中國(guó)舞蹈欣賞課件

中國(guó)舞蹈

ChineseDance

詩(shī)，言其志也；歌，詠其聲也；舞，動(dòng)其容也。三者本于心，然后樂(lè)器從之。是故情深而文明，氣盛而化神，和順?lè)e中，而英華發(fā)外，惟樂(lè)不可以為偽。

(《樂(lè)記·樂(lè)象篇》)Introduction舞蹈是一種人體動(dòng)作的藝術(shù)。凡是借著人體有組織和有規(guī)律的動(dòng)作，通過(guò)作者對(duì)自然或社會(huì)生活的觀察、體驗(yàn)和分析，然后用精練的形式和技巧，集中地反映了某些形象鮮明的人物和故事，表現(xiàn)個(gè)人或多數(shù)人的生活、思想和感情的都稱之為舞蹈。舞蹈必須通過(guò)人體的動(dòng)作和姿態(tài)才能表現(xiàn)出人的思想和感情，因此，舞蹈這門藝術(shù)是綜合了視覺(jué)和聽(tīng)覺(jué)這兩方面的藝術(shù)，是綜合了文學(xué)、音樂(lè)和繪畫這三種藝術(shù)的要素而成長(zhǎng)起來(lái)的一種融合了的、絕對(duì)不可分的綜合藝術(shù)，是一種有機(jī)的獨(dú)立的綜合。舞蹈的建筑美：多維空間

舞蹈的書法美舞蹈是前語(yǔ)言的文化形式舞蹈存在于先民所有的社會(huì)文化活動(dòng)之中祭祀慶典出征求偶婚喪驅(qū)邪祭祀ClassificationofDancesRecreationaldanceEducationaldanceRitualdanceTheatricaldanceNodemarcationlinebetweenthemChineseTheatricalDanceClassicaldance（古典舞）Folkdance（民族民間舞）連臂踏歌陶盤Confucianideaofmusicanddance:Basedontheunderstandingoftheimportantinfluenceofmusicanddanceonman’sthoughtsandfeelings,Confucianismconsidersmusicanddanceasaneffectivemeansofeducation,whichcanhelptoconsolidatetherulingofthestate.(禮樂(lè)刑政，其極一也。)MoZi’snegativeattitudetowardsmusicanddance(Anti-music,or《非樂(lè)》三篇,Onlythefirstchapterexists.):UnliketheConfucians,MoZiholdsthatmusicanddanceareoflittleimportancetopoliticsandtotheadministrationofthestate.Heissoradicalthathedeniesthesocialfunctionofmusicanddance,sayingthat“themoremusic,thelessefficiencyinadministration.”（其樂(lè)逾繁者，其治逾寡。）TheTaoistviewofmusicanddance:“Thefivecolorsblindone’seyes;thefivemusicalnotesdeafenone’sears.”(五色令人目盲，五音令人耳聾?！独献拥赖陆?jīng)》)TheLegalistsalsoopposemusicanddance.TheHanDynasty BaiXiflourishes,whichcontainsacrobatics,magic,martialarts,comicperformance,musicanddance.ZhaoFeiyandancesonpalms.TheTangDynasty InstitutionsofmusicanddancesuchasJiaoFang,LiYuanandTaiChangSiareestablishedandattachedtothecourt.TheTangmusicanddanceareasprosperousastheTangpoetry.(QinWangPoZhenYueandNiShangYuYiQu)TheSongandYuanDynasties Chineseoperagraduallyreplacesdanceasthedominantformofperformingart,anddancehasbeenintegratedintotheperformanceoftheYuandrama.

ClassificationRuanWu(軟舞),orGentleDance,e.g.LiangZhu(梁祝),ChunJiangHuaYueYe(春江花月夜,MoonlitSpringNightwithFlowersbytheRiver)JianWu(健舞),orVigorousDance,e.g.XiaoDaoHui(小刀會(huì),

TheDaggerSociety),QinWangPoZhenYue(秦王破陣樂(lè),

PrinceQinShatterstheEnemy’sBattleArray)Againnodemarcationlinebetweenthem.文舞：《扇舞丹青》文舞武舞（健舞）PrinciplesofChineseClassicalDance,ComparedwithBallet

Chineseclassicaldance

Close-inCentripetalCirclingmovement,

Straight-lined posture

MovementassymbolBalletTurned-outCentrifugalStraight-linedmovement

Roundposture

Movementassign芭蕾的“開(kāi)、繃、直、立”

芭蕾的“開(kāi)、繃、直、立”芭蕾的“開(kāi)、繃、直、立”DevelopmentofChineseClassicalDanceAssimilationofelementsofballet,e.g.WeavingFishnets

Revivalofancientstyle,e.g.FlowersontheSilkRoute

敦煌舞蹈ChineseFolkDanceMongoliandanceTheUygurdanceTibetandanceKoreandanceDaidance,e.g.PeacockDance

Lidance,e.g.StrawHatDance

Handance,e.g.YangGe

蒙古族舞蹈加工過(guò)的維吾爾族舞蹈孔雀舞傣族舞蹈《兩棵樹(shù)》、《月光》黎族和佤族舞蹈漢族民間舞：《黃土黃》DevelopmentofWesternDanceRudolfLaban’sphilosophy:ThesignificanceofmovementsinthelifeofmanHarmonyinnatureandinmanNaturalrhythmMovementasavisiblecreativeinfluenceMovementasacreativeartMovement,effort,expressionandcommunicationConflictIsadoraDuncan:Greekideology,freedomRuthSt.Denis:OrientalmovementDuncanandSt.DenisbroughtintobeingtheAmericanmoderndance“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”“最自由的身體里藏著最高的智慧”TheWayofDanceTheWayofDanceDancesComparedtotheThreePhilosophicalSchoolsinChinabyHongKongChoreographersBallettoConfucianism(舞細(xì)藝,ordanceasthesixdelicatearts)ModerndancetoBuddhism(舞偈,ordanceasBudd