade in warmth of wun,by

49、balustrade Past swing there I spread the folds of my skirt.” At that time, she became a real beautiful blossom, Liu Mengmei was the one who can appreciate and enjoy her beauty.3.2The Dream in A Midsummer Nights DreamThe condition in the A Midsummer Nights Dream was similar. Hermia lived in an Athens

50、 city where womens freedom in marriage was also strictly limited by a piece of law which was quite similar with “the three obedience” that we mentioned. Male citizens of Athens city hadthepowerofforcing theirdaughterstomarrywhomevertheychose. If a daughter refused, she would be sentenced to death. H

51、ermia faced the conflict between love and law. Her father did not care about her feeling. He judged the quality of a man by his own standard regardless of the real thought of his daughter. So he asked Hermia: “WhydoyourefusestomarryDemetrius?Heisreallyaworthygentleman!”(Shakespeare16).Hermia could n

52、ot tolerate her fathers autocratic arrangement, she said: “Imsorry,Dad!Icantbehiswife.Idontlovehim.IvefellinlovewithLysander.” (Shakespeare16). Then her father made a very strict warn: “If you dont marry Demetrious, I will use the ancient right of Athens, asking to put you to death according to our

53、law!( (Shakespeare16)” Hermia once begged her father for her marriage freedom sincerely:“Oh!Please,pleasedonot!Mydearfather!Dontyoulovemeanymore?Do notgivemeup,please! ”(Shakespeare17)but her request was rejected by her father. It was difficult to make her dream come true in real life. So Hermia cho

54、se to get far away with her lover. But she did not enter another city or country but broke in to a fairyland that was filled with beauty and mystery. Shakespeare applied young people an illusory place without any rules and laws where they can express their love freely. Actually, it did not exist in

55、real life. Their freedom in love and marriage is impossible like Arabian nights. But in the magical jungle, where everything was possible any kind of love was reasonable. they could get the romantic, fantastic and lyrical atmosphere from the supernatural world of and fairies，they could feel the emot

56、ion which wass hard to express from the leading characters in the present world. Both the fairies and the magic flowers did not exist in real life. Furthermore, it was fairies power which was superior to the secular laws that helped her to gain her love. When they came back to Athens, they gained th

57、e support from Duke, who persuaded Hermias father to allow their marriage.4 Similarities of The Two Works in Several Aspects 4.1 Logical Resource of Two Dreams:Dreams in the two works are used as situations where characters could express their passion freely and pursuit for love bravely. Therefore,

58、dreams were actually the media for authors to show readers the core sprit of works. When it comes to logical resources of dreams in the two works, we should be aware that any literature work can not be isolated from society. The experiences of protagonists are influenced by certain historical and social background. Supposed there had not been so many rules and barriers against their pursuit of love, it is not necessary for them to experience dreams mixed both sweet and bitterness. We can draw a preliminary c