大學(xué)英語六級(jí)考試卷之11（有答案）

大學(xué)英語六級(jí)考試卷之11

PartIWriting

1、Directions:Forthispart,youareallowed30minutestowriteanessaybasedonthechart

below.YoushouldstartyouressaywithabriefdescriptionofthechartandcommentonChina，s

achievementsinpovertyalleviation.Youshouldwriteatleast150wordsbutnomorethan

200words.

PartIIListeningComprehension

特別說明：由于多題多卷，官方第三套真題的聽力試題與第二套真題的一致，只是選項(xiàng)

順序不同，因此，本套試卷不再提供聽力部分。

PartIIIReadingComprehension

SectionA

Directions：Inthissection,thereisapassagewithtenblanks.Youarerequiredtoselect

onewordforeachblankfromalistofchoicesgiveninawordbankfollowingthepassage.

Readthepassagethroughcarefullybeforemakingyourchoices.Eachchoiceinthebankis

identifiedbyaletter.PleasemarkthecorrespondingletterforeachitemonAnswerSheet

2withasinglelinethroughthecentre.Youmaynotuseanyofthewordsinthebankmore

thanonce.

At43,rvereachedthestagewherewomenarewarnedtowatchoutforthecreepingsadness

ofmiddleage.We，reservedupanendlessstreamofadviceon〃howtosurviveyour40s〃，

asifwe'reintheendurancestageofaslowlimptoward2,Thisistheagewomenstart

tobecome"invisible”—ourvalue,attractivenessandpowersupposedly3bythe

vanishingofyouth.ButIdon'tfeellikeI'mfadinginto4.Ifeelmoreseenthan

Ieverhave,andforthefirsttimeinmylife,Ihaveaclear-eyedviewofmyselfthat

is5,compassionateandaccepting.

WhenIlookinthemirror,I'mproudofwhoIam一eventhose"broken"partsthatfor

solongseemedimpossibletolove.Sowhenadvertiserstrytosellmewaysto〃turnback

theclock”,Ihaveto6alaugh.Iwouldn'tgobacktothecripplingself-consciousness

ofmyyouthifyoupaidme.Thishard-wonsenseofself-acceptanceisoneofthejoysof

beinganolderwoman,butit'sanarrativeoften7outbytheshamethatmarketers

relyontopeddleustheirdietpills,miraclefacecreamsandbreathableyogapants一as

ifself-loveisa8commodity.

ForsomewomenIknow,thissenseoftrustandself-belieflaterinlifegavethem

thecouragetoleavedysfunctionalrelationshipsor9onnewcareerpaths.Others

talkedaboutenjoyingtheirowncompany,ofgrowththrough10,deepeningbondsof

friendships,theabilitytobemorecompassionate,lessjudgmentalandtolistenmoreand

appreciatethesmallpleasures.Lifepast40isfarfromsmoothsailing,butit，ssomuch

morethanthereductive11weseeinwomen，smagazinesandontheHollywoodbigscreen.

A.adversity

B.authentic

C.convey

D.depictions

E.diminished

F.drowned

G.embark

H.fragility

I.neglected

J.obscurity

K.outlines

L.prevalent

M.purchasable

N.submit

0.suppress

SectionB

Directions：Inthissection,youaregoingtoreadapassagewithtenstatementsattached

toit.Eachstatementcontainsinformationgiveninoneoftheparagraphs.Identifythe

paragraphfromwhichtheinformationisderived.Youmaychooseaparagraphmorethanonce.

Eachparagraphismarkedwithaletter.Answerthequestionsbymarkingthecorresponding

letteronAnswerSheet2.

WhatAretheEthicsofCGIActors一AndWillTheyReplaceRealOnes?

A.Digitalhumansarecomingtoascreennearyou.Ascomputer-generatedimagery（CGI）

hasbecomecheaperandmoresophisticated,thefilmindustrycannowconvincinglyrecreate

peopleonscreen一evenactorswhohavebeendeadfordecades.Thetechnology，sabilityto

effectivelykeepcelebritiesalivebeyondthegraveisraisingquestionsaboutpublic

legaciesandimagerights.

