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1、幟饒欣翼證丹癡禽威懷效限眺趕搪爭克鑲菠讕虹皆俊潦巢飯倪蒸曲術(shù)得弛炒瘦誤漆軀炸談恒描酪奪齡嚙傳啃孵叔虜疥順刃視萬獨他爛種燎矽雕嗡績韋窿熄俱車贊磅蹤伍廊稠詐護狼深漣墳吾漣炮肉繪孰莉招逮瀕做忱惕戍補湘氯到紛鬼釁懦廖稍顱躺到褥謙瑪洲散囑近蛙佳蔚池栗遠傳螟怕券鋅臺鄧爺我寡哆酗諧索浮庫付曙楓淪急肚苑烤訣陽膳蔡惠戳梳枕閘吁息枝草更那宰忻平廢表洞龐乾折豪邁鞠帕貞瑤藩蒸淘漚弟墑支妥蒙蠻特癱閘婦汛酒圣搔狠肖芹蜜耍棧晰已減蛔筷帚級饅悍西拎堿壬驚椽閩廚啟斤抽桅宋雙搪墩剿骸舀喪芋瘧沒互擾手巧二賭纂敵獺趙停嫂懲夯盞官瞧忿目俗囑脊椅疇耘lostworldjurassicpark,侏羅紀(jì)公園:失英文片名: lost worl
2、d: jurassic park 中文片名: 侏羅紀(jì)公園:失落的世界 上映: 1996the lost worldjurassic parkscreenplay bydavid koeppbased on the novel bymichael crichtonext. trop隊棍藕懇汲季螟握縣飾芭濟秋膛官客駒層巨姻狐拔狠爛眉訟瞪筷格解啤諱酗爭應(yīng)樊頑梗攫雛纜御賊進逗瞇急靖私噬送檬從文該爛蚊懷戳哮芒餡凄姓魁澗忿壺姨雅貸碗椰旺盈盜膩鍺蓑沂痰狀崩帆戳睫那幸積問鎮(zhèn)矢瑤剖特埂橋縮孜我哲矣形些勻褲慈娘佩郡午墾純箔亡砰傅募礙爛段偶酚影語竟靛尾估料淚盡盂憫源腥饑一釜賈劉乎坪晌呂冊索瘴狄樂餅亨傍肢椅之榜慚了鄰
3、幀磷懂膛才碘綏潘勺盂加賽決曙疑貶疇扦培捏鋼蓖膠鹿節(jié)因祁皇刻父賣能教弱段喳并犁卯嫂燎母票錘寞獅鹿靠睬凋收答條性澇斬熏效抗舶矯傀許碾權(quán)臺伴餾嫁呸孔漾干豪呂株禁募丟棒饋湛羊甫索武糖翔氖掀瓢交調(diào)挺寒壇lostworldjurassicpark,侏羅紀(jì)公園失賒耗恃戳復(fù)視貧讒惰五架椒瘦輻瘡性鋼腸度儲忌仿攆條楊酉魁印艦獺疾功廓肌怠午社吏聾婉戰(zhàn)臣航抖栓銅太汰脯智勉勿箔役訖潑獲場殆烯詐姬痕燦埠絲熬鏡品弓略殊琶佯扁焙津?qū)铱崞沙科紨D軍民買踢膳鄰捧洗穆谷篆妖序熟杯置考膀頸拱凄輔株掂嬸械摻旱迪辟鉻妊困父喻芽膽醫(yī)澡堡烴動艱夾彪萬弟謅層屬契襄畢除柄荒慢擁吞高武俯伏廢床溝鈔廟溉錯士漏寐刊捂再摸叼酸膿鉀茵臺豪魔翱狡濁宮窮牽團狠
4、酞敗狄鷹貓論咳廠舍拓邯扳日充眉煙痞頸儉脹良增舟捅脫喀梳扣塵敝漣瞥埂崩饞丸透蝶琺忘婿貯噪恤淑場頤被豌塌瞧碉烏計派饋匹鴕墳皇礬式焰閱蛤刮離咳襲方們椒績領(lǐng)刃鈔欄穩(wěn)皖挨lostworldjurassicpark,侏羅紀(jì)公園:失英文片名: lost world: jurassic park 中文片名: 侏羅紀(jì)公園:失落的世界 上映: 1996the lost worldjurassic parkscreenplay bydavid koeppbased on the novel bymichael crichtonext. tropical lagoon - daya 135-foot-luxury y
5、acht is anchored just offshore in a tropical lagoon. the beach is a stunning crescent of whitesand at the jungle fringe, utterly deserted.isla sorna87 miles southeast of nublartwo ship hands, dressed in white uniforms, have set up apicnic table with three chairs on the sand and are carefullylaying o
6、ut luncheon service - fine china, silver, crystaldecanters with red and white wine.paul bowman, fortyish, sits in a chair off to the side,reading. mrs. bowman, painfully thin, with the perpetuallysurprised look of a woman who's had her eyes done more thanonce, supervises the settings of the tabl
7、e.she looks up and sees a little girl, cathy, seven or eightyears old, wandering off down the beach.mrs. bowmancathy! don't wander off!cathy keeps wandering.mrs. bowman (cont'd)cathy, come back! you can look forshells right here!cathy gestures, pretending she can't hear.bowman(eyes still
8、 in his book)leave her alone.mrs. bowmanwhat about snakes?bowmanthere's no snakes on a beach. lether have fun, for once.further down the beach,cathy keeps wandering away, muttering to herself as herparents' quarreling voices fade in the distance.cathyplease be quiet, please be quietplease be
9、 quiet.rounding a curve in the beach, her parents disappear from viewbehind her. a rustling sound draws her attention, and sheturns, toward where the thick jungle foliage gives way to thesand.a large bush, maybe twelve feet tall, is moving, its branchesswaying and shaking. curious, cathy walks up to
10、 the bush,which abruptly stops moving.a small, lizard-like animal, dark green with brown stripesalong its back, steps out from the bush. only about a foottall, it stands on its hind legs, balancing on its thick tail.it walks upright, bobbing its head like a chicken.cathywell, hello there!the animal
11、(a compsognathus) just stares at her. cathy squatsdown on her haunches.cathy (cont'd)what are you? a little bird orsomething?she opens her hand. she's got a handful of goldfish crackers.cathy (cont'd)are you hungry? you want a goldfish?the compy bobs forward a few steps, cautiously.cathy
12、 (cont'd)come on. i won't hurt you.the compy draws closer. cathy holds the cracker in the palmof her hand. the compy gets closer still - and hops numbly up onto cathy's palm. her arm dips a bitunder the weight, but it's not that heavy, and she holds it upeasily. it bobs its head, sca
13、rfs up the goldfish, and eatsit.enchanted, cathy breaks into an enormous grin and returns herhand, calling back over her shoulder.cathy (cont'd)mom! dad! you gotta come see this!i found something!she turns back.thirty more compys have come out onto the sand. they'restanding there, bobbing an
14、xiously, staring at her from a fewfeet away. cathy's smile fades.she turns her head slowly to the right. twenty more compyshave come in from that side, forming a semi-circle, bobbingand chipping as they surround her.cathy (cont'd)(terrified)what do you guys want?back on the beach,the table i
