Analysis of Chinese and Western Ghost Culture 淺析中西方鬼文化_第1頁
Analysis of Chinese and Western Ghost Culture 淺析中西方鬼文化_第2頁
Analysis of Chinese and Western Ghost Culture 淺析中西方鬼文化_第3頁
Analysis of Chinese and Western Ghost Culture 淺析中西方鬼文化_第4頁
Analysis of Chinese and Western Ghost Culture 淺析中西方鬼文化_第5頁
已閱讀5頁,還剩13頁未讀, 繼續(xù)免費閱讀

下載本文檔

版權說明:本文檔由用戶提供并上傳,收益歸屬內容提供方,若內容存在侵權,請進行舉報或認領

文檔簡介

AnalysisofChineseandWesternGhostCulture溫州醫(yī)學院本科畢業(yè)論文論文題目AnalysisofChineseandWesternGhostCulture(英文)論文題目淺析中西方鬼文化(中文)專業(yè)學院仁濟學院 英語專業(yè)學院學號班級 學號班級作者姓名指導老師作者姓名指導老師完稿時間完稿時間成績成績AnalysisofChineseandWesternGhostCulture目錄Abstract. iv摘要 ivOutline v提綱 vi1.Introduction 12.Introductiontoghostculture 22.1Definitionofghostculture 22.2Valueofghostculture 23.GhostconceptinChineseandwesternculture 33.1GhostconceptinChineseculture 33.2Ghostconceptinwesternculture 44.AnalysisofChineseandwesternghostculture 54.1Chineseandwesternghostcultureinliterature 54.1.1Chineseghostcultureinliterature 54.1.2Westernghostcultureinliterature 64.1.3DifferencesbetweenChineseandwesternghostcultureinliterature 64.2Chineseandwesternghostcultureinfolkcustom 74.2.1Chineseghostcultureinfolkcustom 74.2.2Westernghostcultureinfolkcustom 74.2.3DifferencesbetweenChineseandwesternghostcultureinfolkcustom 84.3ReasonsforChineseandwesternghostculturedifferences 84.3.1Religiousreason 94.3.2Socialreason 104.3.3Ideologicalreason 105.Conclusion 11WorksCited 13AnalysisofChineseandWesternGhostCultureAbstract:Thispaperfirstmakesanintroductiontothedefinitionandvalueofghostculture.Ghostcultureisaproductofhumansociety;itisalsoanimportantpartofhumancivilization.ThepaperthenpresentsghostconceptbothinChinaandwesterncountriestoshowdifferentghostconceptsinpeople'sminds.Literatureandfolkcustomarethemeansusedbyculturetointerpretthemeaningofworld.Therefore,thispaperanalysesthedifferencesbetweenChineseandwesternghostcultureintermsofliteratureandfolkcustom,tryingtosortoutthereasonsforthedifferences.Besides,ghostculturecanreflectthevalueofdifferentpeopleindifferentculturessothatitcanbeofhelpingtopromotethecross-culturalcommunication.Keywords:Chineseandwesternculture;ghostculture;ghostliterature;ghostfestival淺析中西鬼文化摘要:本文首先介紹了鬼文化的定義及價值。鬼文化是人類活動的產物,也是人類社會文化的重要組成部分。其次介紹了中西方人對鬼的認知,展現(xiàn)中西方人的鬼文化觀念差異。文學和民俗是文化詮釋人類世界的手段。因此,本文在文化層面上從文學和民俗角度淺析中西鬼文化存在的差異;并在此基礎上分析總結出中西鬼文化差異的原因。通過淺析中西鬼文化,了解中西方人價值觀的差異,從而促進跨文化交際。關鍵詞:中西文化;鬼文化;鬼文學;鬼節(jié)AnalysisofChineseandWesternGhostCultureOutline1.Introduction2.Introductiontoghostculture2.1Definitionofghostculture2.2Valueofghostculture3.GhostconceptinChineseandwesternculture3.1GhostconceptinChineseculture3.2Ghostconceptinwesternculture4.AnalysisofChineseandwesternghostculture4.1Chineseandwesternghostcultureinliterature4.1.1Chineseghostcultureinliterature4.1.2Westernghostcultureinliterature4.1.3DifferencesbetweenChineseandwesternghostcultureinliterature4.2Chineseandwesternghostcultureinfolkcustom4.2.1Chineseghostcultureinfolkcustom4.2.2Westernghostcultureinfolkcustom4.2.3DifferencesbetweenChineseandwesternghostcultureinfolkcustom4.3ReasonsforChineseandwesternghostculturedifferences4.3.1Religiousreason4.3.2Socialreason4.3.3Ideologicalreason5.Conclusion淺析中西方鬼文化提綱1.引言2.