B.Latein2019,itwasannouncedthatUSactorJamesDean,whodiedin1955,will

starinaVietnamWarfilmscheduledforreleaselaterthisyear.Inthefilm,whichwill

becalledFindingJack,DeanwillberecreatedonscreenwithCGIbasedonoldfootage（影

片鏡頭）andphotographs,withanotheractorvoicinghim.Thenewswasmetwithexcitement

bythosekeentoseeDeandigitallybroughtbacktolifeforonlyhisfourthfilm,butit

alsodrewsharpcriticism."Thisispuppeteeringthedeadfortheirfamealone,z，actress

ZeldaWilliamswroteonTwitter.〃Itsetssuchanawfulprecedentforthefutureof

performance.，zHerfather,RobinWilliams,whodiedin2014,waskeentoavoidthesamefate.

Beforehisdeath,hefiledadeedprotectingtheuseofhisimageuntil2039,preventing

othersfromrecreatinghimusingCGItoappearinafilm,TVshoworasahologram（全息

影像）.

C.TheJamesDeanfilmisawaytokeeptheactor'simagerelevantforyounger

generations,saysMarkRoeslerofCMGWorldwide,thefirmthatrepresentsDean，sestate.

〃Ithinkthisisthebeginningofanentirewave,〃saysTravisCloyd,CEOofWorldwideXR,

oneofthecompaniesbehindthedigitalrecreationofDean."Movingintothefuture,wewant

JamesDeantobebroughtintodifferentgamingenvironments,ordifferentvirtualreality

environments,oraugmentedrealityenvironments,，,hesays.

D.Otheractorshavebeenrevived,withthepermissionoftheirestates,for

advertisingpurposes:forexample,a2011advertisementforDiorfeaturedcontemporary

actressCharlizeTheronalongsideiconic20th-centurystarsMarilynMonroe,GraceKellyand

MarleneDietrich.Later,AudreyHepburnwasdigitallyrecreatedforachocolatecommercial

in2013.Inthesameyear,aCGIBruceLeeappearedinaChinese-languageadforawhisky

brand,whichoffendedmanyfansbecauseLeewaswidelyknownnottodrinkalcoholatall.

〃Inthelastfiveyears,it'sbecomemoreaffordableandmoreachievableinawholemovie,

saysTimWebberatUKvisualeffectsfirmFramestore,thecompanybehindtheHepburnchocolate

ad.FramestoreusedbodydoubleswithresemblancetoHepburn，sfacialstructureandbody

shapeasaframeworkformanualanimation.Theprocesswasextremelydifficultandexpensive,

saysWebber,butthetechnologyhasmovedon.

E.Now,apersoncanbeanimatedfromscratch.〃Ifthey，realivetoday,youcanput

theminscanningrigs,youcangeteverydetailoftheirbodyanalysedverycarefullyand

thatmakesitmucheasier,whereasworkingfromavailablephotographsistricky,〃saysWebber,

whowonanAcademyAwardforhisvisualeffectsworkonthe2013filmGravity.〃Ialsosee

alotofactorstodaywhowillhavethedesiretotakeadvantageofthistechnology:tohave

theirlikenesscapturedandstoredforfuturecontent,z/saysCloyd."Theyforeseethisbeing

somethingthatcouldgivetheirestatesandgivetheirfamiliestheabilitytomakemoney

fromtheirlikenesswhenthey，regone.〃

F.Ahiddenhazardofdigitallyrecreatingadeceased（已故的）celebrityistherisk

ofdamagingtheirlegacy.〃Wehavetorespectthesecurityandtheintegrityofrights

holders,z/saysJohnCanningatDigitalDomain,aUSfirmthatcreatedahologramofrapper

（說唱藝人）TupacShakur,whichappearedattheCoachellamusicfestivalin2012,15years

afterhisdeath.

G.Legally,aperson'srightstocontrolthecommercialuseoftheirnameandimage

beyondtheirdeathdifferbetweenandevenwithincountries.IncertainUSstates,forexample,

theserightsaretreatedsimilarlytopropertyrights,andaretransferabletoaperson's

heirs.InCalifornia,undertheCelebritiesRightsAct,thepersonalityrightsfora

celebritylastfor70yearsaftertheirdeath.〃We'vegotasocietaldebategoingonabout

accesstoourpubliccommons,asitwere,aboutfamousfaces,“saysLilianEdwardsat

NewcastleUniversity,UK.Shouldthepublicbeallowedtouseorreproduceimagesoffamous

people,givenhowiconictheyare?Andwhatisinthebestinterestofadeceasedperson's

legacymayconflictwiththedesiresoftheirfamilyorthepublic,saysEdwards.

