中國傳統(tǒng)服飾英文PPT

1、關于中國傳統(tǒng)服飾英文PPT第一張，PPT共六十八頁，創(chuàng)作于2022年6月Chinese Costumes The Chinese costume, which has over 5,000 years history, is just like a long river. And today well present them in three parts, Han Dynasty, Tang Dynasty and Qing Dynasty.Part1 Han FuPart2 Costume in Tang Dynasty Part3 Cheongsam第二張，PPT共六十八頁，創(chuàng)作于202

2、2年6月Han Fu第三張，PPT共六十八頁，創(chuàng)作于2022年6月Hanfu is also known as Hanzhuang or Huafu ，is the traditional dress of the Han Chinese people. The term Hanfu derives from the Book of Han, which says, then many came to the Court to pay homage and were delighted at the clothing style of the Han.（后數(shù)來朝賀，樂漢衣服制度）第四張，PPT

3、共六十八頁，創(chuàng)作于2022年6月Standard stylehistorySpecific styleGallerybody第五張，PPT共六十八頁，創(chuàng)作于2022年6月HistoryHanfu has a history of more than three millennia, and is said to have been worn by the legendary Yellow Emperor. From the beginning of its history, Hanfu (especially in elite circles) was inseparable from sil

4、k, supposedly discovered by the Yellow Emperors consort, Leizu.第六張，PPT共六十八頁，創(chuàng)作于2022年6月 The Shang Dynasty developed the rudiments of Hanfu; it consisted of a yi, and chang, worn with a bixi,. Vivid primary colors and green were used, due to the degree of technology at the time.第七張，PPT共六十八頁，創(chuàng)作于2022年6月

5、the Western Zhou Dynasty，the Hanfu became looser, with the introduction of wide sleeves and jade decorations hung from the sash which served to keep the yi closed. The yi was essentially wrapped over, in a style known as jiaoling youren, or wrapping the right side over before the left第八張，PPT共六十八頁，創(chuàng)作

6、于2022年6月In the Eastern Zhou Dynasty， the “deep robe” (shenyi 深衣) appeared a combination of tunic（束腰外衣） and skirt. The upper and lower halves were cut separately but sewn as a single unit. An additional change was the shaping of the left side of the costume into a corner, fastened on the chest.第九張，PP

7、T共六十八頁，創(chuàng)作于2022年6月Since Song and Yuan, official record used Hanfu to indicate garments Hans wearDuring Liao dynasty, the emperor of Liao and Han officials wear Hanfu, and Empress and Khitan（契丹） officials wear their national clothing.During Yuan dynasty, when editing History of Liao, the officials esp

8、ecially made an entry for Hanfu第十張，PPT共六十八頁，創(chuàng)作于2022年6月The term Hanfu to describe the clothing system of Hans, was not often used within Hans, but was more often used in other ethnic groups and nations, to distinguish the Hans clothing system and their own clothing system第十一張，PPT共六十八頁，創(chuàng)作于2022年6月Stand

9、ard styleHat and head dressInformal dressSemi-formalFormal dressCourt dress第十二張，PPT共六十八頁，創(chuàng)作于2022年6月Hat and headwear-garmentThe style of Han Chinese clothing can be summarized as containing garment elements that are arranged in distinctive and sometimes specific ways. This may be different from the t

10、raditional garment of other ethnic groups in China, most notably the Manchu-influenced Chinese clothes, the qipao, which is popularly assumed to be the solely recognizable style of traditional Chinese garb. A comparison of the two styles can be seen as the following provides第十三張，PPT共六十八頁，創(chuàng)作于2022年6月Y

11、i (衣): Any open cross-collar garment, and worn by both sexesPao (袍): Any closed full-body garment, worn only by men in HanfuRu (襦): Open cross-collar shirtShan (衫): Open cross-collar shirt or jacket that is worn over the yiQun (裙) or chang (裳): Skirt for women and menKu (褲): Trousers or pants第十四張，PP

12、T共六十八頁，創(chuàng)作于2022年6月On top of the garments, hats (for men) or hairpieces (for women) may be worn.One can often tell the profession or social rank of someone by what they wear on their heads. The typical types of male headwear are called jin (巾) for soft caps, mao (帽) for a stiff hats and guan (冠) for f

13、ormal headdress. Officials and academics have a separate set of hats for them, typically the putou (幞頭), the wushamao (烏紗帽), the si-fang pingding jin (四方平定巾; or simply, fangjin: 方巾) and the Zhuangzi jin (莊子巾). A typical hairpiece for women is a ji (笄) but there are more elaborate hairpieces.第十五張，PPT

14、共六十八頁，創(chuàng)作于2022年6月第十六張，PPT共六十八頁，創(chuàng)作于2022年6月第十七張，PPT共六十八頁，創(chuàng)作于2022年6月第十八張，PPT共六十八頁，創(chuàng)作于2022年6月Informal dressTypes include tops (yi) and bottoms (divided further into pants and skirts for both genders, with terminologies chang or qun), and one-piece robes that wrap around the body once or several times (sh

