英美文學(xué)選讀要點總結(jié)精心整理

1、轉(zhuǎn)英美文學(xué)選讀要點總結(jié)精心整理作者 :  熊彎英美文學(xué)選讀要點總結(jié)精心整理 背完這些考試必過英美文學(xué)選讀要點總結(jié)精心整理英國Chapter1 The Renaissance period（14世紀至十七世紀中葉）文藝復(fù)興1. Humanism is the essence of the Renaissance.人文主義是文藝復(fù)興的核心。2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主義作為文藝復(fù)興的

2、起源是因為古希臘羅馬文明的基礎(chǔ)是以“人”為中心，人是萬物之靈。3. Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise

3、 but to question, explore, and enjoy.人文主義者們卻從古代文化遺產(chǎn)中找到充足的論據(jù)，來贊美人性，并開始注意到人類是崇高的生命，人可以不斷發(fā)展完善自己，而且世界是屬于他們的，供他們懷疑，探索以及享受。4. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists.托馬斯.摩爾，克利斯朵夫.馬洛和威廉.莎士比亞是英國人文主義的代表。5. Wyatt introduced the Petrarchan

4、sonnet into England.懷亞特將彼特拉克的十四行詩引進英國。6. The first period of the English Renaissance was one of imitation and assimilation.英國文藝復(fù)興初期只是一個學(xué)習(xí)模仿與同化的階段。7. The goals of humanistic poetry are: skillful handling of conventions, force of king1970uage, and, above all, the development of a rhetorical plan in wh

5、ich meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief.人文主義詩歌的主要目標是對傳統(tǒng)習(xí)俗的熟練運用，語言的力度與氣概，而最重要的是發(fā)展了修辭模式，即將格律，韻腳（式），組織結(jié)構(gòu)，意象（比喻，描述）與議論都結(jié)合起來勾畫出情感主題，并將其極為鮮明生動的表現(xiàn)出來。8. The most famous dramatists in the Renaissance England are Christop

6、her Marlowe, William Shakespeare, and Ben Jonson.文藝復(fù)興時期英國最著名的戲劇家有克利斯朵夫.馬洛，威廉.莎士比亞與本.約翰遜。9. Francis Bacon (1561-1626), the first important English essayist.費蘭西斯.培根是英國歷史上最重要的散文家。(I)Edmund Spenser埃德蒙.斯賓塞10. the theme of Redcrosse is not“Arms and the man,”but something more romantic-“Fierce wars and fai

7、thful loves.”仙后的主題并非“男人與武器”，而是更富浪漫色彩的“殘酷戰(zhàn)爭與忠貞愛情”。11. It is Spensers idealism, his love of beauty, and his exquisite melody that make him known as“the poetspoet.”正是斯賓塞的理想主義，對美的熱愛以及精美優(yōu)雅的詩文韻律是他成為“詩人中的詩人”。(II)Christopher Marlowe克利斯朵夫.馬洛12. As the most gifted of the“University Wits,”Marlowe composed six

8、plays within his short lifetime. Among them the most important are: Tamburlaine, Parts I & II, Dr.Faustus, The Jew of Malta and Edward II.馬洛是當時“大學(xué)才子”中最富才華的人，在他短暫的一生中，他完成了六部劇本的創(chuàng)作。其中最負盛名的是：帖木爾，浮士德博士的悲劇，馬耳他島的猶太人以及愛德華二世。13. Marlowes greatest achievement lies in that he perfected the blank verse and

9、made it the principal medium of English drama.馬洛的藝術(shù)成就在于他完善了無韻體詩，并使之成為英國戲劇中最重要的文體形式。14. Marlowes second achievement is his creation of the Renaissance hero for English drama.馬洛的第二項貢獻是他創(chuàng)造了文藝復(fù)興時期的英雄形象。15. His brilliant achievement as a whole raised him to an eminence as the pioneer of English drama.他對戲

10、劇發(fā)展的貢獻是不可磨滅的，為此，它被后世尊為英國戲劇的先驅(qū)。16. The passionate shepherd to his love激情的牧人致心愛的姑娘This short poem is considered to be one of the most beautiful lyrics in English literature.這首短詩是英國文學(xué)詩中最優(yōu)美的抒情詩。(III)William Shakespeare威廉.莎士比亞17. The first period of his dramatic career, he wrote five history plays: Henry