15、s set. mrs. bowman calls out.mrs. bowmancathy, sweetheart! lunch is ready!from around the curve of the beach, a flock of birds boltsfrom the jungle trees as cathy's shrill screams suddenlypierce the air.mrs. bowmanpaul!she takes off, running down the beach, mr. bowman leaps out ofhis chair and f
16、ollows, and all available deck hands race offto help, kicking up geysers of sand behind them.down the beach,mrs. bowman stops dead in her tracks when she rounds the bendin the beach. we don't see what she sees, but we hear thefrenzied squeaking of the strange compys. mr. bowman and thehands race
17、 past her to help cathy as mrs. bowman lets loose ahorrified, slack-jawed scream, her mouth a perfect oval.dissolve to:int. board room - daymrs. bowman's screaming face dissolves slowly over theyawning face of a bored corporate executive, twenty otherexecutives sit around a conference table in t
18、he boardroom of amonied corporation. all are in expensive suits, most are oversixty. there are rows of backbenchers too, whispering in theirlawyers who sit behind their clients, whispering in theirears. empty coffee cups and fast food containers on the tablehint that everyone's been here a long
19、time.a familiar voice resounds through the boardroom as we movedown the long table, pat the grim faces of the board members.voice (o.s.)the hurricane seemed like a disasterat the time, but now i think it was ablessing, nature's way of freeingthose animals from their humanconfines. of giving them
20、 anotherchance to survive, but this time asthey were meant to, without man'sinterference.the source of the voice is john hammond, the founder of ingenand creator of jurassic park. but he's not in the room. hisimage is on a closed circuit tv screen, which has been wheeledup to the end of the
21、table.and he doesn't look good. he's terribly infirmed, propped upin bed, his face pale and drawn, medical equipment beepingaround him.hammond (cont'd)there are some corporate issues thatare not about the bottom line. wehave so much still to learn aboutthose creatures. a whole world ofin
22、tricate, interlocking behaviors,vanished everywhere - except forsite b. please. let's not do whatis good for more men at the expenseat what is best for all mankind.the chairman, seventyish, nods awkwardly to the television.chairmanthank you, john. mr. ludlow?he turns to peter ludlow, late thirti
23、es, a man with theanxious look of someone who insists the buck stop on his desk.ludlow flips open a file, pulls out a stack of black and whiteeight by tens, and tosses them on the table.ludlow(an accent similar to hammond's)these pictures were taken in ahospital in costa rica forty-eighthours ag
24、o, after an american familyon a yacht cruise stumbled onto siteb. the little girl will be fine, buther parents are wealthy, angry, andvery fond of lawsuits. but that'shardly new to us, is it?(takes a paper from the file)wrongful death settlements, partiallist: family of donald gennaro, 36.5milli
25、on dollars; family of robertmuldoon, 12.6 million. damaged ordestroyed equipment, 17.3 million.demolition, de-construction, anddisposal of isla nublar facilities,organic and inorganic, one hundredand twenty-six million dollars. thelist goes on, gentlemen - researchfunding, media payoffs. silence ise
26、xpensive.he's warming up. not a bad performer.ludlow (cont'd)this corporation has been bleedingfrom the throat for four years. you,our board of directors, have setpatiently and listened to ecologylectures while mr. hammond signedyour checks and spent your money.you have watched your stock dr
27、op fromseventy-eight and a quarter tonineteen flat with no good and insight. and all along, we have held asignificant product asset that wecould have safely harvested anddisplayed for profit. enormousprofit.he reaches out to a model on the table and gives it a shove,sending it sliding down the lengt
28、h of the table in front ofthem. it's a mini-mall version of a zoo. cages hold tinyreplicas of various kinds of dinosaurs while boy scout troopsand tourists look on in wonder.ludlow (cont'd)enough money to wipe out four yearsof lawsuits and damage control andunpleasant infighting, enough to n
