某銀行XXXX筆試閱讀理解真題以及答案解析

1、 9/9中國(guó)銀行20110筆試閱讀讀真題及答案案解析中國(guó)銀行校園招招聘筆試英語(yǔ)語(yǔ)的難度跟六六級(jí)和考研的的難度差不多多，而且時(shí)間間非常緊張，根根本不夠用的的。題型大致致分為：?jiǎn)芜x選（老六級(jí)）、改改錯(cuò)、完型、閱閱讀、閱讀新新題型（段落落排序、句子子排序）、快快速閱讀等，題題量筆研究生生考試的題量量還要大，而而且時(shí)間只給給一個(gè)半小時(shí)時(shí)。本文為20100年筆試的閱閱讀的一篇，并提供答案案解析以供參參考。Proponeents oof diffferennt jazzz styyles hhave aalwayss arguued thhat thheir ppredeccessorrs mmusica

2、al styyle diid nott incllude eessenttial ccharaccterisstics that definne jazzz as jazz. Thuss, 19440s swingg was belitttled by beeboppeers off the 1950s whho werre theemselvves atttackeed by free jazzees of the 11960s. Thhe neooboppeers off the 1980s annd 19990s attaccked aalmostt everrybodyy elsee.

3、 Thee titaanic ffiguree of BBlack saxopphonisst Johhn Colltranee has compllicateed thee arguumentss madee by pproponnents of sttyles from bebopp throough nneobopp becaause iin hiss own musiccal joourneyy he ddrew ffrom aall thhose sstyless. Hiss inflluencee on aall tyypes oof jazzz wass immeeasuraab

4、le. At thhe heiight oof hiss popuularitty, Cooltranne larrgely abanddoned playiing beebop, the sstyle that had bbroughht himm famee, to exploore thhe outter reeachess of jjazz.Coltrrane hhimsellf proobablyy beliieved that the oonly eessenttial ccharaccterisstic oof jazzz wass imprrovisaation, the on

5、e cconstaant inn his journney frrom beebop tto opeen-endded immproviisatioons onn modaal, Inndian, and Africcan meelodiees. Onn the otherr handd, thiis doggged sstudennt andd proddigiouus tecchniciian who iinsistted onn spennding hourss eachh day practticingg scalles frrom thheory bookss waas nevver

6、 abble too jetttison complletelyy the influuence of beebop, with its ffast aand ellaboraate chhains of nootes aand orrnamennts onn meloody.Two sstylisstic ccharaccterisstics shapeed thee way Coltrrane pplayedd the tenorr saxoophonee: he favorred pllayingg fastt runss of nnotes builtt on aa meloody a

7、nnd deppendedd on hheavy, reguularlyy acceented beatss. Thee firsst ledd Colttrane to shheets of soound” wherre he racedd fastter annd fasster, pile-driviing nootes iinto eeach oother to suuggestt staccked hharmonnies. The ssecondd meannt thaat hiss sensse of rhythhm wass almoost ass closse to rock

8、as too beboop.Threee recoordinggs illlustraate Cooltrannes energgizingg explloratiions. Recorrding Kind of Bllue wiith Miiles DDavis, Colttrane foundd himsself ooutsidde bopp, expplorinng moddal meelodiees. Heere hee playyed suurgingg, lenngthy soloss buillt larrgely arounnd reppeatedd motiifs an oo

9、rganiizing princciple unlikke thaat of free jazz saxopphone playeer Ornnette Colemman, wwho moodulatted orr alteered mmelodiies inn his soloss. On Giantt Stepps, Cooltranne debbuted as leeader, intrroduciing hiis ownn comppositiions. Here the ssheetss of ssound, downnbeat accennts, rrepetiitionss, a

10、ndd greaat speeed arre parrt of each solo, and the vvarietty of the sshapess of hhis phhrasess is uuniquee. Colltranees ssearchhing eexplorrationns prooducedd soliid achhievemment. My Faavoritte Thiings wwas annotherr kindd of wwatersshed. Here Coltrrane pplayedd the sopraano saaxophoone, aan insstr

11、umeent seeldom used by jaazz muusiciaans. MMusicaally, the rresultts werre asttoundiing. WWith tthe soopranoos ppipingg sounnd, iddeas tthat hhad sooundedd darkk and broodding aacquirred a feeliing off gidddy fanntasy.When Cooltranne beggan reecordiing foor thee Impuulse！ Labell, he was sstill searc

