2021屆高考英語二輪復(fù)習(xí)強(qiáng)化雙擊訓(xùn)練 十三 閱讀理解 B卷

2021屆高考英語二輪復(fù)習(xí)專題強(qiáng)化雙擊訓(xùn)練

專題十三閱讀理解B卷

A

BestWalkingToursinNYC

ManhattantoBrooklynNYCWalkingTour

StartinfrontoftheTweedCourthouseinManhattanbeforemakingthejourneyacrossthe

well-knownBrooklynBridge,catchingviewsoflandmarksliketheEmpireStateBuildingand

StatueofLibertyalongtheway.Onceontheotherside,you'llexploretheneighborhoodknown

asDumbo.

TheSuperheroWalkingTourofNYC

Whetheryou'reafanofBatman,SpidermanortheFantasticFour;discovertheinspiration

behindthosecomicswithstopsattheEmpireStateBuilding,apopularlocationincountless

superheroadventures;theFlatironBuilding,whichservedasPeterParker'sworkplacetheDaily

Bugle;andtheChryslerBuilding,whereSpider-manwouldfrequenttolookoutforthebadguys.

SmallGroupPhotographyWalkingTourofNYC

Duringthisgrouptour,aprofessionalphotographyinstructorwilltakeyoutoaunique

destinationofyourchoosing——optionsincludeCentralPark,theBrooklynBridgeandTimes

Squareatnight——andprovidehands-oninstructionsonhowtobestcapturelastingmemoriesof

yourtrip.

ChinatownFoodTburandHistoricDowntownWalkingTour

It'satourofexplorationofNewYork'sdiverseculture.StartinChinatown,whichishometo

plentyofChineserestaurants,aswellasVietnamese,ThaiandMalaysianrestaurants.Fromthere,

headdowntowardstheFinancialDistrict,whereyourtourguidewillwalkthegroupthrough

NewYork'sDutchhistoricsites,allthewaybacktothedayswhenWallStreetwasanactualwall.

l.WhichtourwillyoutakeifyouareafanofSpider-man?

A.ManhattantoBrooklynNYCWalkingTour.

B.TheSuperheroWalkingTourofNewYork.

C.SmallGroupPhotographyWalkingTourofNYC.

D.ChinatownFoodTourandHistoricDowntownWalkingTour.

2.WhichofthefollowingdoesSmallGroupPhotographyWalkingTourprovide?

A.Comicbooks.B.Shootingskills.

C.Delicatesouvenirs.D.Languagetraining.

3.WhatwillyoudoonChinatownFoodTourandHistoricDowntownWalkingTour?

A.WatchChinesefilms.B.Takeafinancialcourse.

C.ExperienceDutchculture.D.EnjoytraditionalAmericanfood.

B

GeorgiaO'Keeffealwaysthoughtofherselfasanartist.By1928,therestoftheworlddid,too.

Attheageof41,shewaslivinginNewYorkCityandbecomingawell-knownpainter.Still,

O'Keeffewasn'thappy.NewYorkhadbeenagoodsourceofideasforalmosttenyears.Now

thoseideasweredryingup.O'Keeffefeltlikesheneededachange.ShehadvisitedNewMexico

in1917withhersister.Thewideopenspacehadthrilledher."MaybeIshouldgoback"she

thought.InApril1929,O'Keeffepackedherbags.

ThewideopenspaceofNewMexicodrewO'Keeffein.Shespenthoursjustwatchingthesky

change.Becausethelightwassoclear;shefeltlikeshewasseeingitforthefirsttime.Thebeauty

ofthelandrenewedher.Shecouldn'twaittostartpainting.Cows'andhorses'skullsanddesert

flowersfilledhercanvases（畫布）.ThecolorsofthedesertinspiredO'Keeffe.Asaresult,shemade

newchoicesinherartwork."Thecolorupthereisdifferent"sheexplained.Shelovedthedusty

bluesandgreens.

ThatAugust,O'KeeffewenthometoNewYork.Itwasthestartofapattern.Eachspring,she

traveledtoNewMexicotopaint.Thesetripsrestoredherspirit.Then,inthefall,shewould

returntoNewYork.There,sheshowedherwork.EachtimeO'KeeffevisitedNewMexico,she

exploredalittlemore.

ThebleachedanimalbonesandskullsthatO'Keeffefoundexcitedherbecauseshecouldsee

theirspecialbeauty.Thebonesdidn'tmeandeathtoO'Keeffe.Toher;theyshowedthelasting

beautyofthedesert.Thelandscapes,clearlight,andbrightcolorsalsospoketoher.Sheoften

paintedclose-upsoftherocksandmountains.Later,shebegantotravelmoreinsearchofnew

ideas.However,shealwayscamebacktoNewMexico.