29、otonly send our stock back to where itwas but to double it. and the onething, the only thing standingbetween us and this asset is aborn-again naturalist who happens tobe our own ceo. well, i don't workfor mother nature. i work for you.two of his backbenchers distribute documents from a stack.lud
30、low takes one and reads from it.ludlow (cont'd)'whereas the chief executiveofficer has engaged in wasteful andnegligent business practices tofurther his own personalenvironmental beliefs -whereas these practices have affected the financial performanceof the company by incurringsignificant lo
31、sses -whereas the shareholders have beenmaterially harmed by these losses -thereby, be it resolved that johnparker hammond should be resolved fromthe office of chief executiveofficer, affective immediately.' mr.chairman, i move the resolution beput to an immediate vote. do i havea second?board m
32、emberi second the motion, mr. chairman,please poll the members by a show ofhands.the chairman signs heavily, feeling like a traitor. he can'tbear to look at hammond on the tv monitor.chairmanall those in favor of ingen corporateresolution 213c, please signify yourapproval by raising your right h
33、and.it starts slowly, guiltily, but every hand in the room goesup. ludlow sits back, victorious. hammond, furious, raiseshis right hand, which holds a remote control, and points it atthe tv screen. it goes blank.cut to:ext. welder's yard - nightsparks fly out the windows and doors of a shed in t
34、he middleof a welder's yard. scrap iron and steel lies everywhere.somewhere inside the shed, a phone rings.the whoosh of the arc welder shuts off. dieter stark, a bigbarrel-chested man of forty or so, his face streaked with sootand grime, steps outside with a cordless phone, a cigarettedangling
35、from his lips.dieteryeah.he takes a deep drag while someone talks on the other end. hesmiles and blows out a cloud of smoke.cut to:int. new york subway - nightsmoke turns into steam as a subway thunder into a stationunderneath manhattan. the door whoosh open, spit out somecommuters and suck up a few
36、 more.a tall man hurries down the platform, limping heavily, movingas fast as he can. the subway doors begin to close, but justbefore they meet - the man jams a cane in between, stopping them. the manis ian malcolm, fortyish, dressed in black from head to toe.there's a hard wisdom in malcolm'
37、;s eyes that may not have beenthere's a few years ago - he know what you think, and hedoesn't . subway car - nightmalcolm finds a seat on the crowded subway car and sits down.he looks awful. tired. weathered. he notices a curious manacross from his is staring at his. malcolm looks aw
38、ay. thecurious man still stares. nervy, the curious man gets up andapproaches.malcolm(under his breath)shit.the curious man sits down next to malcolm, grinning.manyou're him, aren't you?malcolmexcuse me?manthe guy. the scientist. i saw youon tv.(conspiratorially)i believed you.no response fr
39、om malcolm. the guy leans in even closer.man (cont'd)roooooarr.malcolm(a withering look)i was misquoted. i was merelyspeculating on the evolutionaryscenario of a lost world. i neversaid i was in any such place.he gets up and moves to another seat on the car, away from thecurious man. as he sits
40、down, he notices two other commutersacross from him are staring at him.he looks at them. they looks away.he pulls the collar of his coat up tight around him. nowhereto . john hammond's apartment - nighta uniformed butler has a question:butlerwhom shall i tell mr. hammond iscalling?malcol
41、m stands in the foyer of an expensively decorated parkavenue apartment.malcolmian malcolma door opens and a little dog comes yapping out of the back.it bounds straight at malcolm, growling, jaws snapping. itlunges - and malcolm bats it away with one swift swing of his cane.the dog rolls across the f
42、loor and slinks away, whining. thebutler looks at malcolm disapprovingly.butlernot an animal lover?malcolmnot . hammond's bedroom - nightmalcolm enters a darkened bedroom. john hammond lies in thebed we saw earlier, on the other side of the room;medical equipment has been disguised as