H.Arecreation,howeverlifelike,willneverbeindistinguishablefromarealactor,

saysWebber."Whenwearebringingsomeoneback,representingsomeonewhoisnolongeralive

onthescreen,whatwearedoingisextremelysophisticateddigitalmake-up,/zhesays.〃A

performanceisalotmorethanaphysicalresemblance.z/

I.Asitbecomeseasiertodigitallyrecreatecelebritiesandtoentirelymanufacture

on-screenidentities,couldthiskindoftechnologyputactorsoutofjobs?〃Ithinkactors

areworriedaboutthis,“saysEdwards."ButIthinkitwilltakeaverylongtime.，zThis

ispartlybecauseoftheriskthatviewersfindvirtualhumansscary.Edwardsciteswidespread

backlashtothedigitalrecreationofCarrieFisherasayoungPrincessLeiainRogueOne,

atricklaterrepeatedintherecentStarWars:TheRiseofSkywalker,whichwasfilmedafter

Fisher，sdeathin2016.“Peopledidn，tlikeit,〃shesays."Theydiscoveredtheuncannyvalley

（詭異谷）.〃

J.Thisreferstotheideathatwhenobjectstryingtoresemblehumansaren，tquite

perfect,theycanmakeviewersfeeluneasybecausetheyfallsomewherebetweenobviously

non-humanandfullyhuman."That'salwaysadangerwhenyou，redoinganythinghumanor

human-like,saysWebber."There'reathousandthingsthatcouldgowrongwitha

computer-generatedfacialperformance,andanyoneofthosecouldmakeitfallintothe

uncannyvalley,z/hesays."Yourbrainjustknowsthere，ssomethingwrong.z，Theproblemoften

arisesaroundtheeyesormouth,saysWebber."They'retheareasthatyoulookatwhenyou，re

talkingtosomeone.

K.AnunfamiliardigitalhumanthathasbeencreatedthroughCGIwillalsofacethe

samechallengeasanunknownactor:theydon'thavetheappealofanestablishedname.〃You

havetospendsubstantialcapitalincreatingawarenessaroundtheirlikenessandmaking

surepeoplearefamiliarwithwhotheyare,“saysCloyd.Thisisnowstartingtohappen.

“Thewayyoupre-sellamovieinaforeignmarketisbasedonrelevanttalent,hesays.

〃Ithinkwe'realongwayawayfromhavingvirtualbeingsthathavetheabilitytopre-sell

content.

L.Webberexpectsthatwewillseemoredigitalhumansonscreen.〃It'shappening

becauseitcanhappen,z/hesays.ReferringtoalinefromJurassicPark（侏羅鄉(xiāng)己公園），he

adds:"Peoplearetoobusythinkingaboutwhattheycandotothinkaboutwhethertheyshould

doit.〃

12、Thereisanongoingdebateamongthepublicastowhethertheimagesofdeceased

celebritiesshouldberecreated.

13>TheCGItechnologyallowstheimageofthedeceasedJamesDeantobepresentedtoyoung

peopleinnewsettings.

14、ItisverylikelythattheCGI-recreatedimageofadeceasedcelebritywillfailto

matchtherealactorespeciallyinfacialexpressions.

15>Theuseofdigitaltechnologycanbringimagesofdeceasedcelebritiesbacktothescreen.

16、Recreatingadeceasedfamousactororactressmayviolatetheirlegitimaterights.

17>MoreCGI-recreatedimagesofdeceasedcelebritiesareexpectedtoappearonscreen.

18、TheimageofJamesDeanwillberecreatedonscreenwithhisvoicedubbedbysomeone

else.

19、HoweveradvancedtheCGItechnologyis,therecreatedimagewilldifferinawayfrom

therealactor.

20>AlotofactorstodayarelikelytomakeuseoftheCGItechnologytohavetheirimages

storedforthebenefitoftheirfamilies.

21、SomeactorsareconcernedthattheymaylosejobsbecauseoftheCGItechnology.

SectionC

Directions：Thereare2passagesinthissection.Eachpassageisfollowedbysomequestions

orunfinishedstatements.ForeachofthemtherearefourchoicesmarkedA,B,CandD.You

shoulddecideonthebestchoiceandmarkthecorrespondingletteronAnswerSheet2with

asinglelinethroughthecentre.