AsO'Keeffegrewolder;hereyesightbegantofail.Still,O'Keeffewasn'treadytogiveup.Her

friendJuanHamiltonhelpedherworkwithwatercolors.Healsotaughthertosculpt.Asaresult,

shemadeartintoher90s.Whenshediedattheageof98,Hamiltonsprinkledherashesoverthe

desert.Herbodybecamepartofthelandthathadtouchedherartandherlife.

l.WhywasO'KeeffeunhappyinNewYorkin1928?

A.Shewaslackofthecreativeideas.

B.Shefeltdisappointedaboutherjob.

C.Shewasnotsuccessfulasanartist.

D.Shefeltboredwithlifeinabigcity.

2.WhatcanweknowaboutO'KeeffeafterhertripstoNewMexico?

A.Shereceivedgreatreputationthere.

B.Shediscoveredthemeaningofherlife.

C.Shechosetosettledowninthatcity.

D.Shegotnewthoughtsfromthescenery.

3.WhatcanweknowaboutO'Keeffefromthepassage?

A.Shewasneverafraidoffailureanddeath.

B.Shewaspassionateaboutart.

C.Shewaspatientwiththecomingchances.

D.Shewascuriousaboutthenatureofpeople.

4.Whichofthefollowingcouldbethebesttitleforthisarticle?

A.LifestyleintheDesert

B.SpecialLoveforArt

C.InspirationfromtheDesert

D.ModernWomenArtists

C

Pinocchiomaybejustachildren'sfairytale,butSpanishscientistsattheUniversityof

Granadarecentlyinvestigatedtheso-called“Pinocchioeffect“andfoundthatournosesdon't

growwhenwetellalie,butactuallyshrinkabit.

Dr.EmilioGomezMilanandhisteamdevelopedaliedetectortestthatusedthermography

totellifpeoplewerelying,andfoundthatwheneverparticipantsintheirresearchwerebeing

untruthful,thetemperatureofthetipsoftheirnosesdroppedupto1.2℃,whilethe

temperatureoftheirforeheadincreasedupto1.5℃.Scientistsalsofoundthatdropin

temperatureatnoselevelactuallycausedittoslightlyshrink,althoughthedifferenceis

undetectedbythehumaneye.

"Onehastothinkinordertolie,whichrisesthetemperatureoftheforehead/Dr.Gomez

Milanexplainedthefindings./zAtthesametimewefeelanxious,whichlowersthetemperatureof

thenose.”

Forthisstudy,researchersaskedanumberof60studentstoperformvarioustaskswhile

beingscannedbythermalimagingtechnology.Oneofthesetasksinvolvedcallinga3to4

minutescalltotheirparents,partnerorafriendandtellingasignificantlie.Participantshadto

devisetheliebythemselvesduringthecall,andthethermalcameraspickedupthis“reverse

Pinocchioeffect"causedbythefluctuation（起伏）intemperatureinthenoseandforehead.

Interestingly,thethermalliedoctorpickedupthetemperaturedifferencein80percentof

testsubjects,whichisabetterrateofsuccessthanthatofanymodernliedoctor.

“Withthismethodwehaveachievedtoincreaseaccuracyandreducetheoccurrenceof

'falsepositives',somethingthatisfrequentlywithothermethodssuchasthepolygraph（測謊

儀）"saidDr.EmilioGomezMilan,whoaddedthatlawenforcementinterviewerscouldoneday

combineotherliedetectiontechnologywiththermalimagingtoachievebetterresults.

Thethermalliedoctorhasbeenthemostreliableintheworld,10%morethanthepopular

polygraph.

l.Whydoestheauthormention"Pinocchio“atthebeginning?

A.TotellafairystoryB.Towarnusnottolie.

C.Tointroducearesearch.D.Toinspireustodoubtoldbeliefs.

2.Accordingtotheresearch,whatmighthappenifyoutellalie?

A.Yournosegetslonger.B.Yournosebecomessmaller.

C.Yourtemperaturegetshigher.D.Yourtemperatureremainsstable.

3.Whatcanwelearnabouttheresearch?

A.Researchersconductthestudybyinterviewing.

B.Researchersdesigndifferenceliesforparticipants.

C.Thethermalliedetectorwillproveapopularone.

D.Thethermalliedoctormayassistlawenforcement.

4.Whichmightbethebesttitleforthepassage?

A.Willliedetectorstellthetruth?B.W川lyingmakeyournoselonger?

C.Willlyingmakeyourtemperaturerise?D.Willthermalimagingtechnologybereliable?