12、ching. His musicc becaame raaucouss, phyysicall. Hiss inflluencee on rrockerrs wass enorrmous, inclludingg Jimii Henddrix, the rrock gguitarrist, who, folloowing Coltrrane, raiseed thee exteended guitaar sollo using repeaated mmotifss to aa kindd of rrock aart foorm.The pprimarry purrpose of thhe te

13、xxt is toA ddiscusss thee placce of Coltrrane iin thee worlld of jazz and ddescriibe hiis mussical explooratioons.B eexaminne thee natuure off beboop andd conttrast it wiith immproviisatioonal jjazz.C aanalyzze thee musiical ssourcees of Coltrranes styyle annd theeir innfluennce onn his work.D ackkn

14、owleedge tthe innfluennce off Colttranes muusic oon rocck mussic annd rocck mussicianns.Whichh of tthe foollowiing beest deescribbes thhe orgganizaation of thhe fouurth pparagrraph？A AA thessis reeferreed to earliier inn the text is meentionned annd illlustraated wwith tthree speciific eexamplles.B

15、AA thessis iss statted annd thrree exxamplees aree giveen eacch sugggestiing thhat a correectionn needds to be maade too a thhesis referrred tto earrlier in thhe texxt.C AA thessis reeferreed to earliier inn the text is meentionned, aand thhree eexamplles arre preesenteed andd rankked inn ordeer of

16、theirr suppport oof thee thessis.D A tthesiss is sstatedd, thrree seeeminggly oppposinng exaampless are preseented, and theirr undeerlyinng corrrespoondencce is explaained.Accorrding to thhe texxt, Joohn Cooltranne didd all of thhe folllowinng durring hhis caareer EXCEPPTA iimprovvise oon mellodiess

17、 fromm a nuumber of diiffereent cuulturees.B pperforrm as leadeer as well as sooloistt.C sspend time improoving his ttechniical sskillss.D eliiminatte thee inflluencee of bbebop on hiis ownn musiic.Accorrding to thhe texxt a mmajor diffeerencee betwween CColtraane annd othher jaazz muusiciaans waas

18、theeA ddegreee to wwhich Coltrranes mussic enncompaassed all oof jazzz.B rrepetiition of mootifs that Coltrrane uused iin hiss soloos.C nnumberr of hhis owwn commposittions that Coltrrane rrecordded.D inddifferrence Coltrrane mmaintaained to muusicall techhniquee.In teerms oof itss tonee and form, t

19、he text can bbest bbe chaaracteerizedd asA ddogmattic exxplanaation.B iindignnant ddeniall.C eenthussiastiic praaise.D sspecullativee studdy.答案與考考點(diǎn)解析答案AA考點(diǎn)解析析本題是一一道中心主旨旨題。第一段段的倒數(shù)第一一、二句是全全文的中心主主旨句，全文文就是根據(jù)這這兩句話展開(kāi)開(kāi)論述的。抓抓住這兩句話話就可以找出出本題的正確確選項(xiàng)A.考考生在解題時(shí)時(shí)，尤其是破破解中心主旨旨題時(shí)，一定定要先找出全全文的中心主主旨句。答案CC考點(diǎn)解析析 這是一一道例（舉）證

20、證與細(xì)節(jié)理解解題。第四段段第一句明確確指出“三張唱片為為科爾特蘭尼尼富有活力的的探索提供了了證明”。這說(shuō)明第第四段將講述述三個(gè)例子用用來(lái)說(shuō)明在前前一段即第三三段所提出的的論點(diǎn)。另外外這三個(gè)例子子是按著先后后順序給出的的，因此本題題的正確選項(xiàng)項(xiàng)是C.考生生在解題時(shí)要要注意段落之之間的相互關(guān)關(guān)系，更要注注意句子之間間的相互關(guān)系系。答案DD考點(diǎn)解析析這是一道道細(xì)節(jié)理解題題型。本題屬屬于比較難的的題型，因?yàn)闉楸绢}的涉及及面比較廣。本本題A、B、CC選項(xiàng)的內(nèi)容容分別在第二二段第一句、第第四段第三四四句和第二段段第二句提到到過(guò)。故本題題的正確選項(xiàng)項(xiàng)應(yīng)該是D.其實(shí)這道題題表面上非常常難，但是對(duì)對(duì)于善于捕捉捉

