意象派詩歌課件

意象派詩歌..56、極端的法規(guī)，就是極端的不公。——西塞羅57、法律一旦成為人們的需要，人們就不再配享受自由了?！呥_(dá)哥拉斯58、法律規(guī)定的懲罰不是為了私人的利益，而是為了公共的利益；一部分靠有害的強(qiáng)制，一部分靠榜樣的效力?！窭闲闼?9、假如沒有法律他們會(huì)更快樂的話，那么法律作為一件無用之物自己就會(huì)消滅?！蹇?0、人民的幸福是至高無個(gè)的法。——西塞羅意象派詩歌..意象派詩歌..56、極端的法規(guī)，就是極端的不公。——西塞羅57、法律一旦成為人們的需要，人們就不再配享受自由了?！呥_(dá)哥拉斯58、法律規(guī)定的懲罰不是為了私人的利益，而是為了公共的利益；一部分靠有害的強(qiáng)制，一部分靠榜樣的效力?！窭闲闼?9、假如沒有法律他們會(huì)更快樂的話，那么法律作為一件無用之物自己就會(huì)消滅?！蹇?0、人民的幸福是至高無個(gè)的法。——西塞羅ImagismOriginationOriginatinginthephilosophyofT.E.Hulme,themovementsoonattractedezrapoundwhobecametheleaderofasmallgroupopposedtotheromanticconceptionofpoetryandinspiredbyGreekandRomanclassicsandbyChineseJapanese,andmodernFrenchpoetsTheimagistpoetscalledforEnewrhythmsEfreechoiceofsubjectmatterEcompressedpoeticexpression.andEuseofcommonspeech意象派詩歌..56、極端的法規(guī)，就是極端的不公?！魅_意1ImagismImagism2OriginationOriginatinginthephilosophyofT.E.Hulme,themovementsoonattractedezrapoundwhobecametheleaderofasmallgroupopposedtotheromanticconceptionofpoetryandinspiredbyGreekandRomanclassicsandbyChineseJapanese,andmodernFrenchpoetsTheimagistpoetscalledforEnewrhythmsEfreechoiceofsubjectmatterEcompressedpoeticexpression.andEuseofcommonspeechOrigination3MovementImagismisapoeticmovementofEnglandandtheUnitedStateswhichflourishedfrom1908to1917Itscreed,expressedinSomeImagistPoets(1915),includedtheuseofthelanguageofcommonspeech,precision,thecreationofnewrhythms,absolutefreedominchoiceofsubjectmatter,theevocationofimagesinhard,clearpoetry,andconcentrationIntheu.s.,thegroupwasrepresentedbyPound,JohnGouldFletcher,andamylowellMovement4MovementPoundcollectedsomeoftheirworkinDesImagists:AnAnthology(1914),afterwhichhisinterestbegantowaneAmyLowellthenassumedactiveleadership,advocatingthatthegroupsubscribetoafixedprogramandholdtogetherforatcastthreeyears.Underherguidancewerepublishedseveralanthologies,allentitledSomeImagistPoets.ThemostimportantfiguresareEzraPound,HD(HildaDoolittle),AmyLowell,andWilliamCarlosWilliamsOtherimportantpoetsinthisperiodincludeT.S.Eliot,ERRobinsonWallaceStevensande.e.cummingsMovement5Majorfeature--1Withaspiritofrevoltagainstconventions,imagismwasantiromanticandanti-VictorianItstressedfreechoiceofsubjectmatters(oftendealingwithsingle,concentratedmomentsofexperience),concretenessofimagery,musicalphraseseconomyofexpressionandtheuseofadominantimageItaimedatinstantaneouseffect.visualandconcisemagistsusedthelanguageofcommonspeechandemployedexactwordsinsteadoftheflowerylanguageofpoetryTheyavoidedallclicheexpressions,theornatediction,andcomplexverseformsoftraditionalpoetryMajorfeature--16Majorfeature--2ImagismproducedfreeversewithoutimposingarhythmicalpatternTherhythmwascomposedasifthepoetweremakingamusicpraseThiswasadoing-awaywithconventionsofmetersothatthepoetneedednotmakehisideasfitintoanestablishedmeterasinasonnetoraballadThepoetcreatednewrhythmsinthesequenceofthemusicalphraseastheexpressionsofanewmoodMajorfeature--27Majorfeature--3ImagismwasequivalenttoNaturalisminfictioninasenseNaturalismwasbasedonscientificobservation,afeelingofdeterminismthatthereadershouldlookonlyattheoutsideobjectswithnoattempttogetinsideofthemTheImagistwritersalsohadthesamefeelingofdeterminismthatthereadershouldonlylookattheimage.Ifthereaderlooksattheimage.itwillevokeanemotionimmediatelMajorfeature--38Majorfeature--4ImagismtriedtorecordobjectiveobservationsofanobjectorasituationwithoutinterpretationorcommentbythepoetImagismrequiredapoettopresentjustapicture,nothisinsightItisverybiologicalandveryscientific.Theyneverstatedtheemotioninthepoem,butjustpresentedanimage:concrete,firm,definiteinpicture.AnysignificancetobederivedfromtheimagehadtoappearinherentinitscleanpresentationMajorfeature--49SummaryImagismwasaradicalchangefromthewaypoetryhadbeenwritteninthe19thcentury.ThesemodernistpoetstriedtokeeptheirideastothemselvesmerelygivingthereaderthedescriptionoftheoutwardsurfaceTherefore,anImagistpoemconsistsofclearvisualimagesoftenjuxtaposedwithotherimages,promptingthereadertoanimaginativeresponsethatcompletesitsmeaningSummary101.Tousethelanguageofcommonspeech,buttoemploytheexactword,notthenearly-exact,northemerelydecorativeword2.Webelievethattheindividualityofapoetmayoftenbebetterexpressedinfreeversethaninconventionalforms.Inpoetry,anewcadencemeansanewidea3.Absolutefreedominthechoiceofsubject.4.Topresentanimage.Wearenotaschoolofpainters,butwebelievethatpoetryshouldrenderparticularsexactlyandnotdealinvaguegeneralities,howevermagnificentandsonorous.Itisforthisreasonthatweopposethecosmicpoet,whoseemstoustoshirktherealdifficultiesofhisartToproduceapoetrythatishardandclear,neverblurrednorindefinite6.Finally,mostofusbelievethatconcentrationisoftheveryessenceofEzrapoundImagistManifesto1.Tousethelanguageofcomm11意象派詩歌課件12意象派詩歌課件13意象派詩歌課件14意象派詩歌課件15意象派詩歌課件16意象派詩歌課件17意象派詩歌課件18意象派詩歌課件19意象派詩歌課件20意象派詩歌課件21意象派詩歌課件22意象派詩歌課件23意象派詩歌課件24意象派詩歌課件25意象派詩歌課件26意象派詩歌課件276、最大的驕傲于最大的自卑都表示心靈的最軟弱無力。——斯賓諾莎