11、 VI, Parts I, II, and III, Richard III, and Titus Andronicus; and four comedies: The Comedy of Errors, The Two Gentlemen of Verona, The Taming of the Shrew, and Loves Labours Lost.在他戲劇創(chuàng)作生涯的第一個階段，他創(chuàng)作了五部歷史?。汉嗬溃聿槿?，泰托斯.安東尼以及四部喜?。哄e誤的戲劇，維洛那二紳士，馴悍記和愛的徒勞。18. In the second period, he wrote five histories

12、: Richard II, King John, Henry IV, Parts I and II, and Henry V; six comedies: A Midsummer Nights Dream, The Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, and The Merry Wives of Windsor; and two tragedies: Romeo and Juliet and Julius Caesar.在第二階段，他寫了五部歷史?。豪聿槿?，約翰王，亨利四世，亨利

13、五世以及六部喜劇仲夏夜之夢，威尼斯商人，無事生非，皆大歡喜，第十二夜，溫莎的風流娘兒們，還有兩部悲?。毫_密歐與朱麗葉和裘利斯.凱撒。19. Shakespeares third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus. The two c

14、omedies are Alls Well That Ends and Measure for Measure.第三階段誕生了莎翁最偉大的悲劇和他自稱的黑色喜?。ɑ虮矂。?，悲劇有：哈姆雷特，奧賽羅，李爾王麥克白安東尼與克利奧佩特拉特羅伊勒斯與克利西達及克里奧拉那斯。兩部喜劇是終成眷屬和一報還一報。20. The last period of Shakespeares work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winters Tale and The Tempest; and his

15、 two plays: Henry VIII and The Two Noble Kinsmen.最后一個時期的作品主要有浪漫悲喜?。翰锟死涟琢侄斓墓适屡c暴風雨。他最后兩部劇是亨利八世與魯克里斯受辱記。21. Shakespeares sonnets are the only direct expression of the poets own feelings.這些十四行詩都是莎翁直抒胸臆的成果。22. Shakespeares history plays are mainly written under the principle that national unity under

16、a mighty and just sovereign is a necessity.莎翁的歷史劇都有這樣一個主題：在一個強大英明的君主統(tǒng)領(lǐng)下的國家，統(tǒng)一是非常必要的。23. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are brought into full play.在他的浪漫喜劇中，莎士比亞以樂觀的態(tài)度對待愛情與青春，并將浪漫色彩渲染到極致。24. The successful romantic tr

17、agedy is Romeo and Juliet, which eulogizes the faithfulness of love and the spirit of pursuing happiness.莎翁在其成功的浪漫主義悲劇羅密歐與朱麗葉，頌揚了對愛的忠貞及對幸福的追求。25. Shakespeares greatest tragedies are: Hamlet, Othello, King Lear, and Macbeth. They have some characteristics in common. Each portrays some noble hero.莎士比亞

18、的四大悲劇是：哈姆雷特奧賽羅李爾王麥克白26. “The Kings government must be carried on”but carried on for the good of the nation, not for the pleasure of the king.“國王的統(tǒng)治一定要萬古不變”-但是這種流傳百世萬古不變的統(tǒng)治是有利于國家利益的，而不是只為國王自己服務(wù)。27. Thus, he finds no way to solve the social problems. In the end, the only thing he can do as a humanist

19、is to escape from the reality to seek comfort in his dream.正因如此，他才無力尋求到醫(yī)治各種社會痼疾的靈丹妙藥，最后，他作為人文主義所能做的唯一事情便是逃避現(xiàn)實，從夢幻中找安慰。28. He holds that literature should be a combination of beauty, kindness and truth, and should reflect nature and reality.他認為文學(xué)應(yīng)該是真善美的結(jié)合，應(yīng)該反映天性與現(xiàn)實。29. Shakespeare is above all writer

20、s in the past and in the present time.古往今來，沒有一個作家能與莎士比亞媲美，他對后世文學(xué)家的潛移默化也是無可估量的。30. Almost all English writers after him have been influenced by him either in artistic point of view, in literary form or in king1970uage.在他之后幾乎所有的英國文學(xué)家都在藝術(shù)觀點，文學(xué)形式及語言技巧方面受到他的影響。31. Sonnet 18 is one of the most beautiful s