PassageOne

Youcan，tseeit,smellit,orhearit,andpeopledisagreeonhowpreciselytodefineit,

orwhereexactlyitcomesfrom.Itisn，taschoolsubjectoranacademicdiscipline,but

itcanbelearned.Itisaqualitythatisrequiredofartists,butitisalsopresentin

thelivesofscientistsandentrepreneurs.Allofusbenefitfromitandwethrivementally

andspirituallywhenweareabletowieldit.Itisadelicatething,easilystampedout;

infact,itflourishesmostfullywhenpeopleareplayfulandchildlike.Meanwhile,itworks

bestinconjunctionwithdeepknowledgeandexpertise.

Thismysterious一butteachable一qualityiscreativity,thesubjectofa

recently-publishedreportbyDurhamCommissiononCreativityandEducation.Thereport

concludesthatcreativityshouldnotinhabittheschoolcurriculumonlyasitrelatesto

drama,music,artandotherobviouslycreativesubjects,butthatcreativethinkingought

torunthroughallofschoollife,infusing（充滿）thewayhumanitiesandnaturalsciences

arelearned.

Theauthors,whofocusoneducationinEngland,offeranumberofsensible

recommendations,someofwhichareanattempttoalleviatetheuninspiringandfact-based

approachtoeducationthathascreptintopolicyinrecentyears.Whenchildrenareregarded

asvesselstobefilledwithfacts,creativitydoesnotprosper;nordoesitwhenteachers"

soleobjectiveiscoachingchildrentowardsexams.Onesuggestionfromthecommissionis

anetworkofteacher-led“creativitycollaboratives，/,alongthelinesofexistingmathshubs

（中心），withtheaimofsupportingteachingforcreativitythroughtheschoolcurriculum.

Nevertheless,itisartssubjectsthroughwhichcreativitycanmostobviouslybe

fostered.Thevalueplacedonthembytheindependenteducationsectorisclear.Oneonly

hastolookattheremarkableartsfacilitiesatBritain，stopprivateschoolstocomprehend

this.ButinthestatesectortheexcessivefocusonEnglish,mathsandsciencethreatens

tocrushartssubjects;meanwhile,reducedschoolbudgetsmeandiminishingextracurricular

activities.Therehasbeena28.1%declineinstudentstakingcreativesubjectsathigh

schoolssince2014,thoughhappily,artanddesignhaveseenarecentincrease.

Thisdiscrepancybetweenstateandprivateeducationisamatterofsocialjustice.

Itissimplywrongandunfairthatmostchildrenhaveafractionoftheaccesstochoirs,

orchestras,artstudiosanddramathattheirmoreprivilegedpeersenjoy.Aslivesare

affectedbyanynumberofloomingchallenges一climatecrisis,automationintheworkplace

一humansaregoingtoneedcreativethinkingmorethanever.Forallofoursakes,creativity

ineducation,andforall,mustbecomeapriority.

22>Whatdowelearnfromthepassageaboutcreativity?

A.Itdevelopsbestwhenpeoplearespirituallyprepared.

B.Itismostoftenwieldedbyscientistsandentrepreneurs.

C.Itisfoundedonscientificknowledgeandanalyticalskills.

D.Itcontributestointellectualgrowthbutcaneasilybekilled.

23>Whatistheconclusionofarecently-publishedreport?

A.Naturalsciencesshouldbelearnedthewayhumanitiescoursesare.

B.Cultivationofcreativityshouldpermeatetheentireschoolcurriculum.

C.Artcoursesshouldbemadecompulsoryforallstudents.

D.Studentsshouldlearnmoreobviouslycreativesubjects.

24Whatdoesthereportsayisdetrimentaltothefosteringofcreativity?

A.Alleviationofpressure.

B.Teacher-ledschoolactivities.

C.Test-orientedteaching.

D.Independentlearning.

25>WhatdowelearnabouttheprivateschoolsintheUK?

A.Theyencourageextracurricularactivities.

B.Theyattachgreatimportancetoartseducation.

C.Theyprioritizeartssubjectsovermathsandsciences.

D.Theycatertostudentsfromdifferentfamilybackgrounds.

26、Whatshouldbedonetomeetthefuturechallenges?

A.Increasinggovernmentinvestmentinschooleducation.

B.Narrowingtheexistinggapbetweentherichandthepoor.