D

London,NewYork,TokyoandParis—thesefamouscitieshaveacommandinginfluenceon

theworldeconomyandarehometomillionsofpeople,aswellasinternationallyfamousarts,

cultureandeducationalinstitutions.Buttheyarehardlyrepresentativeoftherestoftheworld's

cities.While54%oftheglobalpopulationliveincities,aroundhalfofthoseliveincitiesthathave

500,000inhabitantsorfewer.

These"ordinary"citiescanbeoverlookedbypoliticians,investors,researchersandbig

businesses.Buttheyaredynamicplaceswithmanylayersofsocial,culturalandeconomic

significance.Afterexperiencingaperiodofpost-industrialdecline,manysuchcitiesare

consideringurbanregeneration（再生）programmes.

Butthatdoesn'tmeantheyhavetofollowthesamepathasotherurbanareas.Infact,the

researchintourbandevelopmenthasfoundthatordinarycitiescanavoidsomeoftheill-effects

ofregeneration,byembracingwhatmakesthemunique.

Attheturnofthecentury,cityleadersbecameincreasinglyinterestedintheideaofthe

""creativecity”.Theideawastoencouragea"/creativeclass"oftalentedworkerstomaketheir

homesandbusinessesincities,bycreatingurbanspacesthatareopen,inclusiveanddiverse,as

wellasattractiveandtechnologicallyadvanced.

“Regeneration“becameabuzzwordassociatedwiththesetypesofstrategies,whichseekto

repurposeseeminglydisusedorrundownspacestosupportaneconomyledbycreativeand

technologicalindustries.Theapparentsuccessofcreativecitypolicieswasseeninpost-industrial

centressuchasDetroit,US,followinginvestmentsincultural,artisticandmusicalurbanrenewal.

Suchpoliciesswiftlybecamethego-tostrategyforseemingly“ordinary“post-industrial

citiesaroundtheworld,evenresultinginnewrankingsthatpitcitiesagainsteachother,basedon

criteriaincludingentrepreneurship（倉4業(yè)精神），urbanleadershipand“l(fā)iveability”.Havingplenty

offormerindustrialspacesthatcanbeadaptedfornewuses,andadesiretobenoticedonthe

nationalorglobalstage,encouragesinvestmentinurbanregenerationfrombothpublicand

privatesources.

Yetregenerationprogrammesinspiredbythecreativecityagendacancauseproblems.

Propertydevelopers什也產(chǎn)開發(fā)商）andforeigninvestorshaverecognizedtheeconomicpotential

ofrealestate（房地產(chǎn)）in“creative“cities.Thishasledtorocketinglandcosts,andmany

low-incomeresidentshavefelttheeffectsofbeingdisplacedfromtheirhomes.

Yetasmorecitiesseektoemphasizetheirculturalassets（資產(chǎn)），cityleadersandpolicy

makersmustbeawareofthenegativeimpactsthatcanariseiflocalresidentsarenotcentralto

thedecision-makingprocess.Thisemphasizestheneedtoconsiderlocalcontextsand

communitiesbeforeoperatingcopycatcreativepolicies.

l.Somefamouscitiescan'trepresenttherestoftheworld'scitiesinthat.

A.theyarealwaysignoredbypoliticians,researchersandbusinessmen

B.theyaccommodatemillionsofpeoplebutdon'tcontributetotheworldeconomy

C.aboutaquarterofglobalpopulationliveinmiddle-sizedandsmallcities

D.notallfamousarts,cultureandeducationalorganizationsaredistributedthere

2.WhatmeasurewasprobablytakenbycitieslikeDetroittopromotecitydevelopment?

A.Usingcultureandartasadrivingforce.B.Forcinglow-incomeresidentstomove.

C.Followingthesamepathassomebigcities.D.Encouragingindustrialinvestment

continuously.

3.Whatdoestheauthorwanttostressinthepassage?

A.Citiesshouldcopyregenerationprogrammes.

B.Citiesshouldcompetewitheachotherbasedonsomecriteria.

C.Citiesshouldseekfinancialsupportfromsourcesaroundtheworld.

D.Citiesshouldconsiderregionalfactorsbeforeusingcreativepolicies.

4.Whatdoesthepassagemainlytalkabout?

A.Ordinarycitiessuccessfullyavoidill-effectsofdevelopment.

B.Ordinarycitiesdon'thavetocopytrendstoregenerate.

C.Ordinarycitiesaretryingtorecoverfrompost-industrialdecline.

0.Ordinarycitiesaredynamicplaceswithsocialimportan

七選五

Whypeoplecollectart

Manypeoplethroughouthistoryhavegonetogreatlengthstocollectart.Butwhatmotivates

thesecollectors?