21、onnets written by Shakespeare.十四行詩第十八首詩莎翁最出色的十四行詩。(IV)Francis Bacon弗蘭西斯.培根32. The most import works of his first group include The Advancement of Learning, Written in English; Novum Organum , an enlarged Latin version of The Advancement of Learning.培根的作品可分為三類：第一類中最重要的作品有學(xué)術(shù)的進展（用英文著述）新工具（是學(xué)術(shù)的進展的拉丁文增補版

22、）33. One is the knowledge obtained from the Divine Revelation, the other is the knowledge from the workings of human mind.他將知識分為兩種：一種是通過神的啟示獲得的知識，另一種是通過人類用腦思考而獲得的知識。34. According to Bacon, mans understanding consists of three parts: history to mans memory, poetry to mans imagination and creation, an

23、d philosophy to mans reason.培根認為，人類的認識與學(xué)問分為三部分：基于人類回憶的歷史學(xué)，基于人類想象力創(chuàng)造力的詩歌與基于人類理性的哲學(xué)。35. Bacon, as a humanist intellect, shows the new empirical attitudes toward truth about nature and bravely challenges the medieval scholasticist.作為人文主義者的培根展示了自己對于自然界真理的實驗主義態(tài)度，并向中世紀的經(jīng)院哲學(xué)家們提出挑戰(zhàn)。36. Bacons essays are fam

24、ous for their brevity, compactness and powerfulness.培根的散文以簡潔，緊湊，有力度而著名。37. The essays are well-arranged and enriched by biblical allusions, metaphors and cadence.這些散文不僅結(jié)構(gòu)巧妙還大量使用了圣經(jīng)的典故，隱喻和基調(diào)。38. Of Studies論學(xué)習(xí)Reading maketh a full man, conference a ready man, and writing an exact man.讀書使人充實，討論使人機智。(V)

25、John Donne約翰.鄧恩39. The imagery is drawn from the actual life.詩中的意象都是從現(xiàn)實生活中提取的。40. His poems give a more inherently theatrical impression by exhibiting a seemingly unfocused diversity of experiences and attitudes, and a free range of feelings and moods.他的詩歌給人一種固有的戲劇性，展示了看上去零散多樣的經(jīng)歷與觀念，以及漫無邊際的情感與心境。41.

26、 The Sons and Sonnets, by which Donne is probably best known, contains most of his early lyrics.歌與短歌是鄧恩最有名的詩集，囊括了他早期大多數(shù)愛情詩作。42. In his gloomy poem“Farewell to love,”we can see his disillusionment.在憂傷的詩作告別愛情中，我們就可以感受到他對愛情幻想的破滅。43. With the brief, simple king1970uage, the argument is continuous throug

27、hout the poem.議論依附于一種簡潔平白的語言，并貫穿于整首詩作。(VI)John Milton約翰.彌爾頓44. he was entirely occupied with the thoughts of fighting for human freedom.他頭腦中充滿了為人類自由而戰(zhàn)的思想。45. Miltons literary achievements can be divided into three groups: the early poetic works, the middle prose pamphlets and the great poem.彌爾頓的文學(xué)作品

28、可分為三類：早期詩作，中期的散文小冊子和后期的偉大詩作。46. Milton wrote his three major poetical works: Paradise Lost, Paradise Regained, and Samson Agonistes.他的三部偉大詩作：失樂園復(fù)樂園和力士參孫。47. The theme of Paradise Lost is the“Fall of Man”. In the fall of man Adam discovered his full humanity.失樂園的主題是人類的沉淪。在沉淪之中，亞當發(fā)現(xiàn)了自己身上的人性。48. Milton

29、 held that God created all things out of Himself, including evil.他認為上帝是按照他自己的樣子造出的世界，其中也包括罪惡。49. It opens the way for the voluntary sacrifice of Christ which showed the mercy of God in bringing good out of evil.為基督自愿獻身開辟了道路，這也顯示出上帝欲將人類從罪惡與苦難中拯救出來的同情心。50. In Samson Agonistes, the whole poem strongly

30、suggests Miltons passionate longing that he too could bring destruction down upon the enemy at the cost of his own life.在力士參孫中，整首詩都強烈暗示著彌爾頓渴望他自己也能像參孫一樣，以生命為代價，與敵人同歸于盡。51. In his life, Milton shows himself a real revolutionary, a master poet and a great prose writer.彌爾頓畢生都展現(xiàn)了真正的革命精神和非凡的詩歌才華。52. 

