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.,1,Unit1,Art,.,2,dance,music,movie,sculpture,.,3,painting,architecture,literature,opera,.,4,art,painting,sculpture,architecture,photography,music,dance,literature,opera,calligraphy,painting,movie,.,5,Chinesepaintingisoftenabout,nature,.,6,XuBeihong,.,7,QiBaishi,.,8,ZhangDaqian,.,9,oilpaintingwatercolorlandscapecartoonfiguredrawingsketch,油畫水彩畫風(fēng)景畫卡通人物畫素描,kindsofpainting,.,10,a.realistic,b.abstract,c.existence,d.detailed,e.religious,f.traditional,1.accurate,minute,2.stateorfactofexisting,3.beinginthoughtbutnothavingaphysicalorpracticalexistence,4.lifelike,truetolife,5.classical,ofoldbeliefs,6.sinceretobelieveinagodorgods,.,11,Itisoftenaboutnature,suchasmountain,water,bird-and-flower,etc.,Ithasthesymbolofharmony(和諧)andpeace.,Chinesepaintings,Westernpaintings,detailed,richincolor,lineandshape,Aboutreligion,human,realistic,.,12,Sunflowers,Seatedwomen,MonaLisa,ThekissofJovah,.,13,ArtAshorthistoryofwesternpainting,.,14,Q:Howmanyperiodsofthepaintingsarementionedinthistext?Whatarethey?,(20thcenturytotoday),Fastreading:,TheMiddleAges,TheRenaissance,Impressionism,Modernart,(15thto16thcentury),(5thto15thcenturyAD),(late19thtoearly20thcentury),Timeorder,.,15,paragraph1,Q:WhyWesternarthasmorechangethantheChineseone?,Artisinfluencedbythewayoflifeandthebeliefsofthepeople,andChinaunlikeEurope,hasfollowedasimilarwayoflifeforalongtime,Thistextwilldescribeonlyafewofthemainstyles,startingfromthe5thcenturyAD,.,16,Religionn.,.,17,Q:Whatarethepaintingsofthisperiodfullof?,Trueorfalse,1.Artistsofthisperiodwereinterestedinshowingnatureandpeopleastheyreallywere.,2.PaintingsintheMiddleAgeswereveryrealistic.,Theyarefullofreligioussymbols.,TheMiddleAges,F,F,not,Theywereinterestedincreatingrespectandloveforgod,Untilthe13thcenturypaintersstartedtopaintinamorerealisticway.,.,18,1.PaintersinRenaissancebegantofocuson,A.religionB.humansC.natureD.science,2.InRenaissance,paintersreturnedtoclassicalandideasaboutart.,A.Roman,ParisB.Greek,LondonC.Roman,Greek,Renaissance,3.Whichofthefollowingisnotthethingstherichpeoplepaidfamousartiststopaint?,TherichpeoplethemselvesB.housesandpossessionsC.thegodD.activitiesandachievements,focuson,humans,.,19,Q:WhatarethetwoimportantdiscoveriesintheRenaissanceperiod?,Therearedrawinginperspective,morerealistic,makecolorslookricheranddeeper,inperspective,andoilpaints,.,20,TheRenaissance(15thto16thcentury),Characteristics:humans;perspective,Threefamouspaintersatthistime文藝復(fù)興三杰,列奧納多達(dá)芬奇(14521519)米開朗基羅(14751564)拉斐爾(14831520),.,21,blankfilling,Impressionism,Changesinpaintingstyles,Inthelate19thcentury,Europeagreatdeal.fromamostlysocietytoamostlyone.Peoplemovedfromtothe.Therearemanyand,changed,agricultural,industrial,country,city,newinventions,socialchanges,Theimpressioniststriedtobreakawayfromthetraditionalstyleofthepainting.,Ledto,changes,.,22,Q:Whydidtheimpressionistshavetopaintquickly?,Becausenaturallightchangessoquickly.,Atdifferenttimeoftheday,light,shadow,paintingswerenotsodetailed,indoors,outdoors,.,23,Worksoftheimpressionism,.,24,Impressionism(late19thtoearly20thcentury),莫奈Monet(18401926),法國畫家。印象畫派的創(chuàng)始人之一。印象派的名稱即由他的日出印象一畫而來。此畫也成了印象派的經(jīng)典代表作品。,Characteristics:outdoorscenes,.,25,VincentVanGogh,Sunflowers,.,26,Nowadays,therearesortsofmodernartstyles,suchasCubism(立體派),Surrealism(超現(xiàn)實主義)Expressionism(表現(xiàn)主義),Modernart(20thcenturytotoday),ImpressionismisthestartofModernArt,.,27,Abstract,hardtounderstand,likeaphotograph,Realistic,Twoextremes,.,28,becausethepainterdoesnotpaintobjectsrealistic,instead,theyconcentratesoncertainoftheobject,usingtorepresentthem,attemptto,qualities,color,line,shape,Somemodernartisabstract,.,29,TheMiddleAges,Modernart,Impressionism,TheRenaissance,Letstelltherightstyleofthepaintings,.,30,VincentVanGogh,Picasso,LeonardodaVinci,GiottodiBondone,TheMiddleAges,TheRenaissance,Impressionism,Modernart,.,31,Homework,1.Findouttheimportantwordsandphrasesinthispassage,2.DotheexerciseinPage4,exercise4,.,32,Thankyou,.,33,達(dá)芬奇:蒙娜麗莎被譽(yù)為世界美術(shù)杰作之冠,表現(xiàn)了藝術(shù)家對女性美和人的豐富精神生活的贊賞;壁畫最后的晚餐則反映了藝術(shù)家創(chuàng)造典型人物和戲劇性場面的能力,為后人學(xué)習(xí)的典范。,.,34,米開朗基羅:他創(chuàng)作的巨幅屋頂壁畫,充滿力量無窮的英雄形象,被稱為世界上最宏偉的藝術(shù)作品。他的許多雕塑,例如大衛(wèi)像、摩西像和垂死的奴隸等,在技藝上較希臘古典名作有過之無不及。,.,35,拉斐爾:是卓越的畫家,被后世尊為“畫圣”。他善于吸收各家之長,加以自己的創(chuàng)造,在藝術(shù)的秀美、典雅方面大放異彩,留下了許多第一流的杰作如花園中的圣母、西斯廷圣母,以及梵蒂岡教皇宮中的許多壁畫,尤其是雅典學(xué)派,.,36,Westernarthasmorechange,.,37,Masaccio(1401-1427),.,38,GiottodiBondone喬托迪邦多納,猶大之吻,.,39,becomerealistic,re
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