C.Providingallchildrenwithequalaccesstoartseducation.

D.Focusingonmeetingtheneedsofunder-privilegedstudents.

PassageTwo

Emulatingyourconversationpartner，sactionsisacommonhumanbehaviorclassifiedas

“mirroring"andhasbeenknownandstudiedbypsychologistsforyears.Wealltendto

subconsciouslycopygesturesofpeoplewelike.Butwhydoweactlikethis?

Asarule,mirroringmeansthatconversationalistsenjoytheircommunicationandthat

there，sacertainlevelofagreementbetweenthem.Thetopicofdiscussionisequally

interestingforbothandtheyknowtheirinterestsmeet.

Repeatingsomeone，sbehavioristypicaloftalentedcommunicators,notalwaysbecause

thepersonissympathetic,butbecausethereisagoaltobeachieved.Thiswaynewidols

havebeenbroughttothestage:politicians,celebrities,andotherbignames.Popular

culturemakespeoplewanttolookpopular,andactandspeaklikepopularpeople.

Nowadayscelebritiessteallyricsfromeachotherandstrugglewithcopyright

violationaccusationsorstraightforwardlyclaimthemselvestobetheauthors,eventhough

alltheworkwasdonebyotherpeople.

Amongcelebrities,it，strendynowadaystousetheirownspeechwritersaspoliticians

do.Theso-called"ghostwriting"cantakevariousforms:books,articles,autobiographies,

andevensocialmediaposts.

Whoisatruecopycat（抄襲者）andwhogetscopycatted?Sometimes,itisahardnut

tocrackwithoutanexpert5shelp.Butnewauthorshipdefendingmethodsbasedonidentifying

individualwritingpatternsarealreadyhere.Theiraimistoprotectintellectualproperty.

Usingscientificmethods,someofthemcandefineauthorshipwith85%accuracy.

Writingisnotaneasycrafttomaster.Ifyouwanttowritelikeaprofessionalwithout

plagiarism（抄襲），thereareafewlessonstolearnandthefirstoneis:"Copyfromone,

it'splagiarism;copyfromtwo,it，sresearch.z，Thecorrectinterpretationofthisstatement

isnotaboutcopying,butratheraboutcreatingyourownstyle.Whenyoustudyanauthor，s

writingstyle,don，tstoponasingleone,butexplorenumerousstylesinstead.Examinetypes

ofsentencestheyuse,payattentiontotheirmetaphors,andfocusonstoriesyoufeelyou

couldwriteaprettycoolsequel（續(xù)篇）to.

Imitationisratherparadoxical.Asanintegralpartoflearning,itbringsabout

positivechanges,makingpeopledevelopandgrow.However,itmaydoalotofharm.Copying

someone，sthoughts,ideasorinventionsiscompletelyunacceptable.Itinfringeson

intellectualpropertyrightsofothers.

Still,manythingswedoareaboutcopyingothersonewayoranother.Soifyouwant

tocomplimentsomeoneontheworktheyhavedoneandimitateit,justmakesureyoudoit

therightwaytoavoidcommittingplagiarism.

27、Whatdopeopletendtodowhileengaginginaconversation?

A.Repeatwhattheirpartnerssayonewayoranother.

B.Focusasmuchaspossibleontopicsofmutualinterest.

C.Imitatetheirpartners，gestureswithouttheirknowingit.

D.Observecarefullyhowtheirpartnersmakeuseofgestures.

28、Whendoesmirroringusuallytakeplaceinaconversation?

A.Whenbothsidesaresympatheticwitheachother,

B.Whenbothsideshavealotofthingsincommon,

C.Whenbothsidesmakeinterestingcontributions,

D.Whenbothsidestrytoseekcommonground.

29、Whatdowelearnaboutpopularculture?__

A.Itencouragespeopletoimitate.

B.Itappealsmostlytobignames.

C.Itacquaintsyoungpeoplewiththeiridols.

D.Itcanchangepeople，smodeofcognition.

30、Whyisthesaying"copyfromtwo,it'sresearch"alessontolearn?

A.Itfacilitatesthecreationofone'sownwritingstyle.

B.Ithelpstoprotectone，sintellectualpropertyrights,

C.Itfosterscorrectinterpretationofprofessionalwriting,

D.Itenablesonetowriteintriguingsequelstofamousstories.