31、aradise Lost:人類由于理性不強，意志薄弱，經(jīng)不起考驗，暗示英國自產(chǎn)主義革命失敗的原因?！居緾hapter2 The Neoclassical Period(1660-1798)新古典主義1. In short, it was an age full of conflicts and divergence of values.總之，這一時期是矛盾與價值觀分歧的時期。2. The eighteenth-century England is also known as the Age of Enlightenment or the Age of Reason.英國的十八世紀也同時是啟

32、蒙主義時代，或曰理性時代。3. Its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.運動的主旨便是用當代哲學(xué)與藝術(shù)思想的晨光啟迪整個世界。4. Enlighteners held that rationality or reason should be the only, the final cause of any human thought and activities. They called for a reference to or

33、der, reason and rules.啟蒙者主張理性是任何人思想與行動的唯一緣由。他們大力提倡秩序，理性及法律。5. As a matter of fact, literature at the time, heavily didactic and moralizing, became a very popular means of public education.其實，當時的文學(xué)作品種充滿了說教與道德理念，就已經(jīng)成為大眾教育的良好工具。6. Famous among the great enlighteners in England were those great writers

34、like John Dryden, Alexander Pope, Joseph Addison and Sir Richard Steele, the two pioneers of familiar essays, Jonathan Swift, Daniel Defoe, Richard Brinsley Sheridan, Henry Fielding and Samuel Johnson.英國著名的啟蒙主義文學(xué)家有約翰.德萊頓，亞歷山大.蒲柏，約瑟夫.艾迪森與理查.斯蒂爾（這兩位是現(xiàn)代散文的先驅(qū)），喬納森.斯威夫特，丹尼爾.迪福，理查.B.謝立丹，亨利.費爾丁和塞繆爾.約翰遜。7.

35、In the field of literature, the Enlightenment Movement brought about a revival of interest in the old classical works.在文學(xué)領(lǐng)域，啟蒙主義運動還使人們重新對古典時代的著作產(chǎn)生興趣。8. They believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its

36、 service to humanity.他們認為理想的藝術(shù)應(yīng)基于秩序，邏輯，確切及情感控制的基礎(chǔ)上，而文學(xué)作品的價值評判標準應(yīng)該看它是否為人文主義服務(wù)。9. Thus a polite, urbane, witty, and intellectual art developed.由此一種溫文爾雅，充滿靈性的知識分子文學(xué)藝術(shù)發(fā)展起來。10. Neoclassicists had some fixed laws and rules for almost every genre of literature.在幾乎所有的文學(xué)形式中，新古典主義者們都設(shè)定了創(chuàng)作的規(guī)矩與條框。11. Drama shou

37、ld be written in the heroic Couplets (iambic pentameter rhymed in two lines); the three unities of time, space and action should be strictly observed; regularity in construction should be adhered to, and type characters rather than individuals should be represented.戲劇必須用英雄體偶?。ㄒ謸P五音步的押韻雙行詩）寫就；時間，地點，事件

38、三要素必須要遵循；寫作的規(guī)矩必須要遵守，而作品中的人物要代表一類人，而不是個性化。12. But it had a lasting wholesome influence upon English literature. (套話)但新古典主義對英國文學(xué)史產(chǎn)生過持久的全面的影響。13. The poetic techniques and certain classical graces such as order, good form, unified structure, clarity and conciseness of king1970uage developed in this per

39、iod have become a permanent heritage.在這一時期出現(xiàn)的詩歌技巧與古典氣質(zhì)，如秩序，優(yōu)美的格式，統(tǒng)一的結(jié)構(gòu)，簡明的語言都成為永恒的文學(xué)傳統(tǒng)。14. The mid-century was, however, predominated by a newly rising literary form-the modern English novel, which, contrary to the traditional romance of aristocrats, gives a realistic presentation of life of the com