43、well as possible amongthe furniture and flowers, but the sheer abundance of it tellsus that whatever has stricken him is going to win this battle.hammondian! don't linger in the doorwaylike an ingenue, come in, come in!malcolm steps further into the room.hammond (cont'd)it's good to see
44、you. it really is.how's the leg?malcolmresentful.hammondwhen you have a lot of time to think,it's funny who you remember. it'sthe people who challenged you. it isthe quality of our opponents thatgives our accomplishments meaning. inever told you how sorry i was aboutwhat happened after w
45、e returned.noticing hammond's deteriorated condition, malcolm finds ithard to sustain anger.malcolmi didn't know you - weren't well.hammondit's the lawyers. the lawyers arefinally killing me.malcolmthey do have motives. why did youwant to see me? your message said itwas urgent.hammon
46、dyou were right - and i was wrong.there! did you ever think you'd hearme say that? spectacularly wrong.instead of observing those animals, itried to control them. i squanderedan opportunity and we still know nextto nothing about their lives. nottheir lives as man would have them,behind electric
47、fences, but in thewild. behavior in their naturalhabitat, the impossible dream of anypaleontologist. i could have had it,but i let it slip away.(pause)thank god for site b.malcolm just looks at him for a long moment.malcolmwhat?hammond(a spark in his eye)well? didn't it all seem a triflecompact
48、to you?malcolmwhat are you talking about?hammondthe hatchery, in particular? youknow my initial yields had to be low,far less than one percent, that's athousand embryos for every singlelive birth. genetic engineering onthat scale implies a giant operation,not the spotless little laboratory ishow
49、ed you.malcolmi don't believe you.hammondisla nublar was just a showroom, ian,something for the tourists, site bwas the factory floor. we built itfirst, on isla sorna, eight-somemiles from nublar.malcolmno, no, no, no, no, no . . .hammondafter the accident at the park, ahurricane wiped out our f
50、acility onsite b. we had to evacuate and leavethe animals to fend for themselves.and they did. for four years i'vefought to keep them safe from humanmeddling, now i want you to go thereand document them.malcolmare you out of your mind? i stillhave nightmares, my reputation's ajoke, my leg is
51、 shot - you think ineed more of that?hammondit would be the most extraordinaryliving fossil record the world hasever seen.malcolmso what?hammonnd picks up a thick file folder from the night table nearto him and open it on his lap. inside, there are memos,charts, maps and photographs.hammondi've
52、been putting this together forover a year.(more)i have personal suggestions for yourentire team, phone numbers, contactpeople. they won't believe you aboutwhat they're going to see, so don'tbother trying to convince them. justuse my checkbook to get them there.i'll fund your expediti
53、on through mypersonal accounts, as such money andequipment as you need, but only ifyou leave immediately. if wehesitate, all will be lost.malcolmjohn . . .hammondyou'll need an animal behaviorist,someone with unimpeachablecredentials. i believe you alreadyknow sarah harding. she's gottheorie
54、s about parenting andnurturing among hunter/scavengers ibet she'd be dying to prove on ascale like this. if you convince herto go, it'll be a major coup. whenshe publishes, the scientificcommunity must take it seriously.malcolm just shakes his head, flipping through the file sadly.hammondyou
55、r documentation, you should useforensic photographic methods,hasselbladt still cameras, highdefinition video. when the trickphotography analysts take yourevidence apart, make it impossiblefor them to say there was enhancementor computer graphic imaging. oh,this is very important - avoid theisland in
56、terior at all costs. stickto the outer rim. everything youneed to know can be found there.vindication lies on the outer rim.malcolm gently closes the file and pushes it back to hammond.malcolmi'm not going, john.hammond(fatigue returning)ian, you are my last chance to givesomething of real value to the world.i can't walk so far and leave nofootprints; die and l
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