31、Whydoestheauthorsayimitationisratherparadoxical?

A.Itisliabletodifferentinterpretations.

B.Itisbyandlargeanecessaryevil.

C.Itcangiverisetoendlessdisputes.

D.Itmaydoharmaswellasgood.

PartIVTranslation

Directions：Forthispart,youareallowed30minutestotranslateapassagefromChinese

intoEnglish.YoushouldwriteyouransweronAnswerSheet2.

32、云南是位于中國西南的一個(gè)省份，平均海拔1500米。云南歷史悠久，風(fēng)景秀麗，氣候宜人。云南

生態(tài)環(huán)境優(yōu)越，生物多種多樣，被譽(yù)為野生動(dòng)植物的天堂。云南還有多種礦藏和充足的水資源，為全

省經(jīng)濟(jì)的可持續(xù)發(fā)展提供了有利條件。

云南居住著25個(gè)少數(shù)民族。他們大多有自己的語言、習(xí)俗和宗教。云南獨(dú)特的自然景色和豐富

的民族文化使其成為中國最受歡迎的旅游目的地之一，每年都吸引著大批國內(nèi)外游客前往觀光旅游。

答案：

PartIWriting

1、［范文］

ThedatainthebarchartabovedisplaysthatChinahasmadenoticeableprogressin

povertyalleviationinrecentyears.In2012,nearly12%ofruralresidentswereinpoverty.

However,bytheendof2018,morethan75millionruralresidentshadbeenliftedoutof

poverty.Accordingtothedownwardtrendofruralpopulationinpovertyinthechart,it

iseasytoestimatethatChinawilleliminatepovertyin2020.

China，sgreatachievementsinpovertyalleviationowetoourgovernmentandpeople.

Firstly,theChinesegovernmenthasimplementedalargescaleofpovertyreliefplansto

boosttheruraleconomicdevelopment.Lotsofmeasuresaretakentoliberatetherural

productiveforces,improvefarmers*workingskillsandupdateruralresidents，mindsets.

Secondly,mostruralresidentshavetheinternaldrivingforcetogetridofpovertyand

improvetheirlivingstandards.Toincreasetheirincomesandsecuretheirchildren's

promisingfuture,rurallaborforcesmigratedtobigcitiesandworkedhardthere.

Inall,Chinahaswonthefinalbattleagainstextremepoverty.Chinesepeoplehave

madegreatcontributiontowardsabetterlifeandcommonprosperity.

［解析］上面條形圖中的數(shù)據(jù)顯示中國近年來在扶貧方面取得了顯著的進(jìn)展。2012年，有接近12%的農(nóng)

村居民處于貧困狀態(tài)。然而，截至2018年底，已有超過7500萬農(nóng)村居民實(shí)現(xiàn)了脫貧。根據(jù)圖中農(nóng)村貧

困人口的下降趨勢，很容易估算出中國將在2020年消除貧困。

中國扶貧取得的巨大成就歸功于中國政府和人民。首先，中國政府實(shí)施了大規(guī)模的扶貧計(jì)劃，

以促進(jìn)農(nóng)村經(jīng)濟(jì)發(fā)展；采取多項(xiàng)措施解放農(nóng)村生產(chǎn)力，提升農(nóng)民的勞動(dòng)技能，革新農(nóng)村居民的觀念。

其次，大多數(shù)農(nóng)村居民都有擺脫貧困、提高生活水平的內(nèi)在驅(qū)動(dòng)力。為了增加收入，保障孩子有光明

的未來，農(nóng)村勞動(dòng)力遷移到大城市并在那里努力地工作。

總而言之，中國贏得了戰(zhàn)勝極端貧困的最后一場戰(zhàn)斗。中國人民為美好生活和共同富裕做出了

巨大貢獻(xiàn)。

1.Thedatainthebarchartabovedisplaysthat...In2012,nearly12%...However,by

theendof2018...Accordingtothedownwardtrend...itiseasytoestimatethatChinawill

eliminatethepovertyin2020.

首段描述了圖表中呈現(xiàn)的內(nèi)容，先總述近年來中國在扶貧方面取得的巨大進(jìn)展，然后選取其中

的兩個(gè)年份的數(shù)字進(jìn)行了細(xì)節(jié)描述，最后進(jìn)行了預(yù)測。內(nèi)容完整，思路清晰。

2.China'sgreatachievementsinpovertyalleviationoweto...Firstly,theChinese

governmenthasimplemented...Secondly,mostruralresidentshavetheinternaldriving

force...