40、mon English people.十八世紀中葉，還興起一種嶄新的文學(xué)形式-英國現(xiàn)代小說，這種文學(xué)與傳統(tǒng)貴族的騎士文學(xué)相反，著重描寫英國普通百姓的生活。15. Among the pioneers were Daniel Defoe, Samuel Richardson, Henry Fielding, Laurence Sterne, Tobias George Smollett, and Oliver Goldsmith.英國現(xiàn)代小說的先驅(qū)有丹尼爾.迪福，塞繆爾.理查德，亨利.費爾丁，勞倫斯.斯泰思，托比亞斯.斯摩萊特以及奧立弗.哥爾斯密。16. From the middle part

41、 to the end of the century there was also an apparent shift of interest from the classicliterary tradition to originality and imagination, from society to individual, and from the didactic to the confessional, inspirational and prophetic.從十八世紀中葉至十八世紀末，還出現(xiàn)了古典文學(xué)傳統(tǒng)向獨創(chuàng)性與豐富聯(lián)想性的轉(zhuǎn)移，社會描寫向個性描寫的轉(zhuǎn)移，說教向懺悔，鼓勵及預(yù)示

42、的轉(zhuǎn)移。17. Gothic novels-mostly stories of mystery and horror.哥特式小說-主要講述恐怖神秘的故事。18. Jonathan Swifts A Modest Proposal being generally regarded as the best model of satire, not only of the period but also in the whole English literary history.喬納森.斯威夫特的一個小小的建議被公認為英國文學(xué)史上諷刺作品的經(jīng)典。(I)John Bunyan約翰.班揚19. As a

43、 stout Puritan, he had made a conscientious study of the Bible and firmly believed in salvation through spiritual struggle.作為一個堅定的清教徒，他認真學(xué)習(xí)圣經(jīng)，并深信人一定能通過精神上的奮斗得到拯救。20. he made it possible for the reader of the least education to share the pleasure of reading his novel and to relive the experience of h

44、is characters.他的語言具體生動，情節(jié)鮮明真實，連沒受過教育的人也能享受到閱讀他的作品的樂趣。21. Bunyans other works include Grace Abounding to the Chief of Sinners, The Life and Death of Mr.Badman, The Holy War and The Pilgrims Progress, Part II.班揚其他的作品還有罪人頭目的赦免，拜得門先生生死錄，圣戰(zhàn)以及天路歷程第二部22. The Vanity Fair.名利場（節(jié)選天路歷程第一部）The Pilgrims Progress

45、is the most successful religious allegory in the English king1970uage. Its purpose is to urge people to abide by Christian doctrines and seek salvation through constant struggles with their own weaknesses and all kinds of social evils.天路歷程是英文作品中最成功的宗教寓言。它的主旨是讓人們遵循基督教教義，并通過不斷戰(zhàn)勝自身弱點與身外的邪惡來獲得拯救。(II)Ale

46、xander Pope亞歷山大.蒲伯23. ope, a very sensitive man, would strike back hard, and in the constant verbal battles he developed a style of biting satire.蒲伯本身是個很敏感的人，自然要用筆墨來反擊，在此期間，他發(fā)展了犀利的諷刺文體。24. For him the supreme value was order-cosmic order, political order, social order, aesthetic order, and this

47、 emphasis on order found expression in all of his works.對他來說秩序有著至高無上的價值-宇宙秩序，政治秩序，社會秩序，美學(xué)秩序。這種對秩序與理性的強調(diào)深入到了他各部作品中。25. ope made his name as a great poet with the publication of An Essay on Criticism in 1711. The next year, he published The Rape of the Lock, a finest mock epic.1711年，他出版了散文論批評，從此奠

48、定了他在詩壇的地位。次年，他又出版了奪發(fā)記，一部極妙的諷刺史詩。26. ope was the greatest poet of his time. He strongly advocated neoclassicism, emphasizing that literary works should be judged by classical rules of order, reason, logic, restrained emotion, good taste and decorum.蒲伯是當時最偉大的詩人，他大力提倡新古典主義，強調(diào)文學(xué)作品的優(yōu)劣應(yīng)由古典的秩序尺度，理性，邏輯

49、，情感的克制，高雅的品位以及是否體面，正派來衡量。27. He worked painstakingly on his poems, developed a satiric, concise, smooth, graceful and well-balanced style.他致力于詩歌創(chuàng)作，發(fā)展了諷刺，簡練，通順，優(yōu)雅，平衡的風格。(III)Daniel Defoe丹尼爾.28. His quick mind, abundant energy and never-failing enthusiasm always brought him back on his feet after a fa