Onepopularexplanationforcollectingisthattheycanhavefinancialgain.Someresellworks,

earningenormousprofit.①Immorally,some"collectors"buyartasaformofmoney

laundering（洗錢），sinceitisfareasiertomoveartthancashbetweencountrieswithout

examination.

②Forthem,artisimportantforotherreasons.Thebestwaytounderstandthe

underlyingdriveofartcollectingisasameanstocreateandstrengthensocialbonds,andasa

wayforcollectorstocommunicatewithinthesenewnetworks.

Collectorsarenotonlyinterestedincreatingsociallinks;theyarealsomotivatedbythe

messagestheycansendoncethesesocialnetworksarecreated.Weallknowartisapowerful

wayfortheartisttoexpressthoughtsandfeelings.③Displayingartcansendamessage

aboutwhothecollectorreallyis一atleastwhosheseesherselfas.

④Throughthecollections,collectorsconveymessagesnotjustaboutthemselves,but

abouttheworldasawhole.Forexample,thekidwiththeshoeboxofbirdfeathersmightshow

othershercollectionnotjusttomakefriends,butalsotoconvincethemoftheimportanceof

protectingendangeredspecies.

Peoplecollectartforvariousreasons.⑤

A.Somegainfromartworksinanillegalway.

B.Butmostcollectorsthinklittleofprofit.

C.Artworkspreservethequalitiesoftheirmakers.

D.Nodoubtartcollectionisahardaddictiontoovercome.

E.Somegetlargetaxreductionsfordonatingarttomuseums.

F.Italsoservesasaneffectivewayforcollectorstoexpressthemselves.

G.Otherartcollectorsseetheircollectionsashavingbroaderpower.

答案以及解析

答案：l.B;2.B;3.C

解析：1.推理判斷題.根據(jù)文章第二段第一句"WhetheryoiTreafanofBatman,Spidermanorthe

FantasticFour,discovertheinspirationsbehindthosecomics…無論你是蝙蝠俠、蜘蛛俠還是神

奇四俠的粉絲，你都可以在這些漫畫背后找到靈感.可知，如果你是蜘蛛俠的粉絲，那么你有可

能選擇TheSuperheroWalkingTourofNewYork.結(jié)合選項(xiàng)，故選B.

2.細(xì)節(jié)理解題.根據(jù)文章第三段最后一句”…andprovidehandsoninstructionsonhowtobest

capturelastingmemoriesofyourtrip.并提供如何最好地捕捉旅行的持久記憶的實(shí)踐指導(dǎo).可

知LSmallGroupPhotographyWalkingTour會(huì)向游客提供攝影技巧，結(jié)合選項(xiàng)，故選B.

3.細(xì)節(jié)理解題根據(jù)文章第四段最后一句"...whereyourtourguidewillwalkthegroupthrough

NewYork'sDutchhistoricsites...在這里，您的導(dǎo)游將帶領(lǐng)您的團(tuán)隊(duì)參觀紐約的荷蘭歷史遺跡.可

知，唐人街美食之旅和歷史悠久的市中心步行之旅，可以讓你體驗(yàn)到荷蘭文化，結(jié)合選項(xiàng)，故選

C.

B

答案：1-4ADBC

解析:1.細(xì)節(jié)理解題。根據(jù)第一段中的NewYorkhadbeenagoodsourceofideasforalmostten

years.Nowthoseideasweredryingup.uf^n,1928年，喬治亞?奧基夫在紐約生活得并不開心

是因?yàn)樗狈?chuàng)造性的想法，故A項(xiàng)正確。

2.細(xì)節(jié)理解題。根據(jù)第二段第四句Thebeautyofthelandrenewedher.及第三段第四句These

tripsrestoredherspirit.可知，新墨西哥州的景色讓她精神煥發(fā)，給了她新的想法，故D項(xiàng)正

確。

3.推理判斷題。根據(jù)最后一段中的AsO'Keeffegrewolder,hereyesightbegantofail.Still,

O'Keeffewasn'treadytogiveup.HerfriendJuanHamiltonhelpedherworkwithwatercolors.He

alsotaughthertosculpt.Asaresult,shemadeartintoher90s.nJ^0,喬治亞?奧基夫?qū)λ囆g(shù)傾

注了畢生的熱情，故B項(xiàng)正確。

4.主旨大意題。通讀全文可知，本文主要講述了喬治亞?奧基夫每年春天都從紐約出發(fā)到

新墨西哥州的沙漠里挖掘藝術(shù)靈感的故事，所以“來自沙漠的靈感”為本文最佳標(biāo)題。故C項(xiàng)

正確。

c

答案：l.C;2.B;3.D;4.B

解析：1.推理判斷題。匹諾曹故事的作用，而非故事寓意,故在結(jié)構(gòu)作用上可知用匹諾曹為了

引出主題研究。