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1、會(huì)計(jì)學(xué)1第一頁,共10頁。OzymandiasOzymandiasI met a traveller from an antique land, aWho saidTwo vast and trunkless legs of stone, bStand in the desert.Near them, on the sand, aHalf sunk, a shattered visage lies, whose frown, bAnd wrinkled lip, and sneer of cold command, aTell that its sculptor well those pass
2、ions read, cWhich yet survive, stamped on these lifeless things, dThe hand that mocked them, and the heart, that fed; cAnd on the pedestal, these words appear: e My name is Ozymandias, King of Kings, dLook on my Works, ye Mighty, and despair! e Nothing beside remains. Round the decay fOf that coloss
3、al Wreck, boundless and bare eThe lone and level sands stretch faraway.” fABABACDCEDEFEF第1頁/共10頁第二頁,共10頁。Ozymandias: abab acdc ed efefPetrarchan: abba abba cdc dcdShakespearean: abab cdcd efef ggThe rhyme scheme is unusual for a sonnet of this era; it does not fit a conventional Petrarchan pattern,
4、but instead interlinks the octave (前八行前八行(b xn) with the sestet (后六行后六行), by gradually replacing old rhymes with new ones in the form “Ozymandias” is a sonnet, a fourteen-line poem metered in iambic pentameter. 第2頁/共10頁第三頁,共10頁。第3頁/共10頁第四頁,共10頁。第4頁/共10頁第五頁,共10頁。I met a traveller from an antique land
5、, Who saidTwo vast and trunkless legs of stone, Stand in the desert.Near them, on the sand, Half sunk, a shattered visage lies, whose frown,第5頁/共10頁第六頁,共10頁。And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read, Which yet survive, stamped on these lifeless thin
6、gs, The hand that mocked them, and the heart, that fed;There is an intriguing(有趣(yuq)的) balance and paradox between the mockery and the feeding. The sculpture is a mockery of the kings overconfident passions for his works, it, paradoxically however, comes from the passions of the king. that fed shou
7、ld be understand as . that fed these lifeless things) By the sculpture the sculptor intends to mock the king the hand is a synecdoche here, referring the sculptor, and we can taste the mockery from the heart, referring to the conceitedly confident passion of the king, that which gives the sculptor t
8、he inspiration to sculpt. The harsh alliterative Cs of cold command reinforces the picture 第6頁/共10頁第七頁,共10頁。And on the pedestal, these words appear:My name is Ozymandias, King of Kings, Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay第7頁/共10頁第八頁,共10頁。Of that colossal Wreck,
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