50、ll.他過人的才智，充沛的精力，旺盛而持久的熱情總是使他在失敗后能重新站起。29. Robinson Crusoe, an adventure story very much in the spirit of the time, is universally considered his masterpiece.魯賓遜漂流記是一部體現(xiàn)時代精神的游記歷險小說，是笛福的代表作。30. In most of his works, he gave his praise to the hard-working, study middle class and showed his sympathy for

51、 the downtrodden, unfortunate poor.在他大部分作品中，他都表達了對勤勞，堅強的中產(chǎn)階級的贊譽，以及對破落不幸的窮苦人的同情。31. Defoe was a very good story-teller.笛福很會講故事。32. His sentences are sometimes short, crisp and plain, and sometimes long and rambling, which leave on the reader an impression of casual narration.他的語句時而短小干脆，樸素直白，時而又氣勢磅礴，潑

52、墨如水，為讀者留下了敘述自由悠閑的印象。33. His king1970uage is smooth, easy, colloquial and mostly vernacular.他的措辭簡樸易懂又口語化，有時甚至是俗語方言。34. There is nothing artificial in his king1970uage: it is common English at its beat.他的語言毫無造作，完全是大眾英語。35. Robinson Crusoe: The novel consists actually of three parts.魯賓遜漂流記：整部小說分為三個部分Th

53、e realistic account of the successful struggle of Robinson single-handedly against the hostile nature forms the best part of the novel. Robinson is here a real hero: a typical eighteenth-century English middle-class man., the pioneer colonist.其中對魯賓遜徒手與惡劣的大自然作斗爭的描述是小說最精彩的部分。在此，魯賓遜是真正的英雄：一個典型的英國十八世紀中產(chǎn)

54、階級人士。(IV)Jonathan Swift喬納森.斯威夫特36. In 1704 he published two powerful satires on corruption in religion and learning, A Tale of a Tub and The Battle of the Books, which established his name as a satirist.1704年，他針對宗教和學(xué)術(shù)界的腐敗出版了兩篇犀利的諷刺小品，一為桶的故事，一為書籍的戰(zhàn)斗。這兩篇作品奠定了他在諷刺作品中的地位。37. Even today Swift is still re

55、spected as a national hero in Ireland.直至今日，斯威夫特還被尊為愛爾蘭的民族英雄。38. In his opinion, human nature is seriously and permanently flawed. To better human life, enlightenment is needed.他認為人性永遠有著嚴重的瑕疵，為了使人的生活更美好，人們需要啟蒙。39. In his writings, although he intends not to condemn but to reform and improve human nat

56、ure and human institutions.在他的作品中，他提倡的不是譴責，而是采取行為改良人性與人為的機構(gòu)。40. His“A Modest Proposal”is generally taken as a perfect model.他的一個溫和的建議被認為是一篇完善的典范。41. Swift is one of the greatest masters of English prose.斯威夫特是一名優(yōu)秀的散文作家。42. He defined a good style as“proper words in proper places.”Clear, simple, concr

57、ete diction, uncomplicated sentence structure, economy and conciseness of king1970uage mark all his writings-essays, poems and novels.他創(chuàng)立了一種良好的文風，即“在恰當?shù)牡胤接们‘數(shù)脑~”。無論是散文，詩歌，還是小說，簡潔，具體，精確，沒有復(fù)雜的句式永遠是他的寫作風格。43. Swifts chief works are: A Tale of a Tub and The Battle of the Books, The Drapiers Letters(noter

58、apier=Swift, alias), Gullivers Travels and A Modest Proposal.斯威夫特的作品主要有桶的故事，書籍的戰(zhàn)斗，德拉皮爾的信，格列佛游記和一個溫和的建議。44. Gullivers Travels: Jonathans best fictional work, the book contains four parts. Its social significance is great and its exploration into human nature profound.格列佛游記：是斯威夫特最精彩的一部小說，全書分為四卷，它具有重大的社會意義，同時對人性的探索與揭示也是深刻的。(V)Henry Fielding亨利.費爾丁45. During his career as a dramatist, Fielding had attempted a considerable number of forms of play.在他戲劇創(chuàng)作生涯里，費爾丁曾嘗試過許多不同的戲劇模式。46. Of all his plays, the best