樊楓——藝術(shù)和城市

1、.城市與藝術(shù)武漢，一座正在蓬勃建設(shè)的城市。武漢市民的生活正在被一項項工程計劃改變著。生活離不開鋼筋水泥，也離不開美，所以它們的平衡即在于城市與藝術(shù)的結(jié)合。說到工程與藝術(shù)的結(jié)合，武漢美術(shù)館可謂是一例與藝術(shù)成功結(jié)合的建筑工程作品，自1930年始建的“金城銀行大樓”到1957年武漢少年兒童圖書館在此設(shè)立，再至2008年底，武漢美術(shù)館新館落成，藝術(shù)讓這座擁有八十年歷史的老建筑煥發(fā)出新的生命。城市中建筑如“點”，交通如“線”，社會生活步伐加快后，聯(lián)系“點”與“點”之間的“線”變得越來越重要，因為它決定了我們的移動范圍。在“首屆武漢設(shè)計雙年展”中，我們將看到作為“線”的大橋、高鐵、隧道等社會文化景觀的演進(jìn)

2、，它們?yōu)槲錆h市民打造出宜居的工業(yè)重鎮(zhèn)，彰顯出了武漢百年建設(shè)成就。工程圖紙在美術(shù)館以美術(shù)作品的身份與大家見面，以詳細(xì)、通俗的圖解促進(jìn)觀者與工程設(shè)計作品之間的視覺藝術(shù)對話，使大家從設(shè)計角度理解藝術(shù)，從藝術(shù)角度認(rèn)識設(shè)計，充分表明武漢在社會發(fā)展與變遷中，建筑、工程設(shè)施與社會人文環(huán)境的關(guān)系。此外，在展覽期間，主辦方還搭建起一系列供公眾參與的平臺，如在武漢美術(shù)館內(nèi)舉辦二十余場論壇講座，為業(yè)界設(shè)計者、設(shè)計專業(yè)學(xué)生以及普通市民提供交流平臺，使得大家都有機會參與設(shè)計與藝術(shù)、設(shè)計與社會、設(shè)計與生活的討論，進(jìn)而擴展到對設(shè)計藝術(shù)自身發(fā)展的思索。本次展覽得到了各方全力支持，如此規(guī)模也必將吸引大批設(shè)計界的優(yōu)秀人才來館參觀

3、、交流，這樣的探討有助于我館深化對城市設(shè)計領(lǐng)域的學(xué)術(shù)研究，為集便利、高效、美觀為一體的城市工程設(shè)計提供新思路，用可持續(xù)的創(chuàng)意設(shè)計讓我們的城市永遠(yuǎn)保持活力。武漢美術(shù)館館長 樊楓2011年10月30日 Art & the CityWuhan is a vigorous building city, and the lives of Wuhan citizens are being changed by a project one and after another. Life is inseparable from reinforced concrete, but also insepar

4、able from beauty, so their balance is at the combination of art and the city. When it comes to the combination of engineering and art, Wuhan Art Museum may be called a case of architectural engineering works with art successful combination. The founded Jincheng Bank Building since 1930 to Wuhan chil

5、dren's Library set up here in 1957, then to the end of 2008, the completion of the New Wuhan Art Museum, and art makes this old architecture with a history of eighty years regain a new life. In the city, buildings are like dots, traffics being like lines, and after social life accelerates its pa

6、ce, the lines connecting between dot and dot are becoming more and more important, because it decides our moving range. In the First Wuhan Design Biennale, we will see social cultural landscape evolution as the lines of the bridges, high-speed rails, and tunnels, etc. to manifest Wuhan construction

7、achievement for hundred years, and create livable industrial city for Wuhan citizens. Engineering drawings in the Art Museum as the identity of art works meet with everyone, and they are in the detailed and understandable illustrations to promote visual art dialogues between the audience and enginee

8、ring design works, which makes everyone understand art from angle of design and recognize design from angle of art to fully demonstrate, in Wuhan social development and changes, the relationship between architectural, engineering facilities and social humanity environment. In addition, during the ex

9、hibition period, the organizers also build a series of platforms for participation of the audience, for example, in the Wuhan Art Museum holding more than 20 forum lectures, and providing exchange platforms for industry designers, students majoring in design and the ordinary citizens, which makes ev

10、eryone have the opportunity to participate in discussion of design and art, design and society, and design and life and further extended to the development consideration for design and art itself. This exhibition received the full support of the parties, and such a scale will also attract a large number of talents in design circles to come to Wuhan Art Museum for visit and exchange, and such a discussion is contributive to academic research of our museum deepening on city design field to provide a new train of thoughts for the city engineering design for convenience, high eff