7、自知之明是最難得的知識(shí)?！靼嘌?/p>

8、勇氣通往天堂，怯懦通往地獄?！麅?nèi)加

9、有時(shí)候讀書是一種巧妙地避開思考的方法。——赫爾普斯

10、閱讀一切好書如同和過去最杰出的人談話?！芽▋篢hankyou拯畏怖汾關(guān)爐烹霉躲渠早膘岸緬蘭輛坐蔬光膊列板哮瞥疹傻俘源拯割宜跟三叉神經(jīng)痛-治療三叉神經(jīng)痛-治療6、最大的驕傲于最大的自卑都表示心靈的最軟弱無力。——斯賓諾28意象派詩歌..56、極端的法規(guī)，就是極端的不公?！魅_57、法律一旦成為人們的需要，人們就不再配享受自由了。——畢達(dá)哥拉斯58、法律規(guī)定的懲罰不是為了私人的利益，而是為了公共的利益；一部分靠有害的強(qiáng)制，一部分靠榜樣的效力?！窭闲闼?9、假如沒有法律他們會(huì)更快樂的話，那么法律作為一件無用之物自己就會(huì)消滅?！蹇?0、人民的幸福是至高無個(gè)的法?！魅_意象派詩歌..意象派詩歌..56、極端的法規(guī)，就是極端的不公?！魅_57、法律一旦成為人們的需要，人們就不再配享受自由了?！呥_(dá)哥拉斯58、法律規(guī)定的懲罰不是為了私人的利益，而是為了公共的利益；一部分靠有害的強(qiáng)制，一部分靠榜樣的效力?！窭闲闼?9、假如沒有法律他們會(huì)更快樂的話，那么法律作為一件無用之物自己就會(huì)消滅?！蹇?0、人民的幸福是至高無個(gè)的法?！魅_ImagismOriginationOriginatinginthephilosophyofT.E.Hulme,themovementsoonattractedezrapoundwhobecametheleaderofasmallgroupopposedtotheromanticconceptionofpoetryandinspiredbyGreekandRomanclassicsandbyChineseJapanese,andmodernFrenchpoetsTheimagistpoetscalledforEnewrhythmsEfreechoiceofsubjectmatterEcompressedpoeticexpression.andEuseofcommonspeech意象派詩歌..56、極端的法規(guī)，就是極端的不公?！魅_意29ImagismImagism30OriginationOriginatinginthephilosophyofT.E.Hulme,themovementsoonattractedezrapoundwhobecametheleaderofasmallgroupopposedtotheromanticconceptionofpoetryandinspiredbyGreekandRomanclassicsandbyChineseJapanese,andmodernFrenchpoetsTheimagistpoetscalledforEnewrhythmsEfreechoiceofsubjectmatterEcompressedpoeticexpression.andEuseofcommonspeechOrigination31MovementImagismisapoeticmovementofEnglandandtheUnitedStateswhichflourishedfrom1908to1917Itscreed,expressedinSomeImagistPoets(1915),includedtheuseofthelanguageofcommonspeech,precision,thecreationofnewrhythms,absolutefreedominchoiceofsubjectmatter,theevocationofimagesinhard,clearpoetry,andconcentrationIntheu.s.,thegroupwasrepresentedbyPound,JohnGouldFletcher,andamylowellMovement32MovementPoundcollectedsomeoftheirworkinDesImagists:AnAnthology(1914),afterwhichhisinterestbegantowaneAmyLowellthenassumedactiveleadership,advocatingthatthegroupsubscribetoafixedprogramandholdtogetherforatcastthreeyears.Underherguidancewerepublishedseveralanthologies,allentitledSomeImagistPoets.ThemostimportantfiguresareEzraPound,HD(HildaDoolittle),AmyLowell,andWilliamCarlosWilliamsOtherimportantpoetsinthisperiodincludeT.S.Eliot,ERRobinsonWallaceStevensande.e.cummingsMovement33Majorfeature--1Withaspiritofrevoltagainstconventions,imagismwasantiromanticandanti-VictorianItstressedfreechoiceofsubjectmatters(oftendealingwithsingle,concentratedmomentsofexperience),concretenessofimagery,musicalphraseseconomyofexpressionandtheuseofadominantimageItaimedatinstantaneouseffect.visualandconcisemagistsusedthelanguageofcommonspeechandemployedexactwordsinsteadoftheflowerylanguageofpoetryTheyavoidedallclicheexpressions,theornatediction,andcomplexverseformsoftraditionalpoetryMajorfeature--134Majorfeature--2ImagismproducedfreeversewithoutimposingarhythmicalpatternTherhythmwascomposedasifthepoetweremakingamusicpraseThiswasadoing-awaywithconventionsofmetersothatthepoetneedednotmakehisideasfitintoanestablishedmeterasinasonnetoraballadThepoetcreatednewrhythmsinthesequenceofthemusicalphraseastheexpressionsofanewmoodMajorfeature--235Majorfeature--3ImagismwasequivalenttoNaturalisminfictioninasenseNaturalismwasbasedonscientificobservation,afeelingofdeterminismthatthereadershouldlookonlyattheoutsideobjectswithnoattempttogetinsideofthemTheImagistwritersalsohadthesamefeelingofdeterminismthatthereadershouldonlylookattheimage.Ifthereaderlooksattheimage.itwillevokeanemotionimmediatelMajorfeature--336Majorfeature--4ImagismtriedtorecordobjectiveobservationsofanobjectorasituationwithoutinterpretationorcommentbythepoetImagismrequiredapoettopresentjustapicture,nothisinsightItisverybiologicalandveryscientific.Theyneverstatedtheemotioninthepoem,butjustpresentedanimage:concrete,firm,definiteinpicture.AnysignificancetobederivedfromtheimagehadtoappearinherentinitscleanpresentationMajorfeature--437SummaryImagismwasaradicalchangefromthewaypoetryhadbeenwritteninthe19thcentury.ThesemodernistpoetstriedtokeeptheirideastothemselvesmerelygivingthereaderthedescriptionoftheoutwardsurfaceTherefore,anImagistpoemconsistsofclearvisualimagesoftenjuxtaposedwithotherimages,promptingthereadertoanimaginativeresponsethatcompletesitsmeaningSummary381.Tousethelanguageofcommonspeech,buttoemploytheexactword,notthenearly-exact,northem