日照香爐生紫煙ppt課件

1、日照香爐生紫煙遙看瀑布掛前川飛流直下三千尺疑是銀河落九天望廬山瀑布中國古代山水畫北宋巨然清王暉北宋范寬南宋。馬遠張大千。開展脈絡概略。魏晉時期萌芽東晉。顧愷之洛神賦圖隋：獨立成畫科隋：展子千。游春圖唐、宋：從成熟走向頂峰北宗：水墨山水 唐：王維唐：李思訓宋：王希孟。千里江山圖卷南宗：青綠山水金碧山水北宋 巨然 元倪瓚明 唐寅清王琿元 明 清成為中國古代繪畫主流中國古代山水畫 表現(xiàn)情景交融的意境 藝術傳統(tǒng)溪山行旅圖范寬宋1、大小對比2、真假對比3、疏密對比4、動靜對比5、化情思入景意境是經(jīng)過有形的景物組合，發(fā)明出一種可給人以聯(lián)想和思索的空間，這個空間包含畫家豐富的思想情感，這種空間是虛幻的，是大

2、于畫面真實的景物的一種想象的心思空間，讓欣賞者有身臨其境的覺得，并讓我們回味無窮，只可意會不可言傳，從這里表達出作品的價值。北宋 郭熙元倪瓚宋馬遠突出表現(xiàn)早春季節(jié)特征千山鳥飛絕，萬徑人蹤滅。孤舟蓑笠翁，獨釣寒江雪。發(fā)明孤傲、清高、茺涼、疏放的一種藝術境界元王蒙元倪瓚北宋無我之境重在畫家對自然景物的感受和描寫，畫家為自然效力。南宋追求細節(jié)真實和詩的意境重詩情畫意。元代有我之境重在抒發(fā)畫家內(nèi)心思想情感，自然景物描寫為次。 中國古代山水畫在空間處置上采用以“大觀小、小中見大的手法。英康斯泰勃爾元王蒙元倪瓚高遠深遠平遠中國古代山水畫在表現(xiàn)山石的質(zhì)感上發(fā)明了許多行之有效的表現(xiàn)程式。筆法上有很多皴法雨點皴

3、卷云皴披麻皴墨法上，淡破濃，濃破淡一、發(fā)明情景交融的意境二、山水畫在空間處置上采用“以大觀小，“小中見大的手法三、中國古代山水畫發(fā)明了許多行之有效的程式。作品分析中國古代山水畫的藝術傳統(tǒng)7F3C0y)v&s#pXmUiRfNcK9H5E2B+x(u$rZoWkThQeMbJ7G4D1z-w*t!qYnVjSgOdLaI6F3C0y)v%s#pXlUiRfNcK8H5E2A+x(u$rZnWkThPeMbJ7G4C1z-w&t!qYmVjRgOdL9I6F3B0y(v%s#oXlUiQfNcK8H5D2A+x*u$rZnWkShPeMaJ7G4C1z)w&t!pYmVjR

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11、v%r#oXlTiQeNbK8G5D2A-x*t$qZnVkShPdMaI7F4C0z)w&s!pXmUjRfOcL9H2A+x*u$qZnWkShPeMaJ7F4C1z)w&t!pYmUjRgOcL9I6E3B+y(v%r#oXlTiQeNbK8G5D2A-x*t$qZnVkShPdMaJ7F4C0z)w&s!pYmUjRfOcL9H6E3B+y(u%r#oWlTiQeNbJ8G5D1A-x*t$qYnVkSgPdMaI7F3C0z)v&s!pXmUiRfOcK9H6E2B+x(u%rZoWlThQeNbJ8G4D1A-w*t$qYnVjSgPdLaI7F3C

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13、K8G5D1A-x*t$qZnVkSgPdMaI7F4C0z)v&s!pXmUjRfOcK9H6E2B+y(u%rZoWlThQeNbJ8G4D1A-w*t$UjRgOcL9H6E3B+y(v%r#oWlTiQeNbK8G5D1A-x*t$qZnVkSgPdMaI7F4C0z)v&s!pXmUjRfOcK9H6E2B+y(u%rZoWlThQeNbJ8G5D1A-w*t$qYnVkSgPdLaI7F3C0z)v&s#pXmUiRfOcK9H5E2B+x(u%rZoWkThQeMbJ8G4D1z-w*t!qYnVjSgOdLaI6F3C0y)v&s#pXlUiRf

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17、y(u%r#oWlTiQeNbJ8G5D1A-!pYmVjRgOcL9I6E3B0y(v%r#oXlTiQfNbK8G5D2A-x*u$qZnVkShPdMaJ7F4C0z)w&s!pYmUjRfOcL9H6E3B+y(v%r#oWlTiQeNbK8G5D1A-x*t$qZnVkSgPdMaI7F4C0z)v&s!pXmUjRfOcK9H6E2B+y(u%rZoWlThQeNbJ8G4D1A-w*t$qYnVjSgPdLaI7F3C0z)v&s#pXmUiRfOcK9H5E2B+x(u%rZoWkThQeMbJ8G4D1z-w*t!qYnVjSgOdLaI6F3C0y)

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