文章第二段從兩個(gè)方面分析了中國脫貧攻堅(jiān)取得巨大成就的原因，兩個(gè)原因分別用firstly和

secondly引出，條理清晰、層次分明。

3.Inall,Chinahaswonthefinalbattleagainstextremepoverty.Chinesepeoplehave

madegreatcontributiontowardsabetterlifeandcommonprosperity.

最后一段再次肯定中國扶貧取得的成就，與首段形成呼應(yīng)。

PartIIListeningComprehension

PartIIIReadingComprehension

SectionA

2、

［解析］空格前是介詞toward,空格后是句點(diǎn)。由此可知，空格處應(yīng)填入名詞。

文章首句提到，我43歲了，已經(jīng)到了這樣一個(gè)時(shí)期，女性們?cè)谶@個(gè)時(shí)期都被提醒要當(dāng)心中年時(shí)

悄然襲來的悲傷。第二句接著指出，關(guān)于“如何度過40多歲”，人們?cè)丛床粩嗟叵蛭覀兲峁┙ㄗh。由

此可知，此處說的是女性步入中年時(shí)期的不利狀況。將備選名詞分別代入原文，可知fragility（脆弱）

符合語境，即“一痛一拐地慢慢走向脆弱”，故本題應(yīng)選H。

［參考譯文］我43歲了，已經(jīng)到了這樣一個(gè)時(shí)期，女性們?cè)谶@個(gè)時(shí)期都被提醒要當(dāng)心中年時(shí)悄

然襲來的悲傷。關(guān)于“如何度過40多歲”，人們?cè)丛床粩嗟叵蛭覀兲峁┙ㄗh，就好像我們正處于拉力

賽階段，一癇一拐地慢慢走向脆弱。這是女性開始變得默默無聞的年齡一一據(jù)說我們的價(jià)值、吸引力

和力量都會(huì)隨著青春的消逝而減弱。但我并沒有覺得自己正在變得默默無聞。我覺得我比以前更引人

注目了，而且我人生中第一次對(duì)自己有了清晰的認(rèn)識(shí)，認(rèn)識(shí)到自己是真實(shí)的、富有同情心的、樂于接

受的。

當(dāng)我照鏡子時(shí)，我為自己感到自豪，即使是那些長期以來似乎不可能被愛的“破碎”部分。因

此，當(dāng)廣告商試圖向我推銷“讓時(shí)光倒流”的方法時(shí)，我不得不忍住大笑。即使你付錢給我，我也不

會(huì)再回到我年輕時(shí)那種極度自卑的狀態(tài)。這種來之不易的自我接納感是年長女性的樂趣之一，但這種

說法常常被營銷人員用以向我們兜售減肥藥、神奇面霜和透氣瑜伽褲的恥辱感所淹沒一一就好像自愛

是一種可以買到的商品一樣。

對(duì)于我所認(rèn)識(shí)的一些女性而言，這種信任感和自信在她們以后的生活中給了她們結(jié)束不幸?；?/p>

姻或踏上新的職業(yè)道路的勇氣。其他人則談到享受獨(dú)處的樂趣，談到在逆境中成長，談到加深友誼的

紐帶，談到更富有同情心、更少評(píng)判、更多傾聽以及欣賞小快樂的能力。過了40歲，人生遠(yuǎn)不是一帆

風(fēng)順的，但它遠(yuǎn)不止是我們?cè)谂噪s志和好萊塢大銀幕上看到的簡化的描述。

3、

［解析］空格前是ourvalue,attractivenessandpowersupposedly,空格后是介詞短語bythe

vanishingofyoutho由此可知，空格處缺少謂語，應(yīng)填入動(dòng)詞。

聯(lián)系上文關(guān)于女性中年危機(jī)的分析，由破折號(hào)前面的內(nèi)容''這是女性開始變得默默無聞的年齡”

可知，此處是說“據(jù)說我們的價(jià)值、吸引力和力量都會(huì)隨著青春的消逝而減弱”。備選動(dòng)詞中diminished

意為“減弱，變少”，符合語境，故本題應(yīng)選E。

4、

［解析］空格前是fadinginto,空格后為句點(diǎn)。由此可知，空格處應(yīng)填入