21、全文中心主主旨句的同學(xué)學(xué)來(lái)講確比較較容易，因?yàn)闉閺牡谝欢蔚诘谒木涞脑蛞驙钫Z(yǔ)從句中中就可以推導(dǎo)導(dǎo)出本題的正正確答案D.考生在解題題時(shí)應(yīng)時(shí)時(shí)牢牢記全文的中中心主旨句。答案AA考點(diǎn)解析析本題是一一道審題定位位題型。根據(jù)據(jù)本題題干中中的“otherr jazzz musiicianss”可將本題的的答案信息來(lái)來(lái)源定位在第第一段的第一一至四句，因因?yàn)樵谶@四句句話中提到了了其它的爵士士音樂(lè)家。第第一段第四句句的狀語(yǔ)從句句明確指出了了“Coltrrane”與其它音樂(lè)樂(lè)家的不同在在于他吸收了了各種風(fēng)格的的爵士音樂(lè)。故故本題的正確確答案應(yīng)該是是A.考生在在解題時(shí)應(yīng)重重視審題定位位。答案CC考點(diǎn)解析析本題是一一

22、道歸納推導(dǎo)導(dǎo)題型。細(xì)心心的同學(xué)可從從本文作者在在論述時(shí)使用用的詞語(yǔ)中推推導(dǎo)出本題的的正確答案CC.例如作者者在第一段第第四句的主語(yǔ)語(yǔ)上使用了“titannic fiigure”；在第五句句使用了“his iinflueencewas iimmeassurablle”；在最后一一段的第三句句使用了“his iinflueence was enormmous”，這都反映映了作者的“enthuusiasttic prraise”?？忌诮饨忸}時(shí)要重視視原文作者在在表達(dá)觀點(diǎn)時(shí)時(shí)的遣詞造句句。參考譯文文不同的爵士士樂(lè)風(fēng)格的支支持者一貫認(rèn)認(rèn)為他們前輩輩的音樂(lè)風(fēng)格格沒(méi)有包括那那些使爵士樂(lè)樂(lè)之所以成為為爵士樂(lè)

23、的本本質(zhì)特征。這這樣，二十世世紀(jì)五十年代代的比波普派派輕視二十世世紀(jì)四十年代代的搖擺音樂(lè)樂(lè)派，而他們們自己又受到到二十世紀(jì)六六十年代的自自由爵士派的的抨擊。二十十世紀(jì)八十至至九十年代的的新比波普派派幾乎對(duì)任何何其他人都進(jìn)進(jìn)行抨擊。而而黑人薩克斯斯管巨匠約翰翰？科爾特蘭蘭尼使這些從從比波普派到到新比波普派派的支持者所所提出的主張張更加復(fù)雜化化，因?yàn)樵谒约旱囊魳?lè)樂(lè)例程中，他他經(jīng)歷了所有有這些風(fēng)格。他他對(duì)所有爵士士音樂(lè)的風(fēng)格格的影響是不不可估量的。在在他最受歡迎迎的時(shí)期，科科爾特蘭尼基基本上放棄了了比波普風(fēng)格格的演奏以便便探索爵士樂(lè)樂(lè)更深的處延延，然而正是是比波普風(fēng)格格的演奏使得得他成名?？茽柼靥m尼尼自己可能認(rèn)認(rèn)為爵士樂(lè)的的唯一本質(zhì)特特征就是即興興創(chuàng)作，這是是他從比波普普風(fēng)格到對(duì)形形式音樂(lè)、印印度音樂(lè)、非非洲音樂(lè)的自自由即興演奏奏的歷程中一一直沒(méi)有改變變的。另一方方面，這個(gè)頑頑強(qiáng)的學(xué)生和和異常的技巧巧家每天花幾幾個(gè)小時(shí)用以以練習(xí)理論書(shū)書(shū)籍上的曲譜譜，從未能完完全拋棄比波波普的影響，在在他的旋律中中可以找到帶帶有比波普特特點(diǎn)的快速和和精細(xì)的音符符以及修飾效效果。有兩種風(fēng)格格特征影響了了科爾特蘭尼尼演奏男高音音薩克斯管的的方式：他喜喜歡對(duì)建立于于一種旋律上上的音符進(jìn)行行快速的演奏奏，同時(shí)也依依賴于強(qiáng)