藝術(shù)家信息文1981生于2005年于美術(shù)學(xué)院獲

珣1981年生于浙江永康；2005年畢業(yè)于中國(guó)美術(shù)學(xué)院獲，學(xué)士；2009年畢業(yè)于中國(guó)美術(shù)學(xué)院雕塑系纖維與空間藝術(shù)，獲2009年至今任中國(guó)美術(shù)學(xué)院公共藝術(shù)學(xué)院壁畫藝術(shù)系（材料壁畫與纖維壁掛藝術(shù)）專業(yè)教師展覽/獲 柒零捌落：當(dāng)代藝術(shù)展，，中 345°：新銳，多倫現(xiàn)代美術(shù)館，，中 2008“快城快客”第七屆雙年展國(guó)際學(xué)生展，，中 中國(guó)姿態(tài)：首屆中國(guó)雕塑大展，、、，中 館，，中國(guó) 榮獲韓國(guó)“E·LAND 洛桑到：第六屆國(guó)際纖維藝術(shù)雙年展，美術(shù)館，鄭州，中 第七屆亞洲纖維藝術(shù)作品展，，中 一個(gè)人的劇場(chǎng)：80后藝術(shù)家作品展覽，美術(shù)館，，中 ， 100 8090 來(lái)來(lái)去去：2013《變形記YingBornin1981,ZhejiangYongkang;in2005,GraduatedfromChinaAcademyofArts,Bachelor;in2009,GraduatedfromFiberArtStudioinChinaAcademyofArtsMater;from2009topresent,teachesinMaterialsandFiberArtStudioinChinaAcademyofArts. TheSenseofTouchoftheCurrent2007:InternationalFiberArtExhibition,TokyoInternationalExhibitionCenter,Tokyo,Japan QiLingBaLuo:ContemporaryArtExhibition,Beijing, 345°:ShanghaiNewArtExhibition,ShanghaiDuolunMuseumofModernArt,Shanghai,China SculptureSpace:ExhibitionoftheChineseAcademyofFineArtsSculptor,Beijing, 2008"FastCityFastPassenger”theSeventhShanghaiBiennaleInternationalStudentExhibition,Shanghai,China ChineseAttitude:The1stSculptureExhibitioninChina,Shenzhen,BeijingandShanghai,China TheFifthSpace:FiberandSpaceArtExhibition,ShanghaiMuseumofContemporaryArt,Shanghai,China;HeXiangningArtMuseum,Shenzhen,ChinaWonthe"E?LANDArtsAward"inSouthInternationalFiberArtExhibition,NationalArtGallery,Sofia,LausannetoBeijing:SixthInternationalFiberArtBiennale,HenanZhengzhou, SeventhAsianFiberArtExhibition,Beijing, OnePeople’sTheater:Exhibitionof1980’sArtists,HeXiangningArtMuseum,Shenzhen,China MarlArtFund“FocusonTalents”FinalistsExhibition,andwonthe"ExcellenceAward",BeijingTodayArtMuseum,Beijing,China ComingandGoing:2013InternationalInvitationalTheWiththe"crazy,”fastdevelopmentofurbansociety,thereareendlessissuesaroundfoodsafety.Peopleeatthingstheydonotknowwhereingredientscomefrom;theybreathetheairwithoutbeingawareoftheelements.Ifellintohorrificalienationwhenthebodyofmylovedonewasriddledwithpancreaticcancer.Hisbodywaseroded.IdonotknowifIcanseemyfather,ridinghismotorcycle,fliesasbeautifulflyinginsectsasbefore.Workwasinformedbymyfather'smotorcycleandinsects,translucentleathershapesthestrangebutincredibleimage-itis"biological":thevariabilitysignalsboththeoriginalandalienatedbodyrolledintoone"bio".Yes,peoplehavemanufacturedagreatvarietyofobjectstomaketheirownalienation.UrbanThefurnitureis“stitched”withscarredleatherstocreateasurrealillusionthroughoutthescatteredspace,thebeautifulliesofcosmetics;thedreamofaprincessbeganfromchildhood;alwayswantingtobuythesexyhighheels.Desireanddreamaboutthecitygirlwasasadillusion,whichwasshreddedandthenmended.Fromourownlives,girls’societyliveincontemporaryspace-hypocritical,romanticandthesentimental,arepresentedinastrangebutfragmentedform,whichhasasuggestedaesthetic.Thisworkevokesaseeminglybustlingcity;itseemstohavelinkedandalsobeenintertwinedinit;thisisalsoanillusorycity.Theuseofmaterialsandtheperformanceofvirtualinstrumentscombinewithanurbansceneandlandscape.Thisgivesanarchitecturalfusionofcontinuousexpressionofourlifen