鬼文化的介紹2.1鬼文化的定義2.2鬼文化的價值3.中西文化中的鬼神觀3.1中國文化中的鬼神觀3.2西方文化中的鬼神觀4.中西鬼文化的解讀4.1中西文學中的鬼文化4.1.1中國文學中的鬼文化4.1.2西方文學中的鬼文化4.1.3中西文學中鬼文化的差異4.2中西民俗中的鬼文化4.2.1中國民俗中的鬼文化4.2.2西方民俗中的鬼文化4.2.3中西民俗中鬼文化的差異4.3中西鬼文化差異的原因4.3.1宗教原因4.3.2社會原因4.3.3思想原因5.結語PAGE13AnalysisofChineseandWesternGhostCultureRS2006(02)(English)YANGXiaoqunTutor:MAXinfangandWANGDan1.IntroductionAsaverymysteriouspartofculture,ghostcultureinvolvesmanyotheraspectsofculture,suchasphilosophy,folk-custom,religion,psychology,etc.Itisanindispensablepartsofculture.Actually,ghostculturehasexistedsincetheappearingofhumancivilization.Theyhavegreatlyinfluencedhumansociety’sideology.InChina,ghostculturehasbeengraduallyformingabranchoflearningandhasagreateffectonChina’ssociety,politicsandculture.Inwesterncountries,ghostresearchhasalreadybeenvigorousamongthecountriesasakindofpsychicalresearchandhasbecomeaspecializedsubject.Fromallkindsofghoststoriestovarioushorribleviewpeoplesawatnight;fromghostimagesinthemovienamedDraculatothehauntedhousewhichisso-calledaplaceofamusementindailylife;fromtheghoststoriesonlyheardinsomevillagestotheghostnovelswhichpropagateitsbeliefonalargescale;fromHalloweentotheghostcostumeparty,ghostsremainmysteriousattractiontohumanfromancienttimestopresent.Theyareverypopularamongthescholarsbothathomeandabroad.Thenhowdoesghostcomeintobeing?Peoplethinkthattheirthoughtsandfeelingsarenotphysicalbehaviorbutbehaviorofthesoulintheirbodyanddisappearaftertheirdeath.InEngels'sopinion,thereasonwhypeoplethinklikethatisthathumanofhighantiquitydonotknowtheirphysicalstructureandtheyareinfluencedbythesceneintheirdream.(qtd.in汪紛玲173).Inremoteantiquity,peoplebegantothinkabouttherelationshipbetweenthesoulandtheworld:nowthatsoulsexistevenafterdeath,theywillnotdisappearbythemselves.Thentheideaofimmortalsoulsandghostsgraduallyforms.Ghostisafruitbaredbyhumanthoughts.Theremustbesomerelationshipbetweenthemysteriousghostphenomenonandhumansociety(JohnFiske6).Thatistosay,ghostisamirrorthatreflectshumanworld.Oncetheconceptofghostexists,itwillpermeateintopeople’sthoughtsandinfluencetheirviewofworld(汪紛玲169).Inaddition,ghostsinvolveinmanyotherpartsofculture.JustasXuHualongmentionedthatghostwasrelatedtomanyacademiccirclessuchasliterature,folk-custom,art,philosophy,psychologyandreligion(徐華龍1).Hence,researchinghostcultureprovidesagoodfoundationforresearchofliteratureandfolk-custom(qtd.in馮立32).Inbrief,ghostsplayaveryimportantroleinhumanculture.Inancienttimes,mantriedtocommunicatewithghostsbythemeansofsacrificeandsorcerywhichformedghost-relatedfolkcustomslaterandtriedtoexpressghosts’feelingsinreligiousandartisticwaywhichformedghostliteratureandart.Thispaperisgoingtoprobedifferentghostsindifferentcountriesandthedifferentrolestheyplayedindifferentcultures,especiallyinChineseandwesterncountries'culture.Thispaperwillunscrambletheghostculturesfromtheaspectsofliteratureandfolkcustom.Itaimsatrevealingdifferenthumanthoughtsandculturesthroughresearchingtheghostculturessoastocontributetocross-culturalcommunication.2.IntroductiontoghostcultureAccordingtoOxfordAdvancedLearner’sEnglish-ChineseDictionary,“ghost”wasdefinedas“thespiritofadeadpersonappearingtosomebodywhoisstilllivingperson”(“Ghost,”def.620).Thousandsofyearspassed,ghostsstillremainmysterioustohumanbeing.Onthewayofprobingghosts,humanproducedmanyproductsofghosts,suchasghostnovels,ghostrelatedcustoms,ghostart.Andallthesemakeuptheghostculture.2.1DefinitionofghostcultureInlate19thcentury,anthropologistEdwardBurnettTaylorfoundthatbeforethereligioncameintobeing,manwasscaredofdeath.Theyweresurprisedatnotonlythedifferencebetweendeadbodyandlivinghumanbodybutalsothephenomenonofbreathanddream(qtd.in許祥麟77).Consequently,theysupposedthatamanwascomposedoftwoparts:bodyandsoul.Andthentheconceptofghostformed.TheancientChinesephilosopherXunZithoughtghostwasaproductcreatedbyhuman.Peoplethinkthattheyactuallyseetheghost,inXunZi'sview,alwaysundertheconditionofjadedness.Henceghostisapartofhuman'simagination(qtd.in徐賜成52).Asfortheghostculture,asitsliteralmeaningsuggests,itreferstothepartoftheculturerelatedtotheghost.Specificallyspeaking,ghostcultureisakindofillusoryculturalphenomenonthatderivedfromman'sdeath,funeral,necromancyandcult.Andghostculturealsoreferstoaunionpartofman'sbelief,opinion,mentalityandactiontowardghostsincludingitssocialinfluence(黃盛華and周啟云1).Soinadeepersense,ghostcultureisakindofbelief;itseemsonthesurfacethatreferstoman'sdescriptionstowardghostdefinition,image,activityandspecies.Tosumup,ghostcultureiscreatedbyhuman.Itisakindofculturethatreflectsman’sthoughtstowardthedeadworldandmirrorsthereality.2.2ValueofghostcultureResearchesofghostcultureprovideagoodfoundationforliteratureandfolk-customresearch.Ghostcultureresearchcanpromotethedevelopmentofliteratureandfolkcustom(徐華龍10).Throughoutthehistory,thereisnolackofrigidartandliteraryworks.However,theycanbecreativeafterinjectingghostelements.Thankstoghost,manynewartstylesemergesuchasChineseghostdrama,Japaneseghostdance,ghostheadportraitmadebyaFrenchsculptornamedFranzXaverMesserschmit.Allthesenewworksofartarebasedonartist’sunderstandingofghostculture.Namely,artisticinnovationcannotbemadewithouttheunderstandingofghostculture.Furthermore,ghostcultureresearchcanhelppeopletolooksquarelyatthefoolishsuperstitionsinfolkcustoms.InChina,ghostsuperstitionsareinvoguenotonlyinfeudalsocietybutalsoinRepublicofChinaperiod.Eventoday,manyignorantpeoplearestillobsessedbyghostsuperstitions.ThegovernmentofHai’anCounty,JiangsuProvinceissuedthatcitizensliveinthecountymustbecrematedafterdeathsinceApril1stonMarch5,1993.Asaresult,about40oldpeoplecommittedsuicidebeforeApril1stonlyforhavingcoffintocarrytheirdeadbodiesandburiedintheground.Theybelievedthatburytheremainscouldbringpeacetothem.Iftheywerecremated,theirbodywouldbedestroyedandcouldnotcontinuetheirnextlifethroughreincarnation.Andinwesterncountries,superstitionsalsoexist.Alatestsurveyshowsthat53%Americansadmittheyarealittlebitsuperstitiousand25%Americansconfesstheybelieveinsuperstitions.SuperstitionsarealsoprevailinginBritishsociety.80%Britishwillhabituallyknockwoodinordertoavoidmisfortune.Ghostsuperstitionscausenegativesocialphenomenon.Revealingthesefoolishsuperstitionsthroughghostcultureresearch,wecanturnnegativetopositive.3.GhostconceptinChineseandwesterncultureTherearemanygreatdifferencesbetweenChineseandwesternculture,whichcanbereflectedobviouslybythedifferentghostconceptsanddifferentattitudestowarddeath.Generallyspeaking,peopleinwesternsocietiesaremoreattractedtowardtheworldafterdeaththanpeopleinChinabecauseofdifferentghostconceptsanddifferentreligiousdoctrines.3.1GhostconceptinChinesecultureChineseghosts,inboardsense,refertodemons,monsters,andgoblins;innarrowsense,itreferstothespiritofadeceasedperson.IntheChineseDictionarybyLuoZhufeng,“ghost”isdefinedas“thesoulofdecedentsorspiritofancestors,orthespiritofallthingsonearth”(“鬼,”443).InancientChina,peopleholdthatmenwillbecomeghostsaftertheirdeathandkindmenbecomekindghostswhileevilmenbecomeevilghosts.Actually,Chineseconcepttowardghostsvariesfrompeopletopeople.InSomepeopleespeciallyBuddhists’view,ghostsareoneofsixformsofdeceasedperson’sexistenceintheworld.Afterdeath,manaccessestotheheaven,ordropsforthedomesticanimal,orcontinueshumanlifebyreincarnation,orbecomeshungryghost,orgoestothehell,orgoestoasura.Theyprojecttheghostworldandbelievethatthesoulofhumandoesnotdisappearafterdeathandaccessestotheghostworldcalledthehell.Thehell,whereholdtheprinciple“Asamansows,solethimreap”,issupervisedbythekingofthehellandotheradministratorsinthehell.Ifyouareanevilmanwhenyouarealive,youwillbepunishedinthehell.Ifyouareaverykindpersonwhenyouarealive,youwillhaveahappynextlife.Thatiswhatgoesaroundcomesaround.AndsomeotherpeoplelikeDaoistsholdthathumanisformedoftwoenergies:YinandYang(ZhangWenli69).Manisinthepositionbetweengodsandghosts.AndgodsbelongtoYangwhileghostsbelongtoYin.ThisconclusionisbasedontheTheoryofYin-YangwhichisputforwardbyDaoismtoexplaintheelementsthatconstitutetheworldandlife.3.2GhostconceptinwesterncultureWesternerswidelyholdthathumansoulisanexactreproductionofhumanbodyineveryfeature,althoughhumansoulissometimesliterallydescribedasabirdorotheranimalsinancientwesterncountries.ComparedwiththemanifoldspeciesandimagesofChineseghosts,westernghostsareinferior.AccordingtoRandomHouseWebster’sDictionaryofAmericanEnglish,“ghost”means“thedisembodiedsoulofadeadperson,imaginedasnearlytransparentandwanderingamongthelivingtohauntthem”(“Ghost,”def.828).Henceinwesterner'seye,ghostisthesoulofdeceasedmananditisadisembodiedandnearlytransparentimageofthedecedent.Westernghost'sattributeisgreatlyinfluencedbyChristianity.Thereisnoword“ghost”intheBiblebut“Demon”and“Satan”whichseemtobeeviljustasthenamesimply.TheDemonintheOldTestamentalwaysappearstodestroythecountryandusuallyknownascracker.SatanisthedevilintheNewTestament.Christiansthinkthatthekindwillgototheparadiseafterdeath,andthosecannotaccesstotheparadiseandremainontheearthareconsideredtobeevil.Accordingtomanywesterntraditionalaccounts,ghostsareusuallythoughttobethedeceasedpeoplelookingforrevenge,orimprisonedonearthforevilthingstheydidduringlife.Sometimes,ghostsareconceivedtobethespokesmenofGodthatpunishwhodonotabidebythedisciplines.Consequently,ghostsrepresentdisasterinwesternculture.Asweallknown,westerncultureisdeeplyinfluencedbyGreekcultureinwhichghostsdoexist.Greeksbelievethecoexistenceofgodsandghostsandthinktheyareinatop-downhierarchy.TheideathatghostnevervanishfromwesterncultureasGoddoesisinlinewithChristianity’sdoctrineandhasdeeplyrootedinwesterncultureandintheheartsofthepeople.4.AnalysisofChineseandwesternghostcultureDanielBellthoughtthatcultureprovidedexplanationforhumanlife,helpedthemsolvethedifficultiestheyconfronted.Bymeansofartandfolkrites,cultureparaphrasedthemeaningofworldthroughanimaginativeway(qtd.in肖向明8).Undoubtedly,ghostculturealsohasthefunctionofprovidingexplanationforhumanlifebasedonviewsofpeople.Literatureandfolkcustomareexactlythemeansthatghostcultureemploystoexpressthemeaningofworld.4.1ChineseandwesternghostcultureinliteratureGhostisaworldwideimage.InChina,mythicalstoriescontinuouslycomeout;ghoststoriesarepopularamongthepeople.Inwesterncountries,gothicnovelsruninfamilies;ghostpresentsinmanynovelsanddramas.However,becauseofdifferentcustomsandhabits,ghostliteraturevariesfromculturetocultureintheworld(魏朝夕539).4.1.1ChineseghostcultureinliteratureChinahasachievedinthousandsofyearsofcultureaswellasliterature.GhostculturehasagreatinfluenceonChineseliteratureandthenChineseghostliteraturegraduallytakesitsshape.Andmostoftheghostworksenjoygreatpopularity.Chineseghoststoriesaregenerallycomposedofattractingplotsandallkindsofghostcharacters.SearchesforGodtoRecordinSixDynasties,PeonyPavilioninMingDynasty,ZibuyuinQingDynasty,areallwell-knownghostliteraryworksinChina.TheyarefullofrichghostimagessuchastrickyghostwhoenjoyplayingtricksonhumaninSearchesforGodtoRecord;DuLiniang’sghostwhoseekforherloveevenifshebecomeaghostinPeonyPavilion;drowningghostwhodieofdrowning,pestilentialghostwhodieofpestilenceandcorpsewhofeedsonhumaninZibuyu.Beyondthat,therearemanyotherghostsimageslikefoxspirit,bull-headghost,horse-faceghostarealsoveryimportantrolesinsomeworks.Referringtoghostliterarywork,wecannotavoidthinkingofStrangeStoriesfromaScholar’sStudio,thefamousghostnovelinChina.Itincluding461storiesandabout140ofthemwereghoststories.Itisfulloflovestoriesbetweenfemaleghostsandyoungscholars.NieXiaoqian,afemaleghostfellinlovewithanyoungscholarnamedNingCaichen.Thefemaleghostsoughtforherloveregardlessoffeudalethics.Thecoupleofloverfinallygotmarriedandledahappylife.Ultimately,theirdistinctivelovewonimmortalfame.4.1.2WesternghostcultureinliteratureWesternghostliteratureisalsoknownassupernaturalliteratureandgothicliterature.Theycontinuouslycameforthsince18thcenturyandwerealltherageduring18thand19thcenturies.ATrueRelationoftheApparitionofOneMrs.VealbyDanielDefoe,TheTurnofScrewbyHenryJames,andAChristmasCarolbyCharlesDickensarealltheworksbasedonghoststoriesduringthattime.Inwesternliteraryworks,ghostcharactersinstoriesalwaysappearinanimageofpaleandtransparentformofthedeadperson.Mrs.Veal’sghostinATrueRelationoftheApparitionofOneMrs.Veal,MissJessel’sghostandherloverPeterQuint’sghostinTheTurnofScrew,JacobMarley’sghostinAChristmasCarolareallintheimagethatexactlythesameasthedeceasedone.What’smore,manyghostimagesinthedramasofShakespearealsoappearlikethat.Itseemstheyhaveaunifiedideaontheimageofghost.Inthe19thcentury,anewimagearoseinwesternghostliterature,Vampire.Asoneofthemostmysteriousghostimagesinliteraryworks,vampirecouldnotbeneglected.Manypoemsandnovelsaboutvampirefloodedintowesternliteratureduringthattime.Inmanyliteraryworks,vampirewasakindofghostthatsuckedhumanbloodandcausedgreatdamagetohuman.Dracula,thefamousvampirecharacterstemmedfromDracula,couldbetherepresentativeofvampire.HesuckedbloodfrompeoplearoundhimandseducedLucywhobecameavampireafterward.Althoughvampireswerefinallybroughttonaughtbyhuman,thedamagetheycausedtohumanwasserious.4.1.3DifferencesbetweenChineseandwesternghostcultureinliteratureInall,contrastingtoChineseghosts,westernghostsarelackofvarietyinbothghostimageandghostdisposition.Chineseghostscanbeclassifiedintoseveralclassesaccordingtodifferentcriteria.Theyarecalledbigheadghost,beanlikeghostaccordingtotheirsize;drowningghostaccordingtothewaytheydie;pestilentialghostaccordingtothediseasecausingtheirdeath;Foxspirit,bull-headghostaccordingtotheiroriginalanimalforms.ThoseghostimagesarewidespreadinmanyfamousChineseliteraryworks,forexample,Zibuyu,StrangeStoriesfromaScholar’sStudio.Ontheotherhand,besidevampire,ghostimagesinwesternliteratureworldareidentifiedastheimageofpaleandtransparentformofdecedent.SoghostimagesinliteraryworksarediversifiedinChinawhileitisunitaryinwesterncountries.Therelationshipbetweenhumanandghostisalsodifferentfromculturetoculture.GhoststhatkindtopeopleandevenfallinlovewithhumantaketheupperhandinChineseghostliterature.ThiskindofghostscanbeseeneverywhereinStrangeStoriesfromaScholar’sStudio.ThefemaleghostNieXiaoqianisaverygoodexample.Onthecontrary,westernghostsaredefinitelyeviltohumanespeciallythevampirewhofeedsonhumanbloodandbringsharmtohumansociety.4.2ChineseandwesternghostcultureinfolkcustomFolkcustomnamelyreferstothecustomsamongthepeople.Italsoreferstotheculturethatcreatedbypeople,enjoyedandhandeddownbypeople.Differentfolkcustomsbreeddifferentghostcultures.Conversely,ghostcultureresearchprovidesthetheoreticalbackgroundandempiricalreferencesforfolkcustomstudy(馮立32).Generally,theghostcultureinfolkcustomreferstosomeritesandsuperstitionsthatrelatetotheghost,especiallytheritesinthefuneralandsomeghostfestivals.4.2.1ChineseghostcultureinfolkcustomGhostcultureisgreatlyrepresentedinfuneral(郭金秀46).InChina,thefamilyofthedeceasedpeoplewillhelphimtoputhisgraveclotheson.Chinesepeoplebelievethattheghostworldisverycoldanddampallaroundtheyear.Theywillalsopreparecotton-paddedshoesandhatforthedecedenttoprotecthiminthecoldghostworld.Lightisalsoneededinthefuneral.Itissaidthatlightcangivethedirectionforthedecedenttothewayofghostworld.SomefamilyespeciallythefamilythatbelieveinBuddhismwillinvitemonkstodobuddhistischesritualintheseventhdayafterman’sdeathwhichmeansreleasingthesoulofthedecedentfrompurgatory.ChinesefuneralisusuallyagrandsceneespeciallyinancientChina.Andthehigherstatusofthedecedent,thegranderfuneralwillbehold.Allfuneralprocedureaside,thelayoutofthemausoleumandthethingsthatplacedwiththedecedentisalsoverygorgeous.Besides,thelocationofthemausoleumisalsoneedtobecarefullyconsidered.ThemosttypicalexampleistheMausoleumoftheFirstQinemperor.GhostfestivalsalsoreflectChineseghostcultureapparently.TheChineseGhostFestivalalsocalledMid-JulyDayisatraditionalfestivalinChina.Itfallsonthe15thofJulyofthelunarcalendar.PeoplebelievethatonMid-JulyDay,thegateofthehellisopenandhungryghostsarereleasedtowandertheearthinsearchoffoodortakerevengeuponlife.Onthatday,peoplewillofferfood,burnhellmoneyandincenseinfrontoftheirhousetopleasethevisitingghosts.Atthatnight,peoplewillburnandreleaseminiaturepaperboatsandlanternsonwater,whichsymbolizes“givingdirectionstothelostghosts”.4.2.2WesternghostcultureinfolkcustomFuneralisboundtohavetheepitomeofghostcultureandthereisnoexpectationtowesternfuneral.Death,inwesternculture,meansrecoveringone'soriginalpurityandsimplicityandgobacktonature.Sowaterwhichisoneoftheelementsofnatureisanindispensablethinginwesternfuneral.Itissaidthatwatercanwashtheevilaway.Onthefuneral,peoplewillspillthewatertothedeceasedpersontowashhisevilaway.Thelightisalsoveryimportantinthefuneral,itshouldbeputtogetherwiththedeceasedpersonsothathecanaccesstotheparadisetogetherwiththelight.Beforeputtingthedeceasedpersontograve,theywillhavetheclergymantoprayforthedecedent.Usually,westernfuneralprocessissimpleandthefuneraltendstobesolemnandserene.Halloweenisoneofthewesternghostfestivals.However,itgraduallybecomesachildren’sfestival.Onthatday,childrencelebratewiththesloganof“trickortreating”andthesymbolofpumpkinpatches.Bothadultsandchildrenwilltrytheirbesttomakesometroublesonthatday.HalloweenisalsocalledtheEveofAllSaints’Day.Itissaidthatghostswillcometotheearthonthatday.Sopeoplewilldresscostumesandwearmaskstowardoffharmfulspirits.Theiraimistodisguisethemselvesasharmfulspiritsandthusavoidharm.4.2.3DifferencesbetweenChineseandwesternghostcultureinfolkcustomFromthesurfacesideofthefuneralprocedure,Chinesepreparegraveclothesandshoesforthedecedentwhilewesternerspreparewater;Chineseinvitemonkstodobuddhistischesritualwhilewesternersaskclergymantoprayforthedecedent.Infact,Chinesefuneralisdifferentfromwesternfuneralnotonlyintheprocessoffuneralbutalsointhepeople’sattitudetowardfuneral.Chinesevaluefuneralmorethanwesternersdo.InChina,beforethefuneral,therearemanythingsfortheChineseespeciallyancientChinesetopreparelikethelocationoftomb,thethingsthatplacedwiththedecedentinthetomb.AndtheChinesefuneralisgranderthanwesternfuneral.Inwestern,thefuneralismoresolemnandserenethangrand.What’smore,theChinesefuneralisgraded.Thedecedentofhighsocialstatuswillhaveagranderfuneralthanthedecedentoflowsocialstatus.Butthisruleseemsnotappliedinwesterncourtiers.TheritesandactivitiesofghostfestivalspresentthatChinesearemuchmoretendtobeesteemtoghostswhilethewesternerstendtobefearful.Onghostfestival,Chineseofferthefoodandhellmoneytothevisitingghostwhilewesternersdisguisethemselvestodriveghostsaway.AndcomparedwiththeseriousChineseghostfestival,Halloweenismuchfunnierandmorerelaxed.4.3ReasonsforChineseandwesternghostculturedifferencesThereareincomputabledifferencesbetweenculturesbutthereasonsforthedifferencesarecountable.AndHofstede’stheoryofValueDimensionsisagoodhelperinfindingthereasons.Hofst

溫馨提示

  • 1. 本站所有資源如無特殊說明,都需要本地電腦安裝OFFICE2007和PDF閱讀器。圖紙軟件為CAD,CAXA,PROE,UG,SolidWorks等.壓縮文件請下載最新的WinRAR軟件解壓。
  • 2. 本站的文檔不包含任何第三方提供的附件圖紙等,如果需要附件,請聯(lián)系上傳者。文件的所有權益歸上傳用戶所有。
  • 3. 本站RAR壓縮包中若帶圖紙,網頁內容里面會有圖紙預覽,若沒有圖紙預覽就沒有圖紙。
  • 4. 未經權益所有人同意不得將文件中的內容挪作商業(yè)或盈利用途。
  • 5. 人人文庫網僅提供信息存儲空間,僅對用戶上傳內容的表現(xiàn)方式做保護處理,對用戶上傳分享的文檔內容本身不做任何修改或編輯,并不能對任何下載內容負責。
  • 6. 下載文件中如有侵權或不適當內容,請與我們聯(lián)系,我們立即糾正。
  • 7. 本站不保證下載資源的準確性、安全性和完整性, 同時也不承擔用戶因使用這些下載資源對自己和他人造成任何形式的傷害或損失。

最新文檔

評論

0/150

提交評論