15、enyi).第十九張，PPT共六十八頁，創(chuàng)作于2022年6月 (中衣) or zhongdan (中單): inner garments, mostly white cotton or silk (衫裙): a short coat with a long skirtRuqun (襦裙): a top garment with a separate lower garment or skirt (褲褶): a short coat with trousersZhiduo/zhishen (直裰/直身): a Ming Dynasty style robe, similar to a zhiju

16、 shenyi but with vents at the side and stitched sleeves (i.e. the sleeve cuff is closed save a small opening for the hand to go through)Daopao/Fusha (道袍/彿裟): Taoist/Buddhist priests full dress ceremonial robes第二十張，PPT共六十八頁，創(chuàng)作于2022年6月A typical set of Hanfu can consist of two or three layersThe first

17、layer of clothing is mostly the zhongyi (中衣) which is typically the inner garment much like a Western T-shirt and pants. The next layer is the main layer of clothing which is mostly closed at the front.There can be an optional third layer which is often an overcoat called a zhaoshan which is open at

18、 the front. 第二十一張，PPT共六十八頁，創(chuàng)作于2022年6月Semi-formal dress A piece of Hanfu can be made semi-formal by the addition of the following appropriate items:chang (裳): a pleated skirt bixi(蔽膝): long front cloth panel attached from the waist belt zhaoshan(罩衫): long open fronted coat guan(冠) or any formal hats第

19、二十二張，PPT共六十八頁，創(chuàng)作于2022年6月Formal dressXuanduan (玄端): a very formal dark robe; equivalent to the Western white tieShenyi (深衣): a long full body garment (曲裾): diagonal body wrapping (直裾): straight lapelsYuanlingshan (圓領衫), lanshan (襴衫) or panlingpao (盤領袍): closed, round-collared robe; mostly used for of

20、ficial or academical dress第二十三張，PPT共六十八頁，創(chuàng)作于2022年6月Court dressCourt dress is the dress worn at very formal occasions and ceremonies that are in the presence of a monarch (such as an enthronement ceremony). The entire ensemble of clothing can consist of many complex layers and look very elaborate. Co

21、urt dress is similar to the xuanduan in components but have additional adornments and elaborate headwear. They are often brightly colored with vermillion and blue. There are various versions of court dress that are worn for certain occasions.第二十四張，PPT共六十八頁，創(chuàng)作于2022年6月第二十五張，PPT共六十八頁，創(chuàng)作于2022年6月Specific

22、 StyleHistorically, Han Clothing has influenced many of its neighbouring cultural costumes, such as Japanese kimono, yukata,Korean Hanbok and the Vietnamese o t thn. Elements of Hanfu have also been influenced by neighbouring cultural costumes, especially by the nomadic peoples to the north, and Cen

23、tral Asian cultures to the west by way of the Silk Road.第二十六張，PPT共六十八頁，創(chuàng)作于2022年6月gallery第二十七張，PPT共六十八頁，創(chuàng)作于2022年6月第二十八張，PPT共六十八頁，創(chuàng)作于2022年6月notes第二十九張，PPT共六十八頁，創(chuàng)作于2022年6月第三十張，PPT共六十八頁，創(chuàng)作于2022年6月Costume in Tang Dynasty 第三十一張，PPT共六十八頁，創(chuàng)作于2022年6月1、The brief introduction of costume in Tang dynasty 2、The f

24、eatures of costume in Tang dynasty 3、How does costume in Tang Dynasty come into being? 第三十二張，PPT共六十八頁，創(chuàng)作于2022年6月Brief IntroductionThe clothing materials were exquisite（精美的）The structure was natural, graceful and elegant Adornments were splendid Complimented by elaborate hairstyle, ornaments and face

25、 makeup第三十三張，PPT共六十八頁，創(chuàng)作于2022年6月The general features of womens costume in Tang dynasty：1)topless（上空裝，袒胸裝）2）exposed arm3）oblique(斜的）collar4）large sleeves5）long skirt dressAll of these make it deservethe most typical open clothingstyle. The clothing materials areexquisite, the structure isnatural, gra

26、ceful and elegant,and adornments are splendid. 第三十四張，PPT共六十八頁，創(chuàng)作于2022年6月This is the famous picture簪花侍女圖showing a lady strolling in the courtThe lady was wearing a leno-made upper garment, high-waist skirt and without underdress. This was called “topless”（上空裝，袒胸裝）Mindedness: the open-minded state“綺羅纖

27、縷見肌膚” “蟬翼羅衣白玉人 ”第三十五張，PPT共六十八頁，創(chuàng)作于2022年6月第三十六張，PPT共六十八頁，創(chuàng)作于2022年6月 The open clothing style and its softness and lightness make the womens costume in Tang dynasty so unique and distinctive. 第三十七張，PPT共六十八頁，創(chuàng)作于2022年6月 The Tang women dressed in sets of garments, and each set a unique image in itself. 第三

28、十八張，PPT共六十八頁，創(chuàng)作于2022年6月In general, the Tang womens dressescan beclassified into three categories:（1）Thetraditional ruqun or double layered or padded short jacket that is typical of central China第三十九張，PPT共六十八頁，創(chuàng)作于2022年6月Pattern襦裙(Ruqun)Ruqun（襦裙）is worn by women. When its collar likes the letter “y”,

29、we can called it “交領襦裙”.If its collar likes the number“11”,we can called it “對襟襦裙”. When they are classified by its height of the skirt，we can called them “齊腰襦裙”Which waistband is on the waist. Or “齊胸襦裙”Which waistband is above the chest .第四十張，PPT共六十八頁，創(chuàng)作于2022年6月（ 2）the hufu, or alien dress that cam

30、e from the Silk Road;（3）Cross-Dressing(namely,girls dressed as boys)， the full set of male garments that broke the tradition of the Confucian formalities拘謹,禮節(jié).第四十一張，PPT共六十八頁，創(chuàng)作于2022年6月 After the reign of Tang Emperor Gaozong, purple was used as the garment color for officials above the third grade;

31、light red, officials above the fifth grade; dark green. 第四十二張，PPT共六十八頁，創(chuàng)作于2022年6月officials above the sixth grade; light green, officials above the seventh grade; dark cyan, officials above the eighth grade; light cyan, officials above the ninth grade; and yellow, ordinary people and those who did no

32、t live in the palace.第四十三張，PPT共六十八頁，創(chuàng)作于2022年6月How does costume in Tang Dynasty come into being?第四十四張，PPT共六十八頁，創(chuàng)作于2022年6月First,in Chinese history, the Tang Dynasty (AD618-907) was a period of unity and prosperity when the polity and economy were highly developed.Materialistic abundance and a relative

33、ly relaxed social atmosphere gave the Tang Dynasty an unprecedented opportunity to develop culturally, reaching its height in poetry, painting, music and dance.第四十五張，PPT共六十八頁，創(chuàng)作于2022年6月Second,Based on the progress made in silk reeling and dyeing techniques, the variety, quality and quantity of texti

34、le materials reached an unprecedented height. 第四十六張，PPT共六十八頁，創(chuàng)作于2022年6月 The structure is natural, graceful and elegant, and adornments are splendid.第四十七張，PPT共六十八頁，創(chuàng)作于2022年6月 As an important cultural element, womans costume in various forms in the Tang Dynasty well illustrates the open-mindedness and

35、 affluence during that period.第四十八張，PPT共六十八頁，創(chuàng)作于2022年6月Third, The Tang government was tolerant, and often appreciative of religions, art and culture from the outside world.Though the forms of garments were still the continuation of the Han Dynasty (206BC-220AD) and the Sui Dynasty (581-618), they ha

36、ve distinctive styles by itself being influenced by cultures and arts of the Western Regions. 第四十九張，PPT共六十八頁，創(chuàng)作于2022年6月 Will you accept your girlfriends/ yourselves dressing very open?第五十張，PPT共六十八頁，創(chuàng)作于2022年6月Cheongsam第五十一張，PPT共六十八頁，創(chuàng)作于2022年6月Origin Development第五十二張，PPT共六十八頁，創(chuàng)作于2022年6月OriginnameThe n

37、ame cheongsammeaning simply long dressentered the English vocabulary fromthe dialect of Chinas Guangdong Province. In other parts of the country including Beijing, however, it is known as qipao, which has a history behind it.第五十三張，PPT共六十八頁，創(chuàng)作于2022年6月Qing Dynasty(1644), Manchu, Banner People (qi ren)

38、.1645 Shunzhi, “Tifa Yifu” Policy(剃發(fā)易服)the next 300 years, became adopted by the Chinese. Survived the political turmoil of the 1911 Xinhai Revolution toppled the Qing Dynasty.The history of cheongsam第五十四張，PPT共六十八頁，創(chuàng)作于2022年6月The details of cheongsam shirt is not exposed(衫不露外) the right-side lapellpe

39、l of junctiondkn decorated with buttons(偏襟右衽以盤紐為飾) clothing plus clothing(衣外加衣) increase waistcoatweskt or jacket(增加坎肩或馬褂)第五十五張，PPT共六十八頁，創(chuàng)作于2022年6月 clothes do not get the waist down(衣服上下不取腰身)Rectangular outline(外輪廓呈長方形) Horseshoe-shaped sleeve cover hand(馬蹄袖蓋手) set rolling craft decoration(鑲滾工藝裝飾)flowerpot shoes(花盆鞋)第五十六張，PPT共六十八頁，創(chuàng)作于2022年6月 Frog盤扣Openings衩第五十七張，PPT共六十八頁，創(chuàng)作于2022年6月Embroiderymbrdr 刺繡Front of a garment襟第五十八張，PPT共六十八頁，創(chuàng)作于2022年6月Development From 1914 to 1949第五十九張，PPT共六十八頁，創(chuàng)作于2022年6月Development From 1914 to 1949第六十張，PPT共六十八頁，創(chuàng)作于2022年6